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Five Easy Piano Sonates

Five Easy Piano Sonates

This selection of five “easy” sonatas offers advanced students of piano and aficionados the perfect entry point into the singular world of this great composer’s piano sonatas. Arranged in increasing level of difficulty (op. 49, op. 14, and finally op. 2, no. 1), this volume features all the benefits of the new Urtext edition, prepared by maestro Murray Perahia and the Beethoven expert Nobert Gertsch: an extensive preface on the genesis and publication of the works, comprehensive source information and the discussion of problematic readings among the sources, an in-depth essay by Perahia on the sketches and structure of the Sonata op. 14, no. 1, as well as - last but not least! -invaluable fingerings from his pen. This selection of five “easy” sonatas offers advanced students of piano and aficionados the perfect entry point into the singular world of this great composer’s piano sonatas. Arranged in increasing level of difficulty (op. 49, op. 14, and finally op. 2, no. 1), this volume features all the benefits of the new Urtext edition, prepared by maestro Murray Perahia and the Beethoven expert Nobert Gertsch: an extensive preface on the genesis and publication of the works, comprehensive source information and the discussion of problematic readings among the sources, an in-depth essay by Perahia on the sketches and structure of the Sonata op. 14, no. 1, as well as - last but not least! -invaluable fingerings from his pen.

SEK 287.00
1

Waltzes Op.39 : Easy Arrangement

Waltzes Op.39 : Easy Arrangement

Following the publication of the 16 Waltzes for piano four hands, Brahms' publisher succeeded in persuading the composer to do a version for piano solo. After initially hesitating, Brahms suggested two versions, one for cleverhands and one - perhaps for the more beautiful ones. Both versions were published in 1867. The simplified one, which Brahms also called the version for children, not only thins out some of the full chords but also transposescomplicated keys. Thus no. 6 is no longer in C sharp major but in the easier key of C major instead. Henle is now issuing this simplified version of the popular Op. 39 based on the revised musical text of the new Brahms CompleteEdition.

SEK 149.00
1

Two Easy Piano Sonatas : Nos. 19 And 20 Op. 49

Two Easy Piano Sonatas : Nos. 19 And 20 Op. 49

The two piano sonatas op. 49, described in their first publication as Sonates faciles, are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Their relatively high opus number ismisleading, however, for both these two-movement works were composed at roughly the same time as the piano sonatas op. 10, between 1796 and 1798. The fact that they were actually published seven years later is presumably thanks tothe business dealings of Beethoven's brother Carl, who initially offered them to several publishers without success. Finally, in 1805, a Viennese publisher relented and accepted them not yet aware of the treasures that had falleninto his lap. These little masterpieces, cast in an easily manageable format, soon became highly popular. This Henle Urtext edition continues our successful revised series of Beethoven's sonatas under the auspices of MurrayPerahia and Norbert Gertsch.

SEK 128.00
1

Leichte Klavierstücke - Klassik und Romantik - II : Easy Piano Pieces - Classical and Romantic Period - II

Leichte Klavierstücke - Klassik und Romantik - II : Easy Piano Pieces - Classical and Romantic Period - II

The second volume of the Leichte Klavierstücke addresses itself to the somewhat more experienced pianist, and the level of difficulty of the individual pieces fluctuates between levels 3 and 6. The focal point here lies on works of the romantic era: starting with Mozart and Beethoven we stop to briefly enjoy some Schubert before reaching Mendelssohn, Schumann and Chopin, who are followed by Brahms, Liszt and Tchaikovsky. It was our intent to present different genres, such as variations, rondos, dances and the romantic “character pieces” such as, for example, Schubert’s Moments musicaux, Mendelssohn’s Lieder ohne Worte or Chopin’s Préludes

SEK 245.00
1

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy Piano Music - 18th and 19th Century

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy Piano Music - 18th and 19th Century

With this Urtext edition compiled by the expert pianist and piano instructor Walter Georgii, the budding pianist is offered a little overview of the variety of classical-romantic piano literature. The selection and organization is chiefly oriented on the beauty, popularity and performability of the pieces. Behind this is the intent to present to the player a kind of colourful spectrum of interesting works ranging from clear across a wide variety of eras, next to the “great” names, one can also make surprising discoveries of lesser known composers. Volume I contains the easier pieces, while only two reach difficulty level 5, most of the others lie between levels 2 and 4.

SEK 245.00
1

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy PianoMusic - 18th and 19th Century, Volume II

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy PianoMusic - 18th and 19th Century, Volume II

With this Urtext edition compiled by the expert pianist and piano instructor Walter Georgii, the budding pianist is offered a little overview of the variety of classical-romantic piano literature. The selection and organization is chiefly oriented on the beauty, popularity and performability of the pieces. Behind this is the intent to present to the player, in a way, a colourful spectrum of interesting works ranging clear across the largest variety of eras, Next to the “great” names, one can also make surprising discoveries of less well-known composers. Volume II contains the technically more demanding pieces which lie between difficulty levels 3 and 5.

SEK 261.00
1

Piano Sonata D major KV 576

Piano Sonata D major KV 576

From Mozart’s letters we know that he made firm plans in the summer of 1789 to earn money by composing six new easy piano sonatas for Princess Friederike of Prussia. Only this one was written, however, and one would hardly call it “easy.” On the contrary, the sonata in D major K. 576 demands enormous dexterity from the performer, and, all told, it may be the most technically challenging of all Mozart’s sonatas. In English-speaking countries, this rather contrapuntal, structurally-complex composition is called the “Hunt Sonata.” If you listen to the beginning of this eighteenth and final piano sonata by Mozart, you’ll immediately know why.

SEK 128.00
1

Wolfgang Amadeus Mozart: Klaviersonate C-Dur KV. 545

Wolfgang Amadeus Mozart: Klaviersonate C-Dur KV. 545

Who doesn’t know Mozart’s “Sonata facile” of 1788? Yet those who practice this extremely popular piano sonata in C major will realize that it is by no means so “easy” to play. Its nickname does not come from Mozart, but from the title page of the first edition, which was printed only posthumously. No cause for premature celebration, however: in his own autograph catalogue of works, Mozart himself identified it as “a little piano sonata for beginners.”

SEK 96.00
1

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning: a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn’s heading Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the HaydnComplete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

SEK 202.00
1

At The Piano - Liszt 11 Well-Known Original Pieces

At The Piano - Liszt 11 Well-Known Original Pieces

Franz Liszt is still regarded as one of the greatest pianists of all time: a superb virtuoso whose own piano works also bristle with extreme technical difficulties. But no one needs to be afraid of big names. Our carefully chosen selection from Liszt’s immense oeuvre ranges here from the easy to the moderately difficult. These pieces are truly charming, and well-suited for “ordinary mortals”. And for those who reach the end of the volume, there’s a worthwhile reward: perhaps Liszt’s best-known piano piece, the third “Liebestraum” ...

SEK 234.00
1

Beethoven Framed Music Engraving Plate : Unique Copy

Beethoven Framed Music Engraving Plate : Unique Copy

This music engraving plate is a unique historic original, handcrafted in the traditional art of music engraving. Up into the 1990s Henle maintained their high quality of sheet music through metal engraving, because until thendigital notation of music was inferior to the possibilities metal offered for visualizing even the finest nuances. The engraving plate is made of an alloy of zinc, antimony and lead. Mounted with an alder wood frame. Comes boxed.Beethoven.

SEK 466.00
1

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

On hearing Joseph Anton Steffan’s (1726 1797) numerous songs or piano works, he can immediately be identified as an original precursor of Romanticism. His harmonically refined “Capricci” whose tempi and metre often change are particularly attractive, although to date they have lain around in archives in manuscript form. We have dug up these treasures and are offering a first edition of the five Capricci with excellent Henle engraving and with a short introductory preface.

SEK 377.00
1

Dances - Selection : Dances

Dances - Selection : Dances

Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established. In this selection of the loveliest and most frequently played dances, one finds 59 waltzes, 40 ländler or Deutsche as well as four écossaises and a minuet. In selecting the works, care was taken to ensure that individual pieces of more or less the same level of difficulty are grouped together (from easy to medium: 3 to 5).

SEK 261.00
1

Kleine Präludien und Fughetten : Little Preludes and Fugues

Kleine Präludien und Fughetten : Little Preludes and Fugues

This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them- you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works areavailable from Henle both with and without fingerings.

SEK 202.00
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Piano Sonatas Op.49 Nos.1 And 2

Piano Sonatas Op.49 Nos.1 And 2

The opus number of Beethoven’s Easy Piano Sonatas op. 49 is misleading. The pieces were written not long after the Sonatas opp. 2, and most likely in part, at least before his Sonata op. 7. Sketches can be found in the “Kafka Miscellany” sketchbook, which Beethoven used for several years both in Bonn and subsequently in Vienna until the late 1790s. The second sonata seems to be the earlier of the two. The composer also reprised the theme of the second movement, Tempo di Menuetto, for the Menuet in the Septet op. 20. It is one of his best-known piano pieces, which just about every budding pianist encounters early in his lessons.

SEK 117.00
1

Nine Songs Opus 5 : On Poems by Boris Sandler

Nine Songs Opus 5 : On Poems by Boris Sandler

A new work by cult pianist and composer Evgeny Kissin! These nine Yiddish poems were penned by his friend, the author and lyricist Boris Sandler (*1950). Kissin follows in his very folksong-like settings, which are easy for amateur music-lovers to sing and play, the prevailing mood of each poem, the titles of which - such as “Sternlein mit Mandeln” (Little stars with almonds), “Wenn der Kopf kein Topf ist” (When the head isn’t a pot), “Moschl-Kaposchl”, “Was weiss ich” (What do I know) - promise a subtle, cryptic and also entirely profound humour. This Henle edition presents the Yiddish song texts not only in Hebrew letters, but also transliterated into Latin characters, with an appendix additionally offering German and English prose translations of the poems.

SEK 335.00
1

W. A. Mozart: Piano Pieces From The 'Nannerl Music Book'

W. A. Mozart: Piano Pieces From The 'Nannerl Music Book'

Piano Pieces From The 'Nannerl Music Book' contains 17 pieces composed by Wolfgang Amadeus Mozart when he was between five and eight years old. When W. A. Mozart 's sister Maria Anna Mozart, known as Nannerl, started receiving Piano lessons, her father gave her a music book in which he and others gradually wrote down little recital pieces. This book was soon passed on to her brother and, noticing his remarkable talent for composing, the children's father wrote down some of his son's first works in the book. This Henle Urtext edition is taken from the complete volume of Mozart’s Piano Pieces (HN22) and contains a new preface by the editor Ullrich Scheideler. The pieces in this volume are easy to play, making them ideal for beginners.

SEK 165.00
1

Sonata No. 1 F Major

Sonata No. 1 F Major

The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello’s name are to the present day firmly established in the cello repertoire. Although Marcello’s authorship is not undisputed by this time, the composer had already specialised in sacred works the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist and thus the optimal provisions for a class recital!

SEK 155.00
1

Alborada del gracioso

Alborada del gracioso

In his Autobiographical Sketch Ravel looks back and stresses the importance of his Miroirs (51480842), published in 1906, for his harmonic evolution. He said that they had disconcerted even those musicians who had been mostfamiliar with my compositional style up to then. This is particularly true of the fourth piece in the collection, Alborada del gracioso (Morning song of the court jester), with its frequent employment of harsh dissonances. Thisboth technically and musically charming genre scene, full of rousing ideas and rhythms, is one of the French composer's best-known piano pieces today. Henle now issues it in a single Urtext edition.

SEK 133.00
1

Dances for Piano

Dances for Piano

The Menuett, the Deutscher Tanz, the Kontretanz and the Ecossaise were extraordinarily popular social dances during Beethoven’s lifetime. Thus along with sonatas and variations Beethoven on numerous occasions composed easy-to-play dances and dance collections for solo piano, which are brought together in their entirety for the first time in our volume. Beethoven did not give these occasional pieces an opus number, so today they are numbered only as WoO (Werke ohne Opus, or works without opus). A few dances are piano arrangements of orchestral dances, since piano reductions for home music-making were indispensable at that time. As is to be expected from a substantial Urtextedition, the preface and Critical Notes for this important collection deal with the complex source situation of the individual pieces, along with the question of the authenticity of these piano arrangements.

SEK 335.00
1

Sonatinen 3

Sonatinen 3

Through the amiable genre of the “sonatina”, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This third volume contains eight easy to moderately difficult sonatinas from the romantic period by composers such as Fibich, Heller, Kirchner, Raff and Schumann. A number of 19th-century composers took advantage of the generic term “sonatina” in order to evade the high demands being made on the sonata at thattime. Thus the pupil will need to deal here with works that are longer and more demanding in terms of technique and content than those in volumes I and II. For advanced piano pupils!

SEK 335.00
1

Zapateado

Zapateado

For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity. For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity.

SEK 176.00
1

Clarinet Concerto B Flat Major

Clarinet Concerto B Flat Major

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to present them with a true solo concerto. Even though Stamitz left it at just this one concerto, it has enjoyed great popularity since its rediscovery in the 20th century and has become a standard work in the concert repertoire. Due to its moderate technical demands, it is ideally suited for music students as a “first” solo concerto, and as preparation for the more demanding solo parts of Mozart, Weber and Spohr. The newly prepared piano reduction was undertaken with a view to make it easy to play so that also less experienced piano players can undertake the accompaniment of the soloist; a renowned clarinettist, editor Nicolai Pfeffer also contributes suggestions for the cadenzas the result is an ideal Urtext edition for student recitals and music schools.

SEK 224.00
1