17 resultat (0,15768 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Visa alla

Nollställ filter

Produkter
Från
Butiker

Beethoven Goes Jazz

Beethoven Goes Jazz

Ludwig van Beethoven had the ability to create an entire musical universe from the most unassuming and minuscule motif. No classical composer worked more consciously with rhythm than Beethoven: his unmistakable “drive” can be felt in every bar!Here familiar “Beethoven themes” are merged, liberated, shuffled, filtered and recombined with jazz harmonies, standard styles and rhythms. Jean Kleeb’s arrangements sometimes closely follow the original, at other times they comment on or recall Beethoven’s music from afar.

SEK 234.00
1

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

The scholarly core of editor Jonathan Del Mar’s work is the critical commentary, a thorough description and discussion of all sources and a bar-by-bar analysis of their differences and comparative authenticity. InBeethoven’s Triple Concerto, a Piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical Piano trio settingin contrast to the Orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the Orchestra (particularly the Cello), using two solo instruments together in ever new combinations, andfinallybringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral, Piano, Violin and Cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter’s newUrtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources,editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with allnecessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previouseditions.

SEK 579.00
1

Parsifal : Autograph: National Archive of the Richard Wagner Foundation Bayreuth

Parsifal : Autograph: National Archive of the Richard Wagner Foundation Bayreuth

Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for itscompositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day.Wagner wrote the autograph score almost entirely inviolet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as aguarded treasure.The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophileappearance.In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript.

SEK 8937.00
1

Hoffmanns Erzahlungen -Les Contes dHoffmann : An Operatic Fantasy in Five Acts

Hoffmanns Erzahlungen -Les Contes dHoffmann : An Operatic Fantasy in Five Acts

The Tales of Hoffmann (Les Contes d'Hoffmann) Libretto, based on the play of the same name by Jules Barbier and Michael Carre, by Jules Barbier. New critical edition, based on original sources, by Fritz Oeser.The purpose of the new edition was to discover the intentions of the author through the sources and to make it playable despite its fragmentary, quality. Because the long searched-for manuscripts did, happily, come to light atlast, this edition is fundamentally different from all others. Moreover, it has the smallest number of editorial admixtures. With the exception of Guiraud's additions every bar of the present version is derived from Offenbach.Thequestion of whether this edition was or is necessary is largely the concern of conductors, stage-directors and set-designers. If they are interested in keeping a tradition alive then, after a hundred years, they deservewhatever support musicologY can provide. Vocal score French-English (AE333-02) and French-German (AE333-03) available for sale Critical Report German text (AE333-01) available for sale Full score andperformace material (AE333-72) available for hire

SEK 929.00
1

Brandenburg Concerto No.1 In F major BWV 1046

Brandenburg Concerto No.1 In F major BWV 1046

Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New BachEditionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a), which according to the editor of the editionHeinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score, the oboe slurs and trills in m.12are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bachoriginally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications[BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV1046a), which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement aswell as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing inthe later score, the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1