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Sonate C-Dur Opus 1/2

Francesco Barsanti's Sonata In C for Treble Recorder or Flute with Basso Continuo. Selected for ABRSM and Trinity Guildhall grade 8 Treble Recorder examinations. Edition no.: HM 183

My Ladye Nevells Booke : Facsimile British Library MS Mus. 1591

One of the finest music manuscripts – for scholarly and practical useMy Ladye Nevells Booke is one of the finest musical manuscripts of the late 16th century. With its 42 compositions, itcomprises about a third of the keyboard music by William Byrd – including some of his most popular compositions such as the variations on “Sellinger’s Round” and “All in a Garden Green”.Byrd himself selected the pieces for this anthology and directed the work of copyist John Baldwin. The meticulous, small corrections, found on almost every page, were most probably written by Byrd himself. Thegrandcoat-of-arms at the beginning refers to Sir Henry Neville of Billingbear (Berkshire) and as such identifies his wife Elizabeth as the dedicatee.The manuscript did not become public property until 2006 when it waspurchased for the British Library. Now it is published in book form for the first time and gives the musician an impression of the richly decorated preserved original volume.In his commentary, Byrd specialist OliverNeighbour describes the genesis and history of the work. He also provides information on Byrd’s concept, the chosen repertoire and gives technical details on the notation.

Kantaten zu den Sonntagen Cantate bis Exaudi : Kantaten BWV 108, 166/ BWV 86, 87/ BWV 37, 43, 128/ BWV 44, 183

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor : for Harpsichord and Strings

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.5 In F Minor

In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor, BWV 1056, is the fifth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model isnowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228), two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.1 in D minor : BWV 1052

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-minor Concerto, BWV 1052, forms the opening item in Bach’s autograph score of hissix harpsichord concertos, BWV 1051 to BWV 1057 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). Bach scholars are unanimously in agreement that the piece was transcribed from a violin concerto in the same key. Theoriginalconcerto, although no longer extant today, can be reconstructed with some degree of certainty from its various transcriptions.Urtext of the New Bach EditionFull score & parts (BA5224), two-keyboardreduction (BA5224-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord In G Minor : G minor BWV 1058

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord.Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor, BWV 1058, is the lastcomplete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. Ms. Bach 234). However, it only came to occupy this position later when the manuscriptwasbound. It stands at the very outset of the genesis of this group of works, and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this casethe original model, the Concerto for Violin and Strings in A minor (BWV 1041), has survived, thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score& parts (BA5230), two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Harpsichord Concerto No.3 in D major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto, BWV 1054, originated as a transcription of Bach’s Violin Concertoin E major, BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234), where BWV 1054 forms the third item. Toaccommodatethe upper limit of the harpsichord keyboard, Bach decided to transpose the piece down a whole tone, which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concertoowes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement, aform otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226), two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos)available for sale

Harpsichord Concerto No.3 in D major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto, BWV 1054, originated as a transcription of Bach’s Violin Concertoin E major, BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234), where BWV 1054 forms the third item. Toaccommodatethe upper limit of the harpsichord keyboard, Bach decided to transpose the piece down a whole tone, which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concertoowes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement, aform otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226), two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos)available for sale

Harpsichord Concerto No.3 in D major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto, BWV 1054, originated as a transcription of Bach’s Violin Concertoin E major, BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234), where BWV 1054 forms the third item. Toaccommodatethe upper limit of the harpsichord keyboard, Bach decided to transpose the piece down a whole tone, which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concertoowes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement, aform otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226), two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos)available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale