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Concerto For Piano, Violin And Violoncello In C : Triple Concerto

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

The scholarly core of editor Jonathan Del Mar’s work is the critical commentary, a thorough description and discussion of all sources and a bar-by-bar analysis of their differences and comparative authenticity. InBeethoven’s Triple Concerto, a Piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical Piano trio settingin contrast to the Orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the Orchestra (particularly the Cello), using two solo instruments together in ever new combinations, andfinallybringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral, Piano, Violin and Cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter’s newUrtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources,editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with allnecessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previouseditions.

SEK 579.00
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Parsifal : Autograph: National Archive of the Richard Wagner Foundation Bayreuth

Parsifal : Autograph: National Archive of the Richard Wagner Foundation Bayreuth

Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for itscompositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day.Wagner wrote the autograph score almost entirely inviolet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as aguarded treasure.The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophileappearance.In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript.

SEK 8937.00
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Beethoven Goes Jazz

Beethoven Goes Jazz

Ludwig van Beethoven had the ability to create an entire musical universe from the most unassuming and minuscule motif. No classical composer worked more consciously with rhythm than Beethoven: his unmistakable “drive” can be felt in every bar!Here familiar “Beethoven themes” are merged, liberated, shuffled, filtered and recombined with jazz harmonies, standard styles and rhythms. Jean Kleeb’s arrangements sometimes closely follow the original, at other times they comment on or recall Beethoven’s music from afar.

SEK 234.00
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Concerto In G For Flute Kv.313 : for Flute and Orchestra

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Mozart's Concerto In G For Flute Kv.313 in authoritative Urtext edition and arranged with a Piano reduction of the original Orchestral material.Mozart exhibited a special affinity with the woodwind family, writingprolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece, making it the ideal choice for both academicstudy and informed concert performance.The book also features a seperate pull-out part of notated cadenzas and Eingange by Rachel Brown, Konrad Hunteler and Karl Engel.

SEK 234.00
1

Vierzig Variationen Für Violine Op. 3

Vierzig Variationen Für Violine Op. 3

Otakar Ševcik’s single-volume Forty Variations for the Violin occupies a special position in his extensive oeuvre of teaching material. Here he follows up on his systematic “step by step” work for the right hand, which hecovered in detail in his previous Op.2.Nonetheless, this volume can be used as a self-contained unit, enlivening the violinist’s daily regimen and offering a concise and highly effective method for mastering the right hand,from elementary exercises to virtuoso technique.The editor, Pavel Kudelásek, is a teacher at the Prague Conservatory.New edition of another Ševc k opus for training the right handA follow-up to SchoolofBowing Technique Op.2Foreword by the editor (Cz/Eng/Ger)Medium to high level of difficulty

SEK 133.00
1

Duett Für Oboe und Englisch Horn

Duett Für Oboe und Englisch Horn

“At the request of the work's commissioner, Heinz Holliger, this duet has very few passages that call for 'unconventional' performance techniques. In exchange, it exploits the many musical possibilities opened up by twoinstruments with closely related timbres: wide-ranging antitheses and commonalities of expression and movement, cantabile duets, convergences in unisons, octaves and fifths.” (Rudolf Kelterborn)Challenging concertpieceInteresting combination of instrumentsUse of new performance techniques

SEK 478.00
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Ich freue mich im Herren : Motette Nr. 14 aus Israelsbrünnlein

Ich freue mich im Herren : Motette Nr. 14 aus Israelsbrünnlein

Johann Hermann Schein (1586 1630), a German composer and poet, was an important predecessor of Bach taking up the post of Thomaskantor in Leipzig in 1616 where he remained until his death. A gifted composer he was one of thefirst to import the Italian style onto the traditional elements of Lutheran church music.The 'Israelsbrünnlein' from 1623 is a collection composed in the Italian madrigal style mostly using texts from the OldTestament.

SEK 155.00
1

Ubi caritas et amor : Antiphon for the Washing of the Feet on Holy Thursday

Ubi caritas et amor : Antiphon for the Washing of the Feet on Holy Thursday

Ubi caritas et amorAntiphon for the Washing of the Feet on Holy ThursdayIn memoriam Johannis XXIII - Mixed choir (SSATTB) Petr Eben (1929 - 2007) is among the best known Czechcomposers. He grew up in Southern Bohemia learning to play both the Piano and the Organ and later studied Piano and composition at the Prague Academy of Music. His popularity extends well beyond his native country and his worksare frequently performed.

SEK 160.00
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