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Leichte Renaissancemusik - Easy Renaissance Music

Leichte Renaissancemusik - Easy Renaissance Music

In this selection Miklós Mosóczi has gathered together mainly 16th century instrumental and vocal dances in a two-part arrangement, in order that even beginners on the guitar may become acquainted with the rich and attractive literature of that period. In addition to the works written originally for the lute, this selection includes pieces for the virginal and two choral songs, since musical taste in that period regarded as conceivable and permissible the transcription of a given work for any kind of instrument. Among the composers whose works appear in this volume are John Bull, Daniel Friderici, Hans Leo Hassler, Valentin Haussmann, Melchior Neusidler and Tylman Susato.

SEK 157.00
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Renaissancemusik für zwei Gitarren : für 2 Gitarren

Renaissancemusik für zwei Gitarren : für 2 Gitarren

The lute, an instrumental relative of the guitar, has a rich and valuable chamber literature, particularly from the Renaissance period. Apart from the dance music fashionable at the time, transcriptions of vocal pieces for the keyboard were also popular. (Often the composer himself transcribed his own madrigals as songs with lute accompaniment or as solo lute pieces.) In this volume compiled by the well-known guitar and chamber music teacher Erzsébet Nagy, part of the material consists of transcriptions for two guitars of Renaissance madrigals and songs with lute accompaniment, the remaining pieces represent the dance music of the period in simplified form, the selection alsoincludes two original lute duets by John Dowland.

SEK 147.00
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3 Concerti Facili per Violoncelle e Piano

3 Concerti Facili per Violoncelle e Piano

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh’s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos: the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb: they are playable after 4-5 years’ intensivestudy of the instrument.

SEK 186.00
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