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Anders Brødsgaard: Arachne (Parts)

Anders Brødsgaard: Arachne (Parts)

Programme NoteA melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together.The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Anders Brødsgaard: Arachne (Score)

Anders Brødsgaard: Arachne (Score)

Programme Note A melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together. The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Bent Sørensen: Vokalise

Bent Sørensen: Vokalise

Composer Note: Vokalise is another selection from Under the Sky. Ida?s voice has been taken out of the compact orchestral setting, and is left naked and unaccompanied. Vokalise is one scene earlier in the opera than the Cavatina. Ida enters to where her husband, Magius, is sitting. He wants her dress herself up more, become even more beautiful. Ida wants to feel his love. ?...Do you hear the way I call on you at night-time? Do you hear the way I cry myself to sleep?Do you hear the way I long to feel your skin? I?m burning up with your coldness.I want you, my beloved, I want you to love me.? She is disappointed, and loses the last remnant of love when she finds out that her beauty and adornment are only to be used in a power game between two men. --Bent Sørensen

SEK 150.00
1

Juliana Hodskinson: All My Friends Really Are Superheroes (Horn + Electronics)

Juliana Hodskinson: All My Friends Really Are Superheroes (Horn + Electronics)

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll, others taken from the internet), and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts, the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request.

SEK 514.00
1

Peter Bruun: Solhymne (Player's score)

Peter Bruun: Solhymne (Player's score)

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll, others taken from the internet), and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts, the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request.

SEK 342.00
1

Poul Ruders: Violin Concerto No.2 (Score)

Poul Ruders: Violin Concerto No.2 (Score)

Ruders writes: My second concerto for violin and orchestra is a ?reverse? cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way, but whereas the cello concerto is composed as one, uninterrupted stretch, the violin concerto is formally completely different: there are 4 movements, each of them combined via a ?ritornello?, a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape, i.e. the length varies from time to time.

SEK 1087.00
1

Niels Marthinsen: Two Resurrections (Score And Part)

Niels Marthinsen: Two Resurrections (Score And Part)

Two Resurrections for Violin and Piano, composed by Niels Marthinsen in 2015. Dedicated Signe Madsen and Erik Kaltoft. Programme note: Resurrection is the act of bringing something back to practise, notice, use or vibrancy - never mind raising the dead.I've brought new life to two forgotten works of mine by subtly merging them into each other and touching them up with 20 extra years of craftmanship.So they're reworked; reimagined - but still a Blast from the Past: I've remained true to the way we used to do it back in the 90ties.(Niels Marthinsen)

SEK 506.00
1

Poul Ruders: Event Horizon (Piano)

Poul Ruders: Event Horizon (Piano)

Programme NoteThe name Event Horizon was coined by the brilliant British physicist Stephen Hawking to describe the circumference of a so-called "black hole", the remains of a collapsed star with a gravity-pull so powerful, so that not even light can escape from it.This 5-minute study for piano has - needles to say - nothing to do with black holes, but the term "event horizon" fascinates med and strikes me as near-perfect description of virtually any stretch of organized sound evolving in time, e.g. a musical composition with a strong linear focus.So - "Event Horizon" it is, as seamless composition of high density, evolving in three parts: swingning-ricocheting-sweeping, a musical journey of speed, from fast to furiously fast, a study based on a high economical compositional material constantly renewing itself, the hands running parallel, separating, meeting again. The discreetest use of pedaling is advised ...Poul Ruders May 2001

SEK 233.00
1