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Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning: a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn’s heading Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the HaydnComplete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

SEK 202.00
1

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

On hearing Joseph Anton Steffan’s (1726 1797) numerous songs or piano works, he can immediately be identified as an original precursor of Romanticism. His harmonically refined “Capricci” whose tempi and metre often change are particularly attractive, although to date they have lain around in archives in manuscript form. We have dug up these treasures and are offering a first edition of the five Capricci with excellent Henle engraving and with a short introductory preface.

SEK 377.00
1

Beethoven Framed Music Engraving Plate : Unique Copy

Beethoven Framed Music Engraving Plate : Unique Copy

This music engraving plate is a unique historic original, handcrafted in the traditional art of music engraving. Up into the 1990s Henle maintained their high quality of sheet music through metal engraving, because until thendigital notation of music was inferior to the possibilities metal offered for visualizing even the finest nuances. The engraving plate is made of an alloy of zinc, antimony and lead. Mounted with an alder wood frame. Comes boxed.Beethoven.

SEK 466.00
1

Alborada del gracioso

Alborada del gracioso

In his Autobiographical Sketch Ravel looks back and stresses the importance of his Miroirs (51480842), published in 1906, for his harmonic evolution. He said that they had disconcerted even those musicians who had been mostfamiliar with my compositional style up to then. This is particularly true of the fourth piece in the collection, Alborada del gracioso (Morning song of the court jester), with its frequent employment of harsh dissonances. Thisboth technically and musically charming genre scene, full of rousing ideas and rhythms, is one of the French composer's best-known piano pieces today. Henle now issues it in a single Urtext edition.

SEK 133.00
1

Zapateado

Zapateado

For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity. For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity.

SEK 176.00
1

Piano Sonata In F Minor Pp. 14

Piano Sonata In F Minor Pp. 14

As is the case with quite a few of his works, there are two versions of Schumann’s opus 14 a three-movement “Concert sans Orchestre” from 1836 and a “Grande Sonate” in five movements from 1853. We do not know the reason for the revision- the publisher of the first version was, however, delighted- he considered the “idea of the concerto” to be very up-to-date. Perhaps Schumann later reacted to what the dedicatee Ignaz Moscheles had said that the piece had “less of the demands of a concerto and more the characteristics of a grand sonata”. In our revised edition, which now also contains the complete early version, the editor Ernst Herttrich provides detailed information on bothversions in an extensive preface and commentary.?

SEK 441.00
1

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

It was by a roundabout route that the autograph score of Haydn’s most important piano work ended up in the New York Library via a collector. Its four leaves contain a fair copy of the work- two leaves with a sketch-like character follow. Haydn composed the work, at the time still entitled “Sonate”, for “Signora de Ployer” (probably the pianist Barbara Ployer associated with Mozart). The variation movement was apparently intended as the beginning of a sonata with several movements. As can be seen from the second part of the autograph score, Haydn later extended the movement and ended it with an expansive Capriccio Coda. The first print already bears the title “Variations”. Themoving masterpiece has been played all over the world under the title “Variations in f minor” ever since.

SEK 770.00
1

Souvenir d'un lieu cher op. 42 : with marked and unmarked string part

Souvenir d'un lieu cher op. 42 : with marked and unmarked string part

“Memory of a dear place” is the title given to this collection of three enchanting pieces for violin and piano. The “place” in question was the country estate of Brailov that belonged to Tchaikovsky’s patron and friend Nadezhda von Meck. He stayed there in idyllic seclusion in May 1878 and completed this work. These pieces were composed very close in time to his Violin Concerto, and they too demonstrate Tchaikovsky’s matchless gifts as a Romantic master of melody. For this edition, the Russian Tchaikovsky specialist Alexander Komarov offers the highest degree of editorial precision, having drawn on all the relevant sources from both Russian and international archives. In thecourse of his work he has also been able to disprove beyond a doubt the view held up to now that the title Souvenir d’un lieu cher was only added after Tchaikovsky’s death.

SEK 218.00
1

Wind Serenade d minor op. 44

Wind Serenade d minor op. 44

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

SEK 261.00
1

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

SEK 579.00
1