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Zion Op. 49 : Cantate

Zion Op. 49 : Cantate

Gade Zion Op.49 (Full Score, hardback) Gade dated the cantata "Zion" Op.49 (named “concert piece” in the first edition) on 16 September 1874; the premiere took place on 30 August 1876 during a festival in Birmingham. In Gade’s understanding “Zion” forms “a kind of trilogy” together with the cantatas „Kalanus“ and “The Crusader“ which centres around the “longing for the true light“. The focus of „Zion“ is the history of the Jewish people where a people has received a promise. This is described in Gade’s words in the following sections: a) Introduction – The Departure from Egypt b) The Captivity in Babylon c) The Return – Prophecy of the New Jerusalem”. Niels W. Gade. Works IV/5

SEK 4959.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 110.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 110.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 213.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 175.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 110.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 110.00
1

Missa Brevis In G Major K.49

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands. Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

SEK 186.00
1

Harpsichord Concerto No.2 in E major

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 250.00
1

Harpsichord Concerto No.2 in E major

Harpsichord Concerto No.2 in E major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bachprepared in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument, although opinions differ on the original key and instrument. Bach hadalreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169), at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas,for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225), two-keyboard reduction (BA5225-90) andstudy score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

SEK 112.00
1