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Concerto For Piano, Violin And Violoncello In C : Triple Concerto

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

The scholarly core of editor Jonathan Del Mar’s work is the critical commentary, a thorough description and discussion of all sources and a bar-by-bar analysis of their differences and comparative authenticity. InBeethoven’s Triple Concerto, a Piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical Piano trio settingin contrast to the Orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the Orchestra (particularly the Cello), using two solo instruments together in ever new combinations, andfinallybringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral, Piano, Violin and Cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter’s newUrtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources,editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with allnecessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previouseditions.

SEK 579.00
1

Sonate A-Dur KV 331 (300i) : Alla Turca

Sonate A-Dur KV 331 (300i) : Alla Turca

Published in 1784, Mozart’s Sonata in A major “for clavier solo”, with its famous “Alla Turca” finale, is one of the most popular works in the entire piano literature. After a section of the lost autograph was rediscovered a few years ago, another important source has surfaced with the appearance of a previously unknown contemporary copy of the complete autograph, which has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.The copy by a professional Viennese copyist throws new light on the problem of the numerous discrepancies between autographs and first editions of many Mozart sonatas. It supports the assumption that the revision of thetext for the first edition resulted from the change of target group from Mozart's inner circle to an audience of connoisseurs and amateurs, but that this did not render the original (autograph) text obsolete: rather, both versions of the sonata represent historical realities. To achieve a truly faithful scholarly-critical performance edition of Mozart's sonata, the editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time by presenting the musical text of the autograph and the original print separately without merging the sources editorially to a new text. On the basis of the newly discovered source, it is possible for the first time to reconstruct the autograph transmission of this famous sonata and offer it to the performer as a self-contained playable version.The preface allows surprising new insights into the form and source situation of the sonata (Ger / Eng). The edition is supplemented by a chapter on performance practice providing in-depth information on piano playing in Mozart’s time (Ger / Eng). Variants and editorial decisions are documented in the Critical Commentary.

SEK 196.00
1

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Mozart's Concerto In G For Flute Kv.313 in authoritative Urtext edition and arranged with a Piano reduction of the original Orchestral material.Mozart exhibited a special affinity with the woodwind family, writingprolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece, making it the ideal choice for both academicstudy and informed concert performance.The book also features a seperate pull-out part of notated cadenzas and Eingange by Rachel Brown, Konrad Hunteler and Karl Engel.

SEK 234.00
1

Sonata In A Major D 959

Sonata In A Major D 959

Edited on the basis of the New Schubert Edition.Newly engraved scholarly-critical performing edition.Notes on performance practice (Ger/Eng)Access to Schubert’s drafts on the Bärenreiterwebsite.New foreword (Ger/Eng) and a Critical Commentary (Eng).Schubert composed his great Piano Sonata In A Major just a few months before his untimely death in 1828. The balance this workstrikes between lyrical melody, emotional intimacy and pianistic brilliance makes it a highlight among his sonatas, not least because of its poetic Andantino.This scholarly-critical edition by Walburga Litschauer is basedonthe Urtext of the New Schubert Edition and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword, valuable notes on performance practice as well as a Critical Commentary with informationon performance-relevant alternative readings and Schubert’s notation of accents.Schubert’s drafts of the A major Sonata can be accessed on Bärenreiter’s website.This new edition replaces theexisting edition BA 5633.

SEK 202.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Viola

Konzert in A-Dur - Concerto In A Major TWV 53 : Viola

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Cello

Konzert in A-Dur - Concerto In A Major TWV 53 : Cello

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Kontrabass

Konzert in A-Dur - Concerto In A Major TWV 53 : Kontrabass

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Fascination Organ Improvisation : A Study and Practice Book

Fascination Organ Improvisation : A Study and Practice Book

Franz Josef Stoiber, organ professor and organist at Regensburg Cathedral, has decided not to present a conventional improvisation tutor here. Instead, he offers a multi-faceted reader and workbook containing useful methodicaland pedagogical reflections, e.g. on cultivating a feeling for sound and training responsiveness. It also features a wide range of practical exercises for improvising in various styles, all reflecting his years of experience as ateacher and performer.This guide to organ improvisation has the potential of becoming a standard work in the training of today’s organists.- A new approach to organ improvisation- Includes manypracticalexercises and music samples- German/English text- Spacious attractive layout

SEK 611.00
1

Vierzig Variationen Für Violine Op. 3

Vierzig Variationen Für Violine Op. 3

Otakar Ševcik’s single-volume Forty Variations for the Violin occupies a special position in his extensive oeuvre of teaching material. Here he follows up on his systematic “step by step” work for the right hand, which hecovered in detail in his previous Op.2.Nonetheless, this volume can be used as a self-contained unit, enlivening the violinist’s daily regimen and offering a concise and highly effective method for mastering the right hand,from elementary exercises to virtuoso technique.The editor, Pavel Kudelásek, is a teacher at the Prague Conservatory.New edition of another Ševc k opus for training the right handA follow-up to SchoolofBowing Technique Op.2Foreword by the editor (Cz/Eng/Ger)Medium to high level of difficulty

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine Solo

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine Solo

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine 2

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine 2

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Flöte Solo

Konzert in A-Dur - Concerto In A Major TWV 53 : Flöte Solo

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine 1

Konzert in A-Dur - Concerto In A Major TWV 53 : Violine 1

Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition

SEK 133.00
1