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Missa Popularis : SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]

Missa Popularis : SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]

As the name suggests, the “Missa Popularis” has its musical roots in folk music. This becomes clear in the very first bars of the Kyrie, where the violin plays amelody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet. The choral parts enable performances by female choir or mixed choir. In the latter case the string quartet is reinforced by a double bass. The version for female choir was premièred in Poznan on 25 April 2015, with Alicja Szeluga conducting the Skowroniki Girls Choir. (Level of difficulty: moderate)

SEK 239.00
1

Concert D Op.22

Concert D Op.22

The series 'Bärenreiter’s Concert Pieces' presents Concerto In D Op.22 (Student Concerto) by Friedrich Seitz.All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by KurtSassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. Theseeditions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continued and willintroducestudents to more demanding repertoire with a gradually increasing level of difficulty.

SEK 186.00
1

Allegro for Violin and Piano G Major

Allegro for Violin and Piano G Major

The series 'Bärenreiter’s Concert Pieces' presents a new edition of Allegro in G by Joseph-Hector Fiocco.All editions contain a solo violin part and a piano part for the piano accompanist.The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful firstconcerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continuedandwill introduce students to more demanding repertoire with a gradually increasing level of difficulty.

SEK 152.00
1

Missa Popularis

Missa Popularis

Set of parts ( Violin I,II; Viola; Cello; Bass)As the name suggests, the “Missa Popularis” has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie, where theViolin plays amelody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The Choral parts enable performances by femalechoir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for female choir was premièred in Poznan on 25 April 2015, with Alicja Szeluga conducting the SkowronikiGirlsChoir.also available for sale full score (BA7420) & vocal score (BA7420-90)

SEK 313.00
1

Calm Seas And Prosperous Voyage Op.27

Calm Seas And Prosperous Voyage Op.27

Bärenreiter’s critical edition of Felix Mendelssohn Bartholdy’s “symphonic poem” overture Calm Sea and Prosperous Voyage edited by Christopher Hogwood, belongs to ourseries of seven overtures by the 19th century master. Calm Sea and Prosperous Voyage is known today only in the version from 1834 and our new edition offers a critical edition of this version. But unknownto modern ears is an early version with an additional 50 bars of this overture from 1828 which only survives in a manuscript copy from the composer’s estate. Bärenreiter offers for the first time the 1828versionin score and parts followed by the 1834 version in score and parts - A must for every orchestra and library - Includes two versions back to back - Full score & parts (BA9057) available for sale

SEK 727.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 143.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 143.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 2159.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 143.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 143.00
1

Symphony No. 7 D Minor Op. 70

Symphony No. 7 D Minor Op. 70

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement wasshortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’scello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendixas well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains theoriginal London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

SEK 143.00
1

Symphonie Fantastique Op. 14 : Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France

Symphonie Fantastique Op. 14 : Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France

Facsimile of the autograph score held in the Bibliothèque nationale de FranceDocumenta musicologica II/532920 pp. of facsimile and 12 pp. of Commentary (Eng/Ger/French)Half-leather binding Loveand insanity, tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided extremes, neither in his life nor in his oeuvre. His entire Symphonie fantastique is pervaded by a musical “idéefixe” representing a woman he adored. The symphony brought about his breakthrough and has remained popular ever since. The impact of his masterly approach to composition, especially in the treatment oftheorchestration, could still be felt in the 20th century. Berlioz revised the work for years before it finally reached its definitive version. He entered many of these changes in the autograph score, which was also usedfor performances, by pasting strips of paper over the bars or parts in question. This facsimile edition, in high-quality four-colour reproduction, presents the manuscript as it is today – with strips of paper that can befolded out, making both versions visible. Hugh Macdonald, General Editor of the New Berlioz Edition, explains the work’s genesis and presents particular passages from each movement.

SEK 8862.00
1

Zehn Choralvorspiele

Zehn Choralvorspiele

The Ten Choral Preludes for Organ are intended for both liturgical purposes and concert performance. For this reason the notation is written in two staves, which is not usual for the Organ. The former of thetwo purposes forced the composer to respect certain limitations of technical complexity, so that even an untrained organist could perform the pieces. The themes to each overture are taken from Bohemian Brethren chorales, whichappear in their original form as brief “intonations” in the first few bars preceding each overture. The piece was composed in 1971.Contents:O, svetlo, Trojice svatá / Es geht daher des Tages Schein / Oh, Light, theHolyTrinity.Ej, nuz lacn , z zniv / Wohlauf, die ihr hungrig seid / Ye Who Are Hungry and Trinity.D ky vzdávám / Ich Dank dir schon durch deinen Sohn / I giv Thank.In Natali Domino.Jiz zasla slunce záre / Hinunterist der Sonne Schein / The Sunshine Has Departed.Umucen N. P. Jezu Krista / Jesu Kreuz, Leiden und Pein / The Suffering of Our Lord Jesus Christ.O, clovece, povstaniz / Sonne der Gerechtigkeit / Oh, Man, Arise.Hr chusvych oplakej / Es sind doch selig alle / Bewail Thy Sins.Nastala noc / Die Nacht ist gekommen / Night Has Fallen.Jat jsem v tom rozveselen / Lob Gott getrost mit Singen / I Rejoice In It

SEK 207.00
1

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bachoriginally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications[BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV1046a), which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement aswell as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing inthe later score, the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1

Brandenburg Concerto No.1 In F major BWV 1046

Brandenburg Concerto No.1 In F major BWV 1046

Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New BachEditionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a), which according to the editor of the editionHeinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score, the oboe slurs and trills in m.12are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1

Selected Piano Pieces - Schumann, Robert

Selected Piano Pieces - Schumann, Robert

Robert Schumann's "Scenes of Childhood" op. 15 (1838), "Album for the Young" op. 68 (1848) and "Forest Scenes" op. 82 (1848/1849) play a major role when learning how to play the piano, as they occupy an important place in the transition from piano methods to the great piano literature. At the same time, they provide a wonderful introduction to the world of Romanticism. When Schumann composed the "Scenes of Childhood", he was not yet married to Clara and was fighting her father's disapproval. When he wrote the "Album for the Young", whose starting point was a small collection of his own pieces and arrangements of pieces by other composers for his eldest daughter's 7th birthday, Clara had already given birth to five children and lost one again. While in the "Scenes of Childhood" a reflection on childhood takes place, the "Album for the Young" actually consists of pieces for early piano lessons. Finally, the "Forest Scenes," written almost in parallel, go down in history as prime examples of Romantic character pieces in their idealization of nature as well as an expression of escapism against the backdrop of the revolutionary events of 1848/49. This collection of eleven pieces from all three work cycles is published as part of a series of popular works from the Bärenreiter catalogue for the 100th anniversary of the publishing house. The pieces are taken from the following Bärenreiter Urtext editions: "Scenes of Childhood" op. 15 (BA09639), "Album for the Young" op. 68 (BA09641), "Forest Scenes" op. 82 (BA09640). In the "Album for the Young", in addition to the famous "Advice to Young Musicians" (German, English and in Liszt's French translation), the appendix contains further pieces from the compositional environment of the Album that were unpublished during Schumann's lifetime. In all three editions, Clara Schumann's original pedal markings are included for the first time. The fingerings by Ragna Schirmer take into account historical performance practice - Clara Schumann's fingerings served as an essential starting point - as well as playing on the modern concert grand piano. · Entrance No. 1 from: Forest Scenes op. 82 · Lonely Flowers No. 3 from: Forest Scenes op. 82 · Of Distant Lands and People No. 1 from: Scenes from Childhood op. 15 · Blind Man’s Bluff No. 3 from: Scenes from Childhood op. 15 · Melody from: 43 Piano Pieces for the Young op. 68 · The Happy Farmer, Returning from Work from: 43 Piano Pieces for the Young op. 68 · A Horseman’s Piece from: 43 Piano Pieces for the Young op. 68 · The Poor Orphan from: 43 Piano Pieces for the Young op. 68 · Little Harvest Song from: 43 Piano Pieces for the Young op. 68 · Souvenirs from the Theatre from: 43 Piano Pieces for the Young op. 68 · Reverie No. 7 from: Scenes from Childhood op. 15   Volume / SeriesBÄRENREITER URTEXT Instrumentation of the workPiano solo Language(s) of textGerman, English Product formatPerformance score, Urtext edition CommentsExcerpt from BA09639, BA09640, BA09641 BindingStapled Pages / Format15 S. - 31,0 x 24,3 cm

SEK 101.00
1

Complete Letters in 12 Volumes : Set of 12 Books and CD-Rom

Complete Letters in 12 Volumes : Set of 12 Books and CD-Rom

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture. As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated. This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe. The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made. This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos. The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived. The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete). - German text only

SEK 16743.00
1