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Piano Pieces - Klavierstücke

Piano Pieces - Klavierstücke

Otilie Suková was the daughter of Antonín Dvo ák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings.Four of her piano pieces have survived; Suk wrote them down after his wife’s performance. "Lullaby”, “Humoresque” and “Joey on the Horsie” were published four years after her death as a supplement to the periodical Zlatá Praha. “To Dear Daddy” appears here for the first time in print. It is based on two manuscripts; the first is Suk's manuscript, the second is Otilie's clean copy of Suk's manuscript. - First scholarly-critical edition of the sole survivingcompositions of Dvo ák’s daughter Otilie - “To Dear Daddy” published for the first time - Pieces of moderate technical difficulty also suitable for advanced students - Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor

SEK 175.00
1

Works for Violin and Piano

Works for Violin and Piano

This edition contains all of Janá ek’s works for Violin and Piano - the Sonata as well as the Romance and Dumka, composed while he was still a student.Though probably written as early as 1914, Janá ek’sSonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leoš Janá ek(Vol. E/1) with a clearer notation to optimise readability.For the Dumka the editor has drawn on the sole autograph source, the Violin part (still considered lost when the above mentioned Complete Edition volumewaspublished), and the revised version contained therein. Unlike the first edition, it also contains Janá ek’s detailed dynamic markings.Newly engraved edition with notation adapted to conform with modernusage.Revised version of Dumka with original dynamic markings.Foreword by leading Janá ek scholar Alena N mcová (Cz/Eng/Ger)

SEK 340.00
1

String Trio No.1 H.136

String Trio No.1 H.136

The fate of Bohuslav Martinu's String Trio no.1, which dates from the turn of 1923 and 1924 and was lost until 2005, is somewhat remarkable. The trio is the first work which Martinu created in Paris after becomingthe private pupil of Albert Roussel and was probably performed twice in Paris during 1924. It had its Czech premiere in February 1925 and Martinu requested his friend S. Novak to make sure that they didn't lose the scores of thethings they played, because he did not have any sketches or copies.Precisely that which Martinu feared then occurred - the sole existing version of the trio was lost; it was not until the autumn of 2005 that theautographof the trio (the score and parts for the viola and cello - the violin part is still missing) was found at the Danish Royal Library in Copenhagen thanks to the searches of the Bohuslav Martinu Institute and it is afterthis autograph that this edition has arisen.

SEK 303.00
1

String Quartet No.6 H.312 - Study Score

String Quartet No.6 H.312 - Study Score

An informative preface and critical commentary by Ales Brezina and Ivan Straus (Cz / Ger / Engl / Fr) - A new, practical edition at the forefront of Martinu scholarship - All existing sources consulted.The StringQuartet no. 6 by Bohuslav Martinu (1890-1959) represents a distinct step on the journey which the composer characterised as his development from geometry to fantasy and for which the almost continuous use of theprinciple of developing variations, restless harmonic development, the pulsation of minute rhythmic values and inventive work with sound are characteristic.The quartet, which was written in New York in the autumn of1946,constitutes the beginning of the composer's later works, in which moods freely overflow regardless of any predefined formal layout. The editors of the new edition (based on the composer's autograph) have carefully removed allof the problematic and somewhat arbitrary editorial intervention in the sole existing edition dating from 1950 (actually 1955).With its urtext edition of the 6th quartet, Editio Bareneriter Praha has continued in itsseries of new publications of works by Bohuslav Martinu - quartets nos. 4 and 5 have already been published for this instrumental line-up.

SEK 366.00
1

Grande Sestetto Concertante For String Sextet : for String Sextett

Grande Sestetto Concertante For String Sextet : for String Sextett

For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts.Mozart’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. Hewrote it in 1779 after returning from Paris and Mannheim.For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year,particularly the arrangements for Piano four-hands and Piano trio.This arrangement for String Sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertanteinstrumentsinteract with the other strings.This edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna StamperiaChimica in 1808.The editor, Christopher Hogwood, recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takesinto account both the original print and the text from the “New Mozart Edition”.New edition of a historical transcription for String Sextet (1808)Available in print again after almost twocenturiesAlso suitable for Chamber OrchestraDetailed preface and critical report (Eng./Ger./ Cz .)Includes facsimiles

SEK 404.00
1

Alto Saxophone Concerto Op.109 (Full Score) : E flat major

Alto Saxophone Concerto Op.109 (Full Score) : E flat major

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 366.00
1

Alto Saxophone Concerto Op.109 (Violin II)

Alto Saxophone Concerto Op.109 (Violin II)

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 107.00
1

AltoSaxophone Concerto Op.109 (Cello)

AltoSaxophone Concerto Op.109 (Cello)

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 107.00
1

Alto Saxophone Concerto Op.109 (Double Bass)

Alto Saxophone Concerto Op.109 (Double Bass)

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 107.00
1

Concerto : E flat major

Concerto : E flat major

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 345.00
1

Alto Saxophone Concerto Op.109 (Violin I)

Alto Saxophone Concerto Op.109 (Violin I)

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 107.00
1

Alto Saxophone Concerto Op.109 (Viola)

Alto Saxophone Concerto Op.109 (Viola)

The Concerto For Alto Saxophone And Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard Saxophone repertoire. The sole survivingautograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains theoriginal version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also containssomeperformance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying String Orchestra. Evidencefrom this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of itscomposition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes theoriginal and new solo cadenzas.- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr.- With an Urtext solo Saxophone part and a second part prepared by Carina Raschèr.- Informativeforeword (Ger/Eng).- Full score & performance material (BA8732) and Saxophone & Piano reduction (BA8732-90) available for sale.

SEK 107.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 1480.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 133.00
1

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00
1