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Brandenburg Concerto No.5 In D Major BWV 1050

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the ''Early Version'' BWV 1050a.The six BrandenburgConcertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ notonly with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibilitytoplay these earlier versions perhaps even along side the version known today.

Brandenburg Concerto No.5 In D Major BWV 1050

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the 'Early Version' BWV 1050a.The six Brandenburg ConcertosBWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only withregard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibility to playtheseearlier versions perhaps even along side the version known today.

Brandenburg Concerto No.4 In G, BWV 1049

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musicalheritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also attimes different tones, different rhythms, instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlierversionsperhaps even along side the version known today.

Brandenburg Concerto No.4 In G, BWV 1049

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musicalheritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also attimes different tones, different rhythms, instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlierversionsperhaps even along side the version known today.

Brandenburg Concerto No.5 In D Major BWV 1050

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the ''Early Version'' BWV 1050a.The six BrandenburgConcertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ notonly with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibilitytoplay these earlier versions perhaps even along side the version known today.

Brandenburg Concerto No.5 In D Major BWV 1050

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the ''Early Version'' BWV 1050a.The six BrandenburgConcertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ notonly with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibilitytoplay these earlier versions perhaps even along side the version known today.

6 Moravian Duets Arranged By Leos Janacek

Moravian Duets, a popular composition that was originally intended for home music-making, won young Dvorak a scholarship and relieved him of financial worries; after the composition was published bySimrock, it also launched Dvorak's international career.Shortly after their publication, Leos Janacek arranged six duets from Op. 29 and Op. 32 for four-part mixed choir using Dvorak's Pianoaccompaniment. Janacek thus extended the choral repertoire by adding six highly rewarding pieces which are included in this edition.The basis for this edition is Janacek's choral score published in 1939byJosef Plavec. The Piano part, Czech text and German translation by Kurt Honolka were taken, without any changes, from the Complete Critical Edition of Works by Antonin Dvorak.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands. Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Hradcany Songs : Cycle for womens choir on text by F. S. Procházka

Hradcany SongsCycle for women's choir on texts by F. S. Procházka The first two months of 1916, during wartime, was the only period during which Janacek wrote for female voices alone, thus responding to thesituation of the time when the majority of men had to leave to fight in the war. For the recently established Moravian Female Teachers' Choral Association he wrote, among others, settings of three patriotic poems by FrantisekSerafin Prochazka: Golden Lane (Zlata ulicka), The Weeping Fountain (Placici fontana) and Belvedere(Belveder). They were published under the title Hradcany Songs. The score contains a preface in three languages(Cz./Ger./Eng.).

Requiem K.626 : Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr

Requiem K.626 The Requiem, completed by Franz Xaver Süssmayr, in its traditional form.Mozart’s final work, the Requiem K.626, was left incomplete and it is fraughtwith questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.The completion of the fragmentary score by hisassistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the NewMozartEdition- Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Requiem K.626 : Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr

Requiem K.626 The Requiem, completed by Franz Xaver Süssmayr, in its traditional form.Mozart’s final work, the Requiem K.626, was left incomplete and it is fraughtwith questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.The completion of the fragmentary score by hisassistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the NewMozartEdition- Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Requiem K.626 : Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr

Requiem K.626 The Requiem, completed by Franz Xaver Süssmayr, in its traditional form.Mozart’s final work, the Requiem K.626, was left incomplete and it is fraughtwith questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.The completion of the fragmentary score by hisassistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the NewMozartEdition- Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Requiem K.626 : Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr

Requiem K.626 The Requiem, completed by Franz Xaver Süssmayr, in its traditional form.Mozart’s final work, the Requiem K.626, was left incomplete and it is fraughtwith questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.The completion of the fragmentary score by hisassistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the NewMozartEdition- Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bachoriginally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications[BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV1046a), which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement aswell as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing inthe later score, the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

Brandenburg Concerto No.1 In F major BWV 1046

Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New BachEditionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a), which according to the editor of the editionHeinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score, the oboe slurs and trills in m.12are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

Gloria

Vocal score based on the Halle Handel Edition. By George Frideric Handel. Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For Soprano solo, Violin 1, Violin 2, Basso continuo. Piano Reduction/Vocal Score. HWV deest.Duration 16'. Published by Baerenreiter-Ausgaben (German import). (BA4248 90) ISBN M006520121.

By The Rivers of Babylon

Concert G Hobo

About Concerto in G minor for Flute (Oboe) and OrchestraUrtext after a newly discovered source. By George Frideric Handel. Edited by Terence Best. Arranged by Andreas Kohs. For Flute, Piano. Piano Reduction/Vocal Score; UrtextEdition (paperbound). HWV 287. Published by Baerenreiter-Ausgaben (German import). (BA8533 90) ISBN M006521142.

Schwäbische Dorfbilder : Interconnecting text by Eugen Bauer

Erstes Spielbuch -

Four Minuets by Joseph Haydn arranged by the Editor for Clarinet and Piano or 2 Clarinetn and Baßstimme (Bassoon, Violoncello) Performance score, set of parts clarinet/piano Hæftet udgave