88 resultat (0,16447 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Visa alla

Nollställ filter

Produkter
Från
Butiker

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Mozart's Concerto In G For Flute Kv.313 in authoritative Urtext edition and arranged with a Piano reduction of the original Orchestral material.Mozart exhibited a special affinity with the woodwind family, writingprolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece, making it the ideal choice for both academicstudy and informed concert performance.The book also features a seperate pull-out part of notated cadenzas and Eingange by Rachel Brown, Konrad Hunteler and Karl Engel.

SEK 234.00
1

Vierzig Variationen Für Violine Op. 3

Vierzig Variationen Für Violine Op. 3

Otakar Ševcik’s single-volume Forty Variations for the Violin occupies a special position in his extensive oeuvre of teaching material. Here he follows up on his systematic “step by step” work for the right hand, which hecovered in detail in his previous Op.2.Nonetheless, this volume can be used as a self-contained unit, enlivening the violinist’s daily regimen and offering a concise and highly effective method for mastering the right hand,from elementary exercises to virtuoso technique.The editor, Pavel Kudelásek, is a teacher at the Prague Conservatory.New edition of another Ševc k opus for training the right handA follow-up to SchoolofBowing Technique Op.2Foreword by the editor (Cz/Eng/Ger)Medium to high level of difficulty

SEK 133.00
1

Duett Für Oboe und Englisch Horn

Duett Für Oboe und Englisch Horn

“At the request of the work's commissioner, Heinz Holliger, this duet has very few passages that call for 'unconventional' performance techniques. In exchange, it exploits the many musical possibilities opened up by twoinstruments with closely related timbres: wide-ranging antitheses and commonalities of expression and movement, cantabile duets, convergences in unisons, octaves and fifths.” (Rudolf Kelterborn)Challenging concertpieceInteresting combination of instrumentsUse of new performance techniques

SEK 478.00
1

Die mit Tranen saen : Motette Nr. 3 aus Israelsbrünnlein

Die mit Tranen saen : Motette Nr. 3 aus Israelsbrünnlein

Johann Hermann Schein (1586 1630), a German composer and poet, was an important predecessor of Bach taking up the post of Thomaskantor in Leipzig in 1616 where he remained until his death. A gifted composer he was one of thefirst to import the Italian style onto the traditional elements of Lutheran church music.The 'Israelsbrünnlein' from 1623 is a collection composed in the Italian madrigal style mostly using texts from the OldTestament.

SEK 86.00
1

Ubi caritas et amor : Antiphon for the Washing of the Feet on Holy Thursday

Ubi caritas et amor : Antiphon for the Washing of the Feet on Holy Thursday

Ubi caritas et amorAntiphon for the Washing of the Feet on Holy ThursdayIn memoriam Johannis XXIII - Mixed choir (SSATTB) Petr Eben (1929 - 2007) is among the best known Czechcomposers. He grew up in Southern Bohemia learning to play both the Piano and the Organ and later studied Piano and composition at the Prague Academy of Music. His popularity extends well beyond his native country and his worksare frequently performed.

SEK 160.00
1

Ich freue mich im Herren : Motette Nr. 14 aus Israelsbrünnlein

Ich freue mich im Herren : Motette Nr. 14 aus Israelsbrünnlein

Johann Hermann Schein (1586 1630), a German composer and poet, was an important predecessor of Bach taking up the post of Thomaskantor in Leipzig in 1616 where he remained until his death. A gifted composer he was one of thefirst to import the Italian style onto the traditional elements of Lutheran church music.The 'Israelsbrünnlein' from 1623 is a collection composed in the Italian madrigal style mostly using texts from the OldTestament.

SEK 155.00
1

Zwölf Geistliche Gesänge

Zwölf Geistliche Gesänge

In his role as Kapellmeister to the Dresden court Heinrich Schütz composed 'Zwölf Geistliche Gesänge' for the Saxon court church. Six of them belong to the liturgy of the 'German Mass'. They can be sungindividually as well as in their entirety, today as well as then, even by 'small cantors' - as Schütz wanted it to be 'to the honour of God'.This selection of 12 motets for four-part mixed chorus (SATB) opens up theseworks to the field of practical music making.

SEK 239.00
1

Sursum Chordis Corda For Piano Op. 81a

Sursum Chordis Corda For Piano Op. 81a

Composer Daniel Schlee wrote about his piano piece “Sursum chordis corda”: “The third movement of my Second Symphony is titled “Sursum corda” – a liturgical call to lift up our hearts. This call is answered by joyfully flowing music. The piano version is neither a particella nor an intabulation in the traditional sense; it adapts the essential elements of the musical process, partially reinterpreting them to suit the wealth of possibilities the piano offers in terms of sound and technique. The scope of the work ranges from the impetus of emphatic chord progressions and carillon-like passages through to lyrical phrases.”

SEK 340.00
1

Silberklänge Für die Silbermann-Orgel : In Der St. Georgenkirche Rötha

Silberklänge Für die Silbermann-Orgel : In Der St. Georgenkirche Rötha

The composition “Silberklänge” was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig. The composer noted: “During my first visit to the Georgenkirche in Rötha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own ‘baroque’ world.” This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with differentregistration possibilities will open up a new spectrum of possible timbres.

SEK 340.00
1

Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 112.00
1

Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 112.00
1

Missa in C minor K.139

Missa in C minor K.139

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 255.00
1

The Spectre's Bride Op. 69 : Balada na text Karla Jaromíra Erbena

The Spectre's Bride Op. 69 : Balada na text Karla Jaromíra Erbena

The preference of English audiences for large-scale Vocal works led to Dvorák being commissioned in November 1883 to write this cantata for solo voices, chorus and orchestra for the 1885 Birmingham MusicalFestival.As the basis for his composition, Dvorák chose the ballad text “Svatebn košile” (literally “The Bridal Gowns”) from the collection “Kytice z povest národn ch” (“A Garland of Folk Tales”) by the Czechpoet Karel Jarom r Erben (1811 1870).Dvorák stipulated that the premiere take place in Bohemia. The work was then taken up in England with great enthusiasm.Separate edition from the “NewCompleteDvorák Edition”, vol. II/2New foreword by Daniela Philippi (Cz/Eng/Ger)Underlayed singing text in three languages (Cz/Eng/Ger)

SEK 462.00
1

Regina coeli in C major K.108

Regina coeli in C major K.108

In its expression and structure, the “Regina coeli” K.108 (74d) in four movements, composed in Salzburg in May 1771, clearly shows that Neapolitan church music served as Mozart’s model. The two outer movements, in which aprimarily homophonic chorus unfolds against a rich orchestral backdrop, enclose two soprano arias sparkling with coloraturas, of which the first aria has a choral epilogue at the end of each of its two sections. Appositely, thelast movement also picks up the solo-tutti contrast which, in addition, underscores the predominant role of the solo soprano characteristic of the entire composition.Urtext of the New Mozart EditionFull score&performance material (BA4886) and vocal score (BA4886-90) for sale

SEK 154.00
1

Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 324.00
1

Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 525.00
1

Missa in C minor K.139 : Waisenhaus Mass

Missa in C minor K.139 : Waisenhaus Mass

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

SEK 112.00
1