32 resultat (0,19040 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 117.00
1

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 117.00
1

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 117.00
1

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 117.00
1

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 117.00
1

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine - The Fair Melusine Op.32 : Ouvertüre

Die schöne Melusine (The Fair Melusine) Op.32Concert OvertureBärenreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures, edited by the internationallyacclaimed conductor and scholar Christopher Hogwood, are pioneer publications of his most  important and  popular concert overtures.This overture in its  first version, dedicated to his sisterFanny as a birthday gift in 1833, is published in the new Bärenreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836)isalso not available today.In the new Bärenreiter Urtext edition of “Die schöne  Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in scoreand parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die schöne Melusine” marks the firstinstance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back Firstever Critical Edition Edited by Christopher Hogwood

SEK 738.00
1

Calm Seas And Prosperous Voyage Op.27

Calm Seas And Prosperous Voyage Op.27

Bärenreiter’s critical edition of Felix Mendelssohn Bartholdy’s “symphonic poem” overture Calm Sea and Prosperous Voyage edited by Christopher Hogwood, belongs to ourseries of seven overtures by the 19th century master. Calm Sea and Prosperous Voyage is known today only in the version from 1834 and our new edition offers a critical edition of this version. But unknownto modern ears is an early version with an additional 50 bars of this overture from 1828 which only survives in a manuscript copy from the composer’s estate. Bärenreiter offers for the first time the 1828versionin score and parts followed by the 1834 version in score and parts - A must for every orchestra and library - Includes two versions back to back - Full score & parts (BA9057) available for sale

SEK 727.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26   Concert Overture   The Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one ofMendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The newBärenreiter edition consist of two versions each containing additional material from further sources.   Version one, the “Rome” version, exists itself in two versions and has never beenpublishedin a performing edition.  Version two, the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents thedevelopment of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited byChristopher Hogwood  

SEK 653.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26Concert OvertureThe Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one of MendelssohnBartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.The new Bärenreiter edition consist oftwo versions each containing additional material from further sources.Version one, the “Rome” version, exists itself in two versions and has never been published in a performing edition.  Versiontwo,the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.This pioneering edition documents the development of the composition and thevarious changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large formatorchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

SEK 115.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26   Concert Overture   The Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one ofMendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The newBärenreiter edition consist of two versions each containing additional material from further sources.   Version one, the “Rome” version, exists itself in two versions and has never beenpublishedin a performing edition.  Version two, the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents thedevelopment of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited byChristopher Hogwood  

SEK 115.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26Concert OvertureThe Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one of MendelssohnBartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.The new Bärenreiter edition consist oftwo versions each containing additional material from further sources.Version one, the “Rome” version, exists itself in two versions and has never been published in a performing edition.  Versiontwo,the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.This pioneering edition documents the development of the composition and thevarious changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large formatorchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

SEK 115.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26Concert OvertureThe Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one of MendelssohnBartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.The new Bärenreiter edition consist oftwo versions each containing additional material from further sources.Version one, the “Rome” version, exists itself in two versions and has never been published in a performing edition.  Versiontwo,the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.This pioneering edition documents the development of the composition and thevarious changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large formatorchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

SEK 115.00
1

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26 : Concert Overture

The Hebrides Op.26Concert OvertureThe Hebrides, the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures, is one of MendelssohnBartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.The new Bärenreiter edition consist oftwo versions each containing additional material from further sources.Version one, the “Rome” version, exists itself in two versions and has never been published in a performing edition.  Versiontwo,the “London” version, also exists in two versions one of which was published by Mendelssohn in 1835.This pioneering edition documents the development of the composition and thevarious changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large formatorchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

SEK 115.00
1

Der 42. Psalm - Wie der Hirsch schreit op. 42

Der 42. Psalm - Wie der Hirsch schreit op. 42

Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser(As the hart pants after the waterbrooks) for Soloists, mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared bythe composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and isanauthentic part of this edition.

SEK 186.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 213.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 823.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Psalm 42 Op.42 - As The Hart Pants

Psalm 42 Op.42 - As The Hart Pants

The setting of Psalm no. 42 op. 42 “Wie der Hirsch schreit nach frischem Wasser” (“As the hart pants after the waterbrooks”) for soloists, mixed choir and full orchestra dates back to 1837.The well-known Mendelssohnspecialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by adetailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingualforeword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

SEK 112.00
1

Esther

Esther

The oratorio “Esther” is the first English language oratorio and also the first oratorio by Handel based on a theatre tragedy - Jean Racine’s “Esther”. For the first time Handel drew on hisknowledge gathered from stays in Germany, Italy and England. He created his own particular style of oratorio writing, which differs from the later integrative works. Many sections of this composition harken back to the previouslycomposed, “Brockes-Passion”.The first performance took place in 1720. For the first public performance of the work in London in 1732, Handel arranged and enlarged “Esther”. The Urtext of theHalleHandel Complete Edition presents the original version from 1720.- Reliable vocal score from the Urtext of the Halle Handel Edition BA4047-90- Performance material available for hire BA4047-72

SEK 536.00
1

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 122.00
1

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 122.00
1

Symphony No.36 In C K.425 Linz : Linz Symphony

Symphony No.36 In C K.425 Linz : Linz Symphony

Mozart composed the Symphony In C Major K.425, known as the “Linz Symphony”, within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798)in Linz where, together with Constanze, he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday, the fourth of November”, wrote Mozart to his father on 31 October (the day after his arrival inLinz), “I will be giving a concert in the theatre and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then”. Accordingly, this work was performed for the first time in the theaterinLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

SEK 122.00
1