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Endless Forms Most Beautiful

Endless Forms Most Beautiful

The Essential Collection: Classical Gold (CD Edition)

The Essential Collection: Opera Gold (CD Edition)

A Garland For Linda

Michael Nyman: Songs And Arias For Soprano And Piano

Burgon: The World Again (Score)

Joby Talbot: Desolation Wilderness (Trumpet/Piano)

Ludovico Einaudi: Film Music

Ludovico Einaudi: Film Music

Ludovico Einaudi 's beautifully evocative music lends itself so perfectly to use in films that for many years directors have been using it to complement their images. 17 of the best examples of his music for film over the past two decades are included here in this Film Music collection, arranged for solo Piano. Perhaps the most well-suited of all  Einaudi 's film collaborations have been with directors Olivier Nakache and Eric Toledano on their hugely successful films 'Intouchables' and 'Samba'. From these two films come nine of Einaudi 's most wonderful works, including Time Lapse and the heartbreaking Una Mattina . The collaboration that brought Einaudi  the most success in the UK was his music for Shane Meadows' 'This Is England'. The songs Dietro Casa, Oltremare and Ritornare  are included in Film Music , their stark minimalism fitting for such a fantastically atmospheric film. Many more of Einaudi 's works are included in Film Music , including selections from 'Comes A Bright Day' ( Berlin Song ), 'Insidious' (the astonishing  Nuvole Bianche ) and, most recently, his compositions for Russell Crowe's 2015 film 'The Water Diviner', for which he wrote The Water Diviner and Newton's Cradle . Also included is a fascinating introduction to each film, letting you find out about how the song was used as well as learning how to play it. This luxurious collection of cinematic sheet music is perfect for fans of Ludovico Einaudi  as well as film lovers who appreciate the power of a marriage of music and image. The Einaudi  sheet music that's included in Film Music  is printed on high quality paper in a lovely volume, with accurate transcriptions and crisp engravings. The book itself and the emotive contemporary classical music inside will ensure that you won't take this off your music stand for a long time. Einaudi 's Piano music draws its influence from a number of sources, but the style is uniquely his own. His music and its suitability to film and television has led to international popularity and, consequently, has inspired a vast number of pianists to play this incredible music themselves. With Ludovico Einaudi 's Film Music , you can learn 17 of the composer's pieces from his most popular work in film, letting you remember where you first heard the heart rending melodies of this contemporary classical superstar. A masterclass in film composition,  Film Music  is an essential songbook for all pianists.

SEK 305.00
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John Harle: Arcadia

John Harle: Arcadia

Arcadia is a work for Violin, Soprano Saxophone and Piano, inspired by the painting 'Pastoral for E.W.' by John Craxton. As a painter, John was sometimes dubbed a 'neo-Romantic', but much preferred the term 'Arcadian' - hence the title of the piece. Pastoral for E.W. was painted in 1948 in St John's Wood after one of John's early trips to the island of Crete, and is a homage to Peter Watson, (co-founder of the magazine 'Horizon' and the Institute of Contemporary Arts), who was one of John's early mentors.In a letter in 1986, John recounted that: "?Pastoral for P.W.?: was a celebration of the power of music. My sister (the distinguished oboist Janet Craxton) was learning the oboe on the same floor at the time, and the house was full of her scales and exercises coupled with my discovery that goats, which seem to be daemonic, willful and undisciplined, are held in thrall by the sound of a flute - or have I gone a step further and frozen them into my geometry with a paint brush? I suppose the flautist was in origin myself, but a very emblematic me!" Ian Collins in his book 'John Craxton' (2011 Lund Humphries) says of Pastoral for E.W.: "A pipe-player and a herd of goats are held in a rugged grid of semi-cubist triangles. While references to Dionysus and Orpheus may be noted, it is essentially a fanfare for the ongoing life, light and landscape of Greece". The music of Arcadia is also Grecian in inspiration. The traditional folk melodies Skaros Epirotikos, Vari Pogonisio, Ouzak To Tragoudhi Tis Xentias and Pentozalis - Pentozalis are present in Arcadia, after I researched the type of music that John would have heard in Crete in the late 1940's. In a letter of 3rd May 1984, John said that he was also listening to Stravinsky's Symphony in 3 Movements "over and over again at the same time when I first started the painting", and aspects of the beginning of the last section of Arcadia (Allegro Moderato) pay homage to the Stravinsky, in an attempt to create something of the aural landscape that John would have been experiencing during his painting of Pastoral for E.W. As a personal friend, John was always encouraging and colourful in his comments about the music I played at the Craxton house in Hampstead (where I continue to rehearse and teach), and some of the jazzier themes and tonalities in Arcadia are simply the sort of music that would get him enthused, and (almost) dancing.ARCADIA is written for and dedicated to the memory of John Craxton RA (1922 - 2009).JOHN HARLE.The first performance of Arcadia was given by Pavel Spørcl (Violin) John Harle (Soprano Saxophone) and Steve Lodder (Piano) In a concert for The Craxton Trust on September 23rd 2012 at Craxton Studio, Hampstead, London. A recording is available on Sospiro Records.

SEK 484.00
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