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Wolfgang Amadeus Mozart: Litaniae [Carus Classics]

Wolfgang Amadeus Mozart: Litaniae [Carus Classics]

The Carus Classics series features outstanding CD productions from Carus’ past library of recordings. The series has been designed exclusively by the well-known graphic artists Friedrich Forssman und Cornelia Feyll. Mozarts Litanies and Vesper settings are works which are convincing due to the musical liberties which they display, through the joy of experimentation and through their variety of form. “… the performers’ joy of making music and the differentiated shaping by Tõnu Kaljuste shows the quality of the compositions.” [Musica sacra, 2000]

SEK 143.00
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Pastoralmusik für Orgel, Band 2 : Deutschland, Böhmen, Österreich, Südtirol

Pastoralmusik für Orgel, Band 2 : Deutschland, Böhmen, Österreich, Südtirol

This volume presents 64 Pastorale compositions for organ [harpsichord/pianoforte] of the 18th century from Germany, Bohemia, Austria and South Tyrol. Charming melodies shaped by natural notes, bordoun basses, a lyrical-cheerful or sensitive tone these are some of the common characteristics of the works in this collection. Several of them are connected to the custom of the "Kindlwiegen" or cradle song. Those in search of new discoveries will also find a number of first editions here. Almost all of the pieces can be played manualiter and range from easy to moderate level of difficulty. Together, both Pastorale volumes display an impressive kaleidoscope of the different nationalcharacteristics of the pastorale and offer a rich repertoire for organists, not only at Christmas time.

SEK 589.00
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Chanson triste : E flat major - 2,4

Chanson triste : E flat major - 2,4

The few works which Henri Duparc composed and left to posterity display a deep preoccupation with grief and pain, coupled with a great fear of loneliness. His Chanson triste (Sad Song), composed in 1868 or 1869, was one such work. Duparc treasured it so much that he made an orchestral version of it in 1912. He set texts by contemporary French poets such as Charles Baudelaire, Sully Prudhomme, and Henri Cazalis, who wrote under the pseudonym Jean Lahor. Denis Rouger, founder and director of the figure humaine chamber choir, has arranged art songs for solo voice and piano for his ensemble, in the process carefully adapting these to the needs and expressive possibilities offered bya larger ensemble. Music edition for the successful CD “Kennst du das Land...” (Carus 83.495).

SEK 89.00
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Josef Gabriel Rheinberger: Die Wasserfee

Josef Gabriel Rheinberger: Die Wasserfee

The works of the composer Josef Gabriel Rheinberger are mostly unknown today. In the later 19th century in mid-Europe he was quite well-known. Rheinberger’s compositional oeuvre is certainly not restricted to the realm of sacred music. He repeatedly occupied himself with the solo lied, publishing eleven lied collections containing altogether more than 100 songs between 1862 and 1890. In their musical language, Rheinberger’s lieder look for models not among his contemporaries, but in the early 19th century, in Schubert, Mendelssohn and Schumann. Rheinberger’s predominant use of the strophic form hearkens back even further, to the “Second Berlin Lied School” around CarlFriedrich Zelter. But, Where Schubert or Hugo Wolf would have emphasized the dark, despairing aspects of a poem, Rheinberger’s lieder display an almost Haydnesque clarity. Most of the songs recorded on the present CD Die Wasserfee [Water sprite] are first recordings.

SEK 249.00
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Orgelschule zur historischen Aufführungspraxis : Teil 3. Die Moderne

Orgelschule zur historischen Aufführungspraxis : Teil 3. Die Moderne

Volume 3 [in German] contains articles by different authors on the interpretation of organ music of the 20th century [ranging from the early modern era to the avantgarde]. The chapters are not structured based on a pre-existing mould or pattern. Rather they display stylistic diversity personal recollections appear together with analytical studies. Jon Laukvik’s Historical Performance Practice in Organ Playing has become a standard work. It is addressed to organists who wish to integrate the latest knowledge of historical performance practice into their playing today. The insights of this three-volume series are the result of practical and scholarly research whichpresent to the performer in a detailed, easily understandable form a precise view of the customs and goals of performance in previous eras. These volumes are directed not only to organists, but also to organ teachers who are looking for a guide for use in their instruction.

SEK 886.00
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Sämtliche Motetten. Werkausgabe. Neue Ausgabe 2014

Sämtliche Motetten. Werkausgabe. Neue Ausgabe 2014

In the new edition, the collection of 67 motets [Carus 4.100] is expanded by the addition of two three-choir motets and three choral songs; the foreword and Critical Report have been updated, reflecting the latest state of research. “... the most important body of motets between Johann Sebastian Bach and Felix Mendelssohn ...” [Frieder Bernius]. During his lifetime Homilius was regarded as one of the most famous and productive composers of sacred music, but in the 19th century he fell into oblivion. Only now is he being recognised in his role as one of the most important composers of the ‘Empfindsamer’, or sensitive, style. His motets clearly display the compositionalcharacteristics of early classicism: the counterpoint is subordinated to the simple harmonies, the regularly-structured themes follow the ideal of the ‘unity of sentiment’ and of ‘pleasing, natural singing’. The collection contains something for all occasions and every level of difficulty. The informative foreword contains details about the composer’s life and work, together with suggestions for performance practice. A detailed Critical Report completes the edition.

SEK 1406.00
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