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Pawel Szymanski: Two Studies For Piano (Autograph Facsimile)

Pawel Szymanski: Two Studies For Piano (Autograph Facsimile)

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw, where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In the meantime, in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck, and in 1978, 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt, working also with the Experimental Studio of the Polish Radio in 1979-81, the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar, Szymanski continued his studies with Roman Haubenstock-Ramati in Vienna in 1984-85, and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89, worked at the Electronic Studio of the Technische Universitaet.The Two Studies for solo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off the first at about 6.03. The second glitters in Mozartian gemwork.

SEK 196.00
1

Pawel Szymanski: Two Studies For Piano

Pawel Szymanski: Two Studies For Piano

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw, where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In the meantime, in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck, and in 1978, 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt, working also with the Experimental Studio of the Polish Radio in 1979-81, the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar, Szymanski continued his studies with Roman Haubenstock-Ramati in Vienna in 1984-85, and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89, worked at the Electronic Studio of the Technische Universitaet.The Two Studies for solo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off the first at about 6.03. The second glitters in Mozartian gemwork. Transcribed into computer notation by Jacques Bailhé.

SEK 246.00
1

Judith Weir: Truly I Tell You

Judith Weir: Truly I Tell You

The Vocal Score for Judith Weir 's Truly I Tell You , a setting of three different Biblical passages, from Psalms and Mark's gospel. This work was first performed by the Choir of Westminster Abbey at the Commonwealth Day Observance on the 9th of March 2015. It is arranged for SSATB Chorus and Organ. Truly I Tell You is a setting of Psalms 8: 4-10 and 34: 1-4 and Mark 10: 15. The thread that marries these three texts together is the comparison between man and the name of God, the literal exposition of the word of God (working beautifully within the context of such a brilliantly-composed piece of music), and the hopeful entering of God's kingdom in general. In the December 2015 edition of RSCM Church Music Quarterly Magazine, the reviewer states that this piece is "highly recommended" and is a "useful church anthem that is not too difficult". Judith Weir is a British composer whose music often draws influence from her many extra-musical interests, such as medieval history and Scottish traditional music. In 2005, Weir received a CBE for her services to music, and in 2014, she was appointed the Master of the Queen's Music, becoming the first female holder of a post which dates back to 1626.

SEK 107.00
1