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School of Bowing Technique for Violoncello op. 2/2 : Book 2

School of Bowing Technique for Violoncello op. 2/2 : Book 2

Otakar Ševcík’s op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which Ševcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomáš Jamník has arranged the “School of Bowing Technique” for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting Ševcík’s original pedagogical aims. As a result, this edition differs fundamentally from the onlyknown cello arrangement of this opus by Louis R. Feuillard.

SEK 224.00
1

School of Bowing Technique for Violoncello op. 2/3 : Book 3

School of Bowing Technique for Violoncello op. 2/3 : Book 3

Otakar Ševcík’s op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which Ševcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomáš Jamník has arranged the “School of Bowing Technique” for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting Ševcík’s original pedagogical aims. As a result, this edition differs fundamentally from the onlyknown cello arrangement of this opus by Louis R. Feuillard.

SEK 224.00
1

School of Bowing Technique for Violoncello op. 2/1 : Book 1

School of Bowing Technique for Violoncello op. 2/1 : Book 1

Otakar Ševcík’s op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which Ševcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomáš Jamník has arranged the “School of Bowing Technique” for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting Ševcík’s original pedagogical aims. As a result, this edition differs fundamentally from the onlyknown cello arrangement of this opus by Louis R. Feuillard.

SEK 207.00
1

Technology of Violoncello Playing : Twenty-four Etudes for Violoncello Solo

Technology of Violoncello Playing : Twenty-four Etudes for Violoncello Solo

Technology Of Violoncello Playing Op.38 - Twenty-four Etudes for Violoncello Solo. Edited by Martin Rummel.The German cellist Friedrich Grützmacher (1832-1903), an influential teacher andcomposer, wrote two important works containing studies: “ Tägliche Übungen ” (Daily Exercises) Op.67 and “Twenty-four Etudes” Op.38.Grützmacher was greatly admired during the 19th century for his brilliant playingtechnique and this forms the central part of his studies Op.38. To this day the twenty-four studies form an integral part of cellist's study repertoire and the development of a well-grounded cello technique.As withMartinRummel's editions of Popper's studies and the Duport Etudes, the new Grützmacher publication contains a booklet with valuable tips and references to other works in the Cello repertoire requiring similiar solutionsto technical problems.- Fold-out pages for ease of playing.- Large format.- Additional modern fingering and bowing.- Valuable comments in English and German on the technical goals of the etudes.

SEK 478.00
1

Notebook For Anna Magdelena : Faksimile der Originalhandschrift

Notebook For Anna Magdelena : Faksimile der Originalhandschrift

J. S. Bach's Notebook for Anna Magdalena(1725).This hardback facsimile edition, bound in green with gold trimmings, and bearing the initials “A.M.B.” and “1725” on the front cover, presents oneof the greatest albums of household music. It is primarily the personal album of Anna Magdalena Bach (1701-1760), daughter of the court and military trumpeter Johann Caspar Wilcke, a trained musician and court singer, and secondwife to Johann Sebastian Bach. The album contains partitas (two in Bach's own hand probably intended as a tribute to his wife), minuets, polonaises, marches and short pieces by Johann Sebastian Bach,hischildren, and a few visitors to the Bach home. The volume also contains little vocal pieces, songs and chorales as well as exercises in harmony and thoroughbass realisations.The pieces are arranged chronologically(except for the last section) and several members of the Bach family helped with the copying - only Wilhelm Friedemann's hand is absent. The majority of the pieces (28 works) are in Anna Magdalena's hand, and the volume provides atantalising glimpse into the everyday world of this musical family.Documenta Musicologica II, 25; Format 26cm x 20cm.Afterword (Ger-Eng-Fr); 140 pages facsimile; 24 pages text.

SEK 717.00
1

Grande Sestetto Concertante For String Sextet : for String Sextett

Grande Sestetto Concertante For String Sextet : for String Sextett

For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts.Mozart’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. Hewrote it in 1779 after returning from Paris and Mannheim.For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year,particularly the arrangements for Piano four-hands and Piano trio.This arrangement for String Sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertanteinstrumentsinteract with the other strings.This edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna StamperiaChimica in 1808.The editor, Christopher Hogwood, recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takesinto account both the original print and the text from the “New Mozart Edition”.New edition of a historical transcription for String Sextet (1808)Available in print again after almost twocenturiesAlso suitable for Chamber OrchestraDetailed preface and critical report (Eng./Ger./ Cz .)Includes facsimiles

SEK 404.00
1

Concerto For Horn

Concerto For Horn

Instrumental concertos with orchestral accompaniment hold a special place in the oeuvre of Jir Pauer (1919-2007). Apart from his Violin Concerto (1959), he wrote three more compositions of the type for windinstruments.The Bassoon Concerto (1949), Oboe Concerto (1954) and Horn Concerto (1957) were all inspired by superb Czech wind soloists motivated by the lack of new repertoire for the respective instruments.The threemovements of the Horn Concerto comprise a single structure which alternates between contrasting moods and musical tableaux. It was first performed in 1958 at the Second Exhibition of New Works by Prague Composers by thesoloistMiroslav Štefek and the Czech Philharmonic conducted by Karerl Ancerl.- Horn and piano reduction (H2955) available for sale.- Full score & performance material available for hire.

SEK 387.00
1

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Concerto In G For Flute Kv.313 : for Flute and Orchestra

Mozart's Concerto In G For Flute Kv.313 in authoritative Urtext edition and arranged with a Piano reduction of the original Orchestral material.Mozart exhibited a special affinity with the woodwind family, writingprolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece, making it the ideal choice for both academicstudy and informed concert performance.The book also features a seperate pull-out part of notated cadenzas and Eingange by Rachel Brown, Konrad Hunteler and Karl Engel.

SEK 234.00
1

Jazz-Etueden fuer Klavier 1

Jazz-Etueden fuer Klavier 1

Jazz Piano Studies 1 is directed at classically trained pianists in order to help them learn the basic expressive means applied in jazz. However, the book is also useful for those who would like to play moderndance music.This collection of 25 enjoyable exercises and 3 longer compositions will help novices of the jazz Piano learn the tricks of the trade and provide the necessary grounding for their own improvisation. This editionis published in three language versions (Cz./Ger./Eng.).

SEK 207.00
1

27 Miniatures For String Trio

27 Miniatures For String Trio

Here is fresh material for young string ensembles presented by George Speckert who is a master arranger for amateur orchestras. Each of these 27 relatively short character pieces evokes a unique mood in its very title: Brisk,Sad, Sunset and many more. When heard in succession, the scenes sometimes unfold in the listeners’ minds like in a movie. The collection is perfect for creating short suites with an ad libitum number of movements, andthus is ideal for school recitals, family celebrations or street busking. These miniatures can also be used to musically accompany literary readings or as soundtracks for video sequences. The second violin part may also beplayedby a viola. score with 4 parts (violin I,II, viola, cello) Separate viola part included as a substitute for the second violin 27 short pieces to be combined ad libitum Ideal forrecitals

SEK 250.00
1