Digital synlighed. Målbart afkast.

Pentaton in memoriam R. M.

Drei Lieder nach Gedichten von M. Radnóti

Zwei Lieder nach Texten von M. Babits und A. Tot : nach Texten von M. Babits und A. Tóth

2 Polkas (Annen-Polka, Pizzicato-Polka) Radetzky-M

Restless Autumn : Solokantate für Baritonstimme auf Gedichte von M. Radnóti

Dalok H. Heine, N. Lenau es R. M. Rilke verseire

Kleines Akkordlexikon für Gitarre 5000 Akkorde m : 5000 Akkorde mit 1420 Abbildungen

Klaviersonaten in Einzelausgaben op.13 op. 13 c-M : op. 13 c-Moll, Pathétique'

Des écrits d'un musicien : 9 fantasies

I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi m me. Moderato III. Maternité. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle décline : et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e

A zene hatalma. Chorus Phantasy on poems Babits M. : children's choir and orchester or piano

The Eternal Corridor, für gem. Chor a cappella ode : und Instrumentengruppe nach einem Gedicht von M. Babits

Kantate Nr. 1 Egyedül az erdöben für Sopranstimm : für Sopranstimme und Kammerorchester nach Gedichten von M. Eminescu

Papierschnitzel op. 5 Vier Lieder für Sopran, Kla : Vier Lieder für Sopran, Klarinette und Violoncello nach Gedichten von M. Radnóti

Csongor és Tünde. Oper in 3 Akten : 3. Akt Libretto von A. Bozay auf Grund des Dramas von M. Vörösmarty

Ligatura-Message to Frances-Marie op. 31b : (The answered-unanswered question)

The original version of the piece, Message to Frances Marie, op. 31a was composed for cello solo with two bows for the American cellist Frances Marie Uitti. The subtitle refers to the title of a composition by Charles Ives. The condensed piece of Webernian density which is built upon a homogeneous sequence of chords can be played by three different groups of instruments: A: one cello with two bows, two violins and celesta B: two cellos, two violins and celesta C: two organs and celesta (or upright piano). Written in 1989 the premiere of the work was given at the ISCM Festival in Oslo by F.-M. Uitti, Kjell Arne Jörgensen and Eileen Siegtel in September 25,1990.

Sutraecitations for soprano or tenor voice-for m : for soprano or tenor voice-for mezzo-soprano or bariton voice and four players. Spielpart.

Sutraecitations is vocal music composed for tenor (soprano) or bariton (mezzo-soprano) voice, three clarinets, the amplified sounds of piano, an amplifier, loudspeakers, two tuned glasses, and unidentified source(s) of noise. The piano primarily acts as a resonator. The vocal sounds at times - via microphone and an amplifier - reach a loudspeaker which is placed in close proximity to the strings of the piano. The strings are thus vibrated, while the right-foot pedal is depressed. The lyrics are sentences taken from the English version of the mahayana buddhist Avatamsaka Sutra (translated as The Flower Ornament Scripture by Th. Cleary). The original version was composed in1990-1995, the version for mezzo-soprano or baritone voice was composed in 1996. (BMC CD 013)

Suites op. 5 pour flute trav. (flute o bec, hautb : pour flute trav. (flute à bec, hautbois, violon) e basse continue

The cycle of suites for flute and basso continuo, Op. 5 is J.-M. Hotteterre's second important set of works in this genre. The first published as Op. 2 has a special significance in the history of music and for performing practice. The composer added namely to the second edition of the work sufficient information concerning ornamentation and performance. (For the modern critical edition of Op. 2 see volume Z. 13901 of the Urtext Series of EMB.) Hotteterre's Op. 5 published in the present edition is an organic continuation of Op. 2. This fact was also emphasized by the composer himself who entitled them "Premier Livre" and "Deuxiéme Livre" on publication. The ornamentsand directions for performance occur here just as copiously as in the revised edition of "Premier Livre".

Csongor es Tünde. Oper in 3 Akten op. 31 1. Akt - : 1. Akt - Libretto von A. Bozay auf Grund des Dramas von M. Vörösmarty

Csongor es Tünde. Oper in 3 Akten op. 31 2. Akt - : 2. Akt - Libretto von A. Bozay auf Grund des Dramas von M. Vörösmarty

Trance - for violin solo and ensemble (2013)

Trance means an altered state of mind in which a person becomes capable of communicating with spirits by the means of a ritual. Echo like sounds have a significant role in the piece, they were achieved by aleatoric as well as metric materials. Our p rehistoric ancestors experienced echo as a side effect of rituals they performed, basically they heard the echo of their own voices but they believed these sounds came from their ancestors. As 2013 was the 90th anniversary of György Ligeti's birth, m y piece pays respect to his musical heritage. In this regard the piece references Ligeti's artistic aesthetics and in some cases uses direct musical quotations.(Máté Bella, 2013)Thework won first prize at the 2013 New Hungarian Music Forum In memoriam György Ligeti composer's competition in chamber music category. It was premiered by Katalin Kokas and the Hungarian Radio Symphony Orchestra conducted by Gergely Vajda on 25 September 2013 in Budapest.