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Symphony No. 5 - Return to Middle Earth : Choir Set

After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony. After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony.

Ancalagon the Black : from Symphony No. 5 - Return to Middle Earth

After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony. This instrumental movement vividly describes the black dragon Ancalagon, the largest creature in Tolkiens mythological world.

Ancalagon the Black : from Symphony No. 5 - Return to Middle Earth

After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony. This instrumental movement vividly describes the black dragon Ancalagon, the largest creature in Tolkiens mythological world.

Symphony No. 5 - Return to Middle Earth

Symphony No. 5 - Return to Middle Earth

Miri na Fëanor (Jewels of Fëanor)Tinúviel (Nightingale)Ancalagon i-môr (Ancalagon the Black)Arwen Undómiel (Evenstar)Dagor Delothrin (The War of Wrath)Thuringwethil (Woman of Secret Shadow)

Symphony No. 5 - Return to Middle Earth

Symphony No. 5 - Return to Middle Earth : Piano Reduction

Festive Hymn : for Wind Orchestra

This melodic hymn was commissioned by the town of Margraten in Limburg, The Netherlands for the celebration of the 25th anniversary of the Margraten Municipality. The work was premiered at a large gala concert on November 24,2007. Dur: 5:30 Recorded on Johan de Meij - Dutch Masters Amstel Classics (04000246)

Star wars saga, arranged for wind orchestra by Johan De Meij

John Williams (February 8, 1932) has composed some of the most popular, recognizable and critically acclaimed film scores in cinema history. Williams has won 25 Grammy Awards, five Academy Awards, seven British Academy Film Awards, and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema. His work has influenced many other composers of film, popular, and contemporary classical music. In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest film score of all time. In this newly revised arrangement from 1986, arranger Johan de Meij has used themes from Star Wars – A New Hope en The Empire Strikes Back. Grade of Difficulty    5 Band Grade of Difficulty    Grade 5 Definitive Duration    31-12-1899 00:13:10

Star wars saga, arranged for wind orchestra by Johan De Meij Score

John Williams (February 8, 1932) has composed some of the most popular, recognizable and critically acclaimed film scores in cinema history. Williams has won 25 Grammy Awards, five Academy Awards, seven British Academy Film Awards, and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema. His work has influenced many other composers of film, popular, and contemporary classical music. In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest film score of all time. In this newly revised arrangement from 1986, arranger Johan de Meij has used themes from Star Wars – A New Hope en The Empire Strikes Back. Grade of Difficulty    5 Band Grade of Difficulty    Grade 5 Definitive Duration    31-12-1899 00:13:10

Pavane pour une Infante Défunte : for solo trombone and wind orchestra

Pavane pour une Infante Défunte (Pavane for a Dead Princess) is one of Ravel’s most popular pieces alongside Boléro. Written in 1899, the original piano version was arranged for orchestra by the composer and became a highlight of theFrench classical repertoire. Johan de Meij has created a special version for the world-famous trombone soloist Joe Alessi. This unique arrangement for solo trombone (Difficulty: 5) and wind orchestra sounds as if it was originally intended for thisinstrumentation. This work can also be performed with solo flugelhorn (Difficulty 3+), or wind orchestra only. Breathtakingly beautiful!

Pavane pour une Infante Défunte : for solo trombone and wind orchestra

Pavane pour une Infante Défunte (Pavane for a Dead Princess) is one of Ravel’s most popular pieces alongside Boléro. Written in 1899, the original piano version was arranged for orchestra by the composer and became a highlight of theFrench classical repertoire. Johan de Meij has created a special version for the world-famous trombone soloist Joe Alessi. This unique arrangement for solo trombone (Difficulty: 5) and wind orchestra sounds as if it was originally intended for thisinstrumentation. This work can also be performed with solo flugelhorn (Difficulty 3+), or wind orchestra only. Breathtakingly beautiful!

Symphony No. 4 : Sinfonie der Lieder (Symphony of Songs) for solo voice & piano

Johan de Meij's 4th Symphony for solo voice, children’s choir and wind orchestra is inspired by a variety of 19th century German poems. The first three movements use lyrics from the same source as Gustav Mahler did earlier: 'Kindertotenlieder' by Friedrich Rückert.1) Ein Jahr ist nun geschwunden 2) Wenn zur Thür herein 3) Wiedersehn The second half of the symphony continues on the death theme, using a poem by Heinrich Heine (‘Two Brothers’). The last two songs, ‘Early Spring’ and ‘Song of the Harlequin’ by Hugo von Hofmannsthal are a metaphor for rebirth, new life and hope.4) Zwei Brüder (Heinrich Heine)5) Vorfrühling (Hugo von Hofmannsthal)6) Liedchen des Harlekin (Hugo vonHofmannsthal)The symphony was written at the request of the South-Tirol Youth Wind Orchestra, for the annual Mahler Festival in Toblach/Dobaccio-Italy. The world premiere took place on July 24th, 2013 in Dobaccio, in attendance of the composer.

Symphony No. 4 : Sinfonie der Lieder (Symphony of Songs) for solo voice, children's choir and wind orchestra

Johan de Meij's 4th Symphony for solo voice, children’s choir and wind orchestra is inspired by a variety of 19th century German poems. The first three movements use lyrics from the same source as Gustav Mahler did earlier: 'Kindertotenlieder' by Friedrich Rückert.1) Ein Jahr ist nun geschwunden 2) Wenn zur Thür herein 3) Wiedersehn The second half of the symphony continues on the death theme, using a poem by Heinrich Heine (‘Two Brothers’). The last two songs, ‘Early Spring’ and ‘Song of the Harlequin’ by Hugo von Hofmannsthal are a metaphor for rebirth, new life and hope.4) Zwei Brüder (Heinrich Heine)5) Vorfrühling (Hugo von Hofmannsthal)6) Liedchen des Harlekin (Hugo vonHofmannsthal)The symphony was written at the request of the South-Tirol Youth Wind Orchestra, for the annual Mahler Festival in Toblach/Dobaccio-Italy. The world premiere took place on July 24th, 2013 in Dobaccio, in attendance of the composer.