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Jingle Bell Rock : Variable wind quintet

Jingle Bell Rock : Variable wind quintet

Jingle Bell Rock is the name of a famous Christmas song. Ever since it was first released by Bobby Helms in 1957, it is frequently broadcast around Christmas time every year. It has been performed by many artists, but the version by Helms is still the best known. Its title and some of its lyrics have been taken from the traditional Christmas standard Jingle Bells. There are also brief references to other popular songs, such as Rock Around the Clock. Helms’ version of the song was performed in the crossover style known as rockabilly, and nowadays it sounds more like country than rock ’n roll. A noteworthy cover version of the song was recorded by Bill Haley &his Comets (who scored an enormous hit with the aforementioned Rock Around the Clock in the 1950s) in 1968 for United Artists Records. Intended for a seasonal single release, it was decided not to release the recording, and it was considered lost for almost thirty years until it was eventually issued in the mid-1990s. Other artists who have covered Jingle Bell Rock include Hall & Oates, Billy Idol, Hilary Duff and Girls Aloud.Available parts:Part 1 C' FlutePart 1 C'' OboePart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 3 C Bassoon, Trombone, EuphoniumPart 3 Eb Alto Clarinet, HornPart 3 F HornPart 4 C Bassoon, Trombone, EuphoniumPart 4 Bb TC Tenor Saxophone, Trombone, Baritone, EuphoniumPart 4 Bb BC Trombone, EuphoniumPart 5 C' Bassoon, Trombone, Euphonium, Double BassPart 5 C'' BassPart 5 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 5 Bb BC Trombone, Euphonium, BassPart 5 Eb TC Baritone Saxophone, BassPart 5 Eb BC Bass

SEK 424.00
1

The Bell of Hope : Festival Overture

The Bell of Hope : Festival Overture

The piece was commissioned by Shobi College of Music (Tokyo, Japan) for their entrance ceremony for freshman students in 2010, premiered by Shobi Ceremonial Wind Orchestra (Hirohisa Takanashi, conductor).In the introduction, woodwinds and euphonium play a solemn passage, followed by a brilliant fanfare in brass and percussion. After the heart-warming middle section, banda trumpets and trombones play a polyphonic passage, which leads to a grand andmagnificent finale to conclude the work. This is a short but solemn and impressive piece that suits any kind of festival, ceremony and concert.

SEK 305.00
1

The Bell of Hope : Festival Overture

The Bell of Hope : Festival Overture

The piece was commissioned by Shobi College of Music (Tokyo, Japan) for their entrance ceremony for freshman students in 2010, premiered by Shobi Ceremonial Wind Orchestra (Hirohisa Takanashi, conductor).In the introduction, woodwinds and euphonium play a solemn passage, followed by a brilliant fanfare in brass and percussion. After the heart-warming middle section, banda trumpets and trombones play a polyphonic passage, which leads to a grand andmagnificent finale to conclude the work. This is a short but solemn and impressive piece that suits any kind of festival, ceremony and concert.

SEK 1128.00
1

Pisa

Pisa

The Leaning Tower of Pisa is the freestanding bell tower (campanile in Italian) next to the Cathedral of Pisa (Duomo di Pisa). This creation built by the masters Guglielmo and Bonanno Pisano can be found on the Piazza dei Miracoli. The main motif of the composition symbolizes the three bells of the tower resounding over the city. This motif will keep returning in different forms throughout the work. In the introduction, the bells alternate with religious sounds from the Duomo Santa Maria Assunta. Then spirituality changes into worldliness: a popular theme that echoes the city’s inhabitants’ zest for life. The fact that the tower already started tilting in 1173, shortly after the start of the construction, is expressed in a downward motif of certain instruments versus instruments that remain at the same pitch. After that, we hear a lyrical melody that sings the praises of the most beautiful features of the city. Then the bell motif sounds again, followed by a soft, slow passage commemorating the dead of the city. This leads to a parade of festive wind bands coming from the villages of the province of Pisa, all of them on their way to the worldfamous leaning tower, followed by a conclusion with the bell motif in its most exuberant version.

SEK 831.00
1

Christmas Bells

Christmas Bells

As the title suggests in Christmas Bells, bells play the leading part. This medley begins with bell chiming on the CD (this comes with the set), after which the band come in with a solid chord. During the short introduction, the bells still sound in the background. Following this sparkling introduction three well-known Christmas melodies are heard. Roland Kernen chose Kling Glöckchen klingelingeling, Süßer die Glocken nie klingen and, of course, Jingle Bells! A fantasic work to end any Christmas concert.

SEK 286.00
1

Christmas Bells

Christmas Bells

As the title suggests in Christmas Bells, bells play the leading part. This medley begins with bell chiming on the CD (this comes with the set), after which the band come in with a solid chord. During the short introduction, the bells still sound in the background. Following this sparkling introduction three well-known Christmas melodies are heard. Roland Kernen chose Kling Glöckchen klingelingeling, Süßer die Glocken nie klingen and, of course, Jingle Bells! A fantasic work to end any Christmas concert.

SEK 1396.00
1

Christmas Bells

Christmas Bells

As the title suggests in Christmas Bells, bells play the leading part. This medley begins with bell chiming on the CD (this comes with the set), after which the band come in with a solid chord. During the short introduction, the bells still sound in the background. Following this sparkling introduction three well-known Christmas melodies are heard. Roland Kernen chose Kling Glöckchen klingelingeling, Süßer die Glocken nie klingen and, of course, Jingle Bells! A fantasic work to end any Christmas concert.

SEK 1396.00
1

Carol of the Bells : Variable wind quartet

Carol of the Bells : Variable wind quartet

The Carol of the Bells is the most famous of at least four different Christmas carols that are based on the Ukrainian Bell Carol which is part of a large choral work called Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). It was first performed by students of Kiev University in December 1916.The tune is an adaptation of an old ‘shchedrivka’, a song traditionally sung on Ukrainian New Year's Eve (January 13th) which hopes for good fortune in the year to come. In his lyrics for Shchedryk, Leontovych refers to the legend claiming that when Jesus was born, all the bells on earth started ringing in his honour.Available parts:Part 1 FlOb Kl B/Es S-Sax Trp Part 2 Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos Euph Tuba Kb

SEK 350.00
1

Elburg Fantasy

Elburg Fantasy

This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.

SEK 2040.00
1

Elburg Fantasy

Elburg Fantasy

This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.

SEK 558.00
1