Digital synlighed. Målbart afkast.

Apartment House Exercise

Exercise 25 (Liyashizwa)

Sight-Sing Well: Exercise Book

String Quartet Exercise Out Of Songs

String Bass exercise out of Bandiera Rossa

Exercise 24 (J. C.s Bread and Roses)

Exercise 39 for Two or More Players : any Sound Sources

The Machine Age : A Set of Short Piano Pieces for our Time

Right@Sight Grade Two : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will preparestudents to tackle whatever music they may want to play. Designed for students working at Grade 2 Piano.

Right@Sight Grade Five : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will preparestudents to tackle whatever music they may want to play. Designed for students working at Grade 5 Piano.

Right@Sight Grade Four : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will preparestudents to tackle whatever music they may want to play. Designed for students working at Grade 4 Piano.

Right@Sight Grade Six : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will preparestudents to tackle whatever music they may want to play. Designed for students working at Grade 6 Piano.

Right@Sight Grade Seven : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will preparestudents to tackle whatever music they may want to play. Designed for students working at Grade 7 Piano.

Basics (Violin) : 300 excercises and practice routines for the violin

Basics is a collection of 300 practice methods and exercises for the Violin. It can be used by players of all standards, from concert Violinists to students. Much of the material is also suitable for teaching elementaryplayers.Each exercise is designed to achieve the maximum possible result in the least possible time. Some are very short and need to be done only once or twice to explore a particular aspect of technique. Others arepractice routines or warm-up exercises that can be returned to regularly.

Right@Sight Grade Eight : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams. This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise. Right@Sight willprepare students to tackle whatever music they may want to play. Designed for students working at Grade 8 Piano.

Right@Sight Grade One : a progressive sight-reading course

Sight-reading is one of the most important skills for any musician and should certainly not be seen as a chore for passing exams! This progressive sight reading course takes a refreshingly direct approach and the helpfuland imaginative guidance encourages the student to meet the various challenges they face in and out of examinations. Becoming a good sight-reader takes practice and regular exercise with Right@Sight will prepare students totackle whatever music they may want to play. Designed for students working at Grade 1 Piano.

Aus Der Heimat

One of the most important Czechoslovakian composers, Bedrich Smetana, was at the forefront of Bohemia’s movement toward musical nationalism. This piece, Aus Der Heimat (From the Native Country), harks back to andcelebrates his nationalistic pride and patriotism. A superb chamber work for Violin and Piano.

Noster Nostri

Commissioned by Jo McNally for the 2016 AMIS European Middle School Honor Boys Choir Festival at Frankfurt International School. Noster Nostri explores the idea of the past and the present, as seen from a male perspective — that of son, brother,father. It looks back through history, adopting a melodic and harmonic style that could have been written over a century ago.

Salutation

Salutation was originally composed for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore (1861–1941). The music takes up the spiritual message of the poem, that we live our lives in one salutation to God ending back in an eternal home. Phillip Littlemore's brilliant arrangement for concert band adds a work of great contemplative beauty to the repertoire.

Salutation

Salutation was originally composed for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore (1861–1941). The music takes up the spiritual message of the poem, that we live our lives in one salutation to God ending back in an eternal home. Phillip Littlemore's brilliant arrangement for concert band adds a work of great contemplative beauty to the repertoire.

The GCSE Composition Course: Teachers Book

The GCSE Composition Course comprises a Teachers Book and four themed 'Project Books', providing everything needed to manage a successful GCSE Composition programme across the examination boards. The Teachers Book contains:An outline of the content of each project book. Introductions and checklist reminders for each project. Back-up guides to supervising and completing the projects. A selection of 'Kick-Start' ideas - short, quickexercises to get composing activities up and running. Integrating listening, performing and improvising activities. Notes on ancillary activities: evaluation, working to a brief and keeping a log.Teaching-pointguidance and suggestions for classroom and project management.

Piano Sonata A major K331 : K331

New edition based on the recently-discovered partial autograph from Országos Széchényi Könyvtár Budapest.This new Urtext edition of Mozart’s Piano Sonata in A major K331 (300i),with the famous final Rondo ‘Alla turca’, draws on a recently-discovered autograph source to create a version which has substantial differences – particularly in the six variations and the Menuetto – toearlier editions.In the preface, the editor, Klaus Burmeister, considers this new edition within the history (dating back to 1784) of printed editions of the sonata, particularly at Edition Peters. The editor alsopaysparticularly attention to the specific use of articulation marks, as Mozart learned to use them from his father Leopold.