95 resultat (0,18348 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Visa alla

Nollställ filter

Produkter
Från
Butiker

Anders Brødsgaard: Arachne (Score)

Anders Brødsgaard: Arachne (Score)

Programme Note A melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together. The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Anders Brødsgaard: Arachne (Parts)

Anders Brødsgaard: Arachne (Parts)

Programme NoteA melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together.The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Niels Marthinsen: The Confessional (Vocal score)

Niels Marthinsen: The Confessional (Vocal score)

INSTRUMENTATON i AKT 13 fløjter, både 2. & 3. dobler på piccolo3 oboer, både 2. & 3. dobler på engelskhorn3 klarinetter: 1. i Eb, A & Bb; 2. & 3. i A & Bb, begge dobler på basklarinet3 fagotter, både 2. & 3. dobler på kontrafagot4 horn i F3 trumpeter i C2 tenorbasuner1 basbasun, dobler på euphonium1 kontrabastuba i BbPauker: d-a, Bb-f, F-c, D-ASynthesizer2 percussionister: 1 bækken på stativ, 2 par bækkener, 1 hi-hat, 2 par kastagnetter,2 sæt rørklokker, 2 stortrommer, 2 tam-tam'er, 1 klokkespil, 2 skralderFørsteviolinerAndenviolinerBratscherCelloerKontrabasser

SEK 2005.00
1

Nies Marthinsen: The Confessional (Score)

Nies Marthinsen: The Confessional (Score)

INSTRUMENTATON i AKT 13 fløjter, både 2. & 3. dobler på piccolo3 oboer, både 2. & 3. dobler på engelskhorn3 klarinetter: 1. i Eb, A & Bb; 2. & 3. i A & Bb, begge dobler på basklarinet3 fagotter, både 2. & 3. dobler på kontrafagot4 horn i F3 trumpeter i C2 tenorbasuner1 basbasun, dobler på euphonium1 kontrabastuba i BbPauker: d-a, Bb-f, F-c, D-ASynthesizer2 percussionister: 1 bækken på stativ, 2 par bækkener, 1 hi-hat, 2 par kastagnetter,2 sæt rørklokker, 2 stortrommer, 2 tam-tam'er, 1 klokkespil, 2 skralderFørsteviolinerAndenviolinerBratscherCelloerKontrabasser

SEK 4128.00
1

Bent Sørensen: Vokalise

Bent Sørensen: Vokalise

Composer Note: Vokalise is another selection from Under the Sky. Ida?s voice has been taken out of the compact orchestral setting, and is left naked and unaccompanied. Vokalise is one scene earlier in the opera than the Cavatina. Ida enters to where her husband, Magius, is sitting. He wants her dress herself up more, become even more beautiful. Ida wants to feel his love. ?...Do you hear the way I call on you at night-time? Do you hear the way I cry myself to sleep?Do you hear the way I long to feel your skin? I?m burning up with your coldness.I want you, my beloved, I want you to love me.? She is disappointed, and loses the last remnant of love when she finds out that her beauty and adornment are only to be used in a power game between two men. --Bent Sørensen

SEK 150.00
1

Juliana Hodskinson: All My Friends Really Are Superheroes (Horn + Electronics)

Juliana Hodskinson: All My Friends Really Are Superheroes (Horn + Electronics)

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll, others taken from the internet), and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts, the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request.

SEK 514.00
1

Peter Bruun: Solhymne (Player's score)

Peter Bruun: Solhymne (Player's score)

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll, others taken from the internet), and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts, the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request.

SEK 342.00
1

Poul Ruders: Violin Concerto No.2 (Score)

Poul Ruders: Violin Concerto No.2 (Score)

Ruders writes: My second concerto for violin and orchestra is a ?reverse? cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way, but whereas the cello concerto is composed as one, uninterrupted stretch, the violin concerto is formally completely different: there are 4 movements, each of them combined via a ?ritornello?, a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape, i.e. the length varies from time to time.

SEK 1087.00
1