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Kaija Saariaho: Notes On Light

Notes On Light by Kaija Saariaho for cello and chamber ensemble. Full Score.

Kaija Saariaho: Notes on Light

Kaija Saariaho's Notes on Light was commissioned by the Boston Symphony Orchestra, Musical Director James Levine, and given its first performance on 22nd February 2007 at Symphony Hall, Boston, USA, by the cellist Anssi Karttunen, with the Boston Symphony Orchestra, conducted by Jukka-Pekka Sarastre.

Hans Werner Henze: Olly On The Shore

The world premiere of Hans Werner Henze?s Olly on the Shore took place on 1 July 2001 in La Leprara, Marino, Italy, given by Martin Zehn, piano, as part of a birthday tribute concert for the composer?s seventieth birthday.Duration: c.2 minutesA recording of Olly on the Shore, performed by Rolf Hind, is available on the London Sinfonietta Label, Catalogue Number: SINFCD12004

On the Palmy Beach

A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019 by Ruby Hughes (soprano), Natalie Clein (cello) and Julius Drake (piano).

Game On : piano and commodore 64

For piano and Commodore 64, Game On, Cheryl Frances-Hoad writes, 'was inspired variously by Game Theory, Commodore 64 gaming music, the stock market and financial crash, and the constant presence of technology in modern day life.' For information on procuring the electronics part, please write to promotion@wisemusic.com.

Michael Nyman: Strong On Oaks, Strong On The Causes Of Oaks

This work was written by Michael Nyman towards the end of 1997, commissioned by the English Sinfonia to celebrate the orchestra's taking up residence in Stevenage, Hertfordshire. The first performance was given by the English Sinfonia under Bramwell Toevy at the Royal Festival Hall, London, on 14 April 1998.Duration c. 17mins. Instrumentation:; 2 FLUTES; 2 OBOES; 2 CLARINETS IN Bb; 2 BASSOONS; 2 HORNS IN F; 2 TRUMPETS IN Bb; TIMPANI; STRINGS

De Falla/Chavchavadze: Suite On Themes From El Amor Brujo

Suite On Themes From El Amor Brujo for solo Piano.

Mystery Variations On A Theme By Colombi

A series of short pieces dedicated to renowned cellist Anssi Karttunen, presented during a concert in celebration of his fiftieth birthday in Helsinki in 2010. The concert was based around the Mystery Variations, a series of musical "gifts" composed by a variety of major composers of today, to be played by Anssi himself, and all based on Colombi's Ciaconna.

Peter Maxwell Davies: March On The Pole Star (Score)

This is a full score, and the parts are also available on sale.An ebullient piece, in a simplified yet still very distinctive harmonic and rhythmic style arranged for brass quintet.

Weir On Buying A Horse Med Vce/Pf Bk

On Buying A Horse is a work for Medium Voice and Piano by Judith Weir . This piece received its first performance on 18th February 1992 in the Queen's Hall, Edinburgh by the Edinburgh Contemporary Arts Trust. A performance lasts around 2 minutes. Please note that this version for Medium Voice and Piano cannot be used as a Vocal Score for the version found in 'Horse D'Oeuvres', which differs in rhythm and metre and is scored for Voice and Ensemble.

Tilo Medek: Sensible Variationen - On A Schubert Theme (Score/Parts)

Full score and parts for these variations composed by Tilo Medek between 1972 and 1973, for Flute, Violin and Cello. Based on Franz Schubert's Rosamunde.

Michael Nyman: On The Fiddle For Violin And Piano

On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five, is a version of the Shakespeare song setting made for Prospero's Books (1990). The second 'Angelfish Decay', is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For 'On The Fiddle' a piano part has been added. The final piece 'Miserere Paraphrase', was written for use in The Cook, The Thief, His Wife And Her Lover (1989), and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. First performed on 27 August 1993. Duration c.15 mins. Score and part included.

Philip Glass: Knee Play 2 (Einstein On The Beach)

An instrumental movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the second of five Knee Play pieces used to punctuate the Opera between acts. Written for violin and organ.

Philip Glass: Knee Play 4 (Einstein On The Beach)

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the fourth of five Knee Play pieces used to punctuate the Opera between acts. Written for TTBB chorus and violin.

Philip Glass: Knee Play 1 (Einstein On The Beach)

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the first of five Knee Play pieces used to punctuate the Opera between acts. Written for SATB chorus and organ

Hugh Wood: Paraphrase On 'Bird Of Paradise' Op.26

This piece is a paraphrase of a song that Wood wrote between 30 January and 1 February 1983 to a poem by Robert Graves called ?Bird of Paradise?.The music is continuous, but falls into five sections, of which the first three are variations on the emerging material of the song. In the fourth (which is the loudest), the original vocal line may most clearly be heard: it has been somewhat extended both in length and in register. In the fifth and final section, the pianoforte plays the song line in the manner of a chorale; and later the clarinet recapitulates the closing phrase of the song quite fairly exactly. The opening of the song is heard on the highest register of the clarinet before the close.'Paraphrase' was written for Nicholas Cox and was first performed with Vanessa Latarche at the Wigmore Hall on 4 March 1985. It was composed during 1984/85.

Philip Glass: Knee Play 5 (Einstein On The Beach)

A choral work by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the last of five Knee Play pieces used to punctuate the Opera between acts. Written for SA chorus, organ and violin.

The Last Flower On Earth Vocal Score

Cyril Ornadel and Kelvin Reynolds. A new ecological musical in two acts set 30 years into the future. The rivers and land are polluted and the children of the village have never seen a flower, bee or sheep. Twelve lively musical numbers plus reprises by Cyril Ornadel, composer of such famous West End musicals as ?Pickwick?. Songs include ?The Factory?, ?Live For Today?, ?Rainbow Valley?, ?Tree Spirits? and ?For Tomorrow?. Four principal parts and 12 further speaking roles. Orchestral parts on hire.

Philip Glass: Knee Play 3 (Einstein On The Beach)

A choral work by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. The work is based upon overlapping repeating rhythmic motives, with 5 Knee Play pieces used to punctuate the Opera between acts. Written for unaccompanied SATB chorus.

Lennox Berkeley: Improvisation On A Theme Of De Falla Op.55 No.2

Work for piano based on a theme from Manuel de Falla's ballet 'El Amor brujo'.

The Last Flower On Earth Lyrics and Libretto

Cyril Ornadel and Kelvin Reynolds. A new ecological musical in two acts set 30 years into the future. The rivers and land are polluted and the children of the village have never seen a flower, bee or sheep. Twelve lively musical numbers plus reprises by Cyril Ornadel, composer of such famous West End musicals as ?Pickwick?. Songs include ?The Factory?, ?Live For Today?, ?Rainbow Valley?, ?Tree Spirits? and ?For Tomorrow?. Four principal parts and 12 further speaking roles. Orchestral parts on hire.

Michael Nyman: On The Fiddle For Cello And Piano

On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five, is a version of the Shakespeare song setting made for Prospero's Books (1990).The second Angelfish Decay, is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added.The final piece Miserere Paraphrase, was written for use in The Cook, The Thief, His Wife And Her Lover (1989), and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus.This version for cello and piano written in 1997. Duration c.15 mins.

On White Meadows (Bass)

On White Meadows (Baritone)

Philip Glass: Knee Play 4 (Einstein On The Beach) Violin Part

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the fourth of five Knee Play pieces used to punctuate the Opera between acts. Written for TTBB chorus and violin.