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Gospel recitations for the St. Mark Passion

Gospel recitations for the St. Mark Passion

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach’s lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach’s colorful figured “tonal language”. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. Thecello part comprises also all the other pieces from the St. Mark Passion Carus 31.247.

SEK 600.00
1

Gospel recitations for the St. Mark Passion

Gospel recitations for the St. Mark Passion

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach’s lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach’s colorful figured “tonal language”. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. Thecello part comprises also all the other pieces from the St. Mark Passion Carus 31.247.

SEK 218.00
1

Erhard Karkoschka: Komponistenporträt I und II

Erhard Karkoschka: Komponistenporträt I und II

Erhard Karkoschka is not only a composer but he is also active throughout the world as a lecturer and conductor. The Composer Portraits I and II reflect the versatility and the breadth of his creative output. Traditional as well as modern aspects play and important role in his music. Thus he is equally at home working with Gregorian chant, in an atonal idiom or even using plain noise. Likewise, his instrumental music displays a wide range, from works for recorder, to electronic music: He employs an extensive spectrum of sound, which offers him multi-facetted possibilities for musical expression.

SEK 282.00
1

Lore-Ley II. Deutsche Volkslieder für Frauenchor

Lore-Ley II. Deutsche Volkslieder für Frauenchor

Shortly after the publication of the first volume of Lore-Ley for mixed choir, we began receiving a lot of inquiries for such a collection for women’s and girl’s choirs. Soon, a sequel, Lore-Ley II, was published with over 130 lieder for this scoring. The Pfälzische Kurrende, under the direction of Carola Bischoff a two-time winner of the German choral competition has now recorded 29 of these Volkslieder [folk song] classics. Many of these arrangments by well-known contemporary composers were specially written for this collection and are recorded here for the first time. In addition to examples with classical harmony there are selections with modern elements ofstyle, also in a light, jazzy manner. The CD should stimulate the singing of folk songs and offer choral conducters an aural impression of these choral collections already published.

SEK 205.00
1

Wilhelm Friedemann Bach: Kantaten II

Wilhelm Friedemann Bach: Kantaten II

Wilhelm Friedemann Bach was Director of Music in Halle from 1746 to 1764. This position was in many respects similar to that of Johann Sebastian Bach’s in Leipzig. Certainly, in performing his duties Friedemann Bach largely followed the example of his father whether in matters of organ playing, choice of repertoire or making demands of the musicians. W. F. Bach was required to perform a cantata every third week and also on all feast days. The cantatas and Mass compositions performed here for the first time are works from this era outstanding artistic contributions to the genre of the church cantata after J. S. Bach. Under the direction of Jürgen Ochs the eightsingers of the Rastatter Hofkapelle perform both the choral as well as solo passages.

SEK 249.00
1

Wilhelm Friedemann Bach: Claviermusik II

Wilhelm Friedemann Bach: Claviermusik II

Wilhelm Friedemann Bach [1710 84] was one of the most outstanding, yet at the same time, most idiosyncratic composers of his time. His work reflects his ambitious attempt to assimilate his father’s legacy and to develop it further to suit the taste of his own generation. This becomes apparent in his keyboard music from the early works to the late sonatas and fantasias. The oldest Bach son delights us here with his appealing synthesis of highly complex baroque and sensitive gallant styles. Léon Berben’s inspiring performances profoundly emphasize the significance of this music and continue the Carus series of works by Wilhelm Friedemann Bach.

SEK 249.00
1