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Dutch Masters Suite : for Wind Orchestra

Dutch Masters Suite : for Wind Orchestra

For this exciting work Johan de Meij took his inspiration from Rembrandt’s The Night Watch, Vermeer’s Love Letter and Steen’s Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer’s Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This new work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009.

SEK 811.00
1

Dutch Masters Suite : for Wind Orchestra

Dutch Masters Suite : for Wind Orchestra

For this exciting work Johan de Meij took his inspiration from Rembrandt’s The Night Watch, Vermeer’s Love Letter and Steen’s Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer’s Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This new work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009.

SEK 3160.00
1

Dance of the Amazon : (opus 65)

Dance of the Amazon : (opus 65)

The Russian composer Anatoli Liadow was one of Rimski-Korsakov’s talented students and was also a respected conductor. Liadow’s compositions are relatively few, as he did not complete many of his works. One of the pieces he did complete was called Dance of the Amazon, which was written for the dancer Ida Rubinstein. Johan de Meij’s arrangement makes this charming work, based on two Greek folk melodies, accessible to concert bands for the first ti

SEK 266.00
1

Dance of the Amazon : (opus 65)

Dance of the Amazon : (opus 65)

The Russian composer Anatoli Liadow was one of Rimski-Korsakov’s talented students and was also a respected conductor. Liadow’s compositions are relatively few, as he did not complete many of his works. One of the pieces he did complete was called Dance of the Amazon, which was written for the dancer Ida Rubinstein. Johan de Meij’s arrangement makes this charming work, based on two Greek folk melodies, accessible to concert bands for the first time ever!

SEK 1475.00
1

Hobbits Dance & Hymn : from Symphony No. 1 The Lord of the Rings

Hobbits Dance & Hymn : from Symphony No. 1 The Lord of the Rings

The famous trilogy The Lord of the Rings by English writer J. R. R. Tolkien, published in 1955, has brought enjoyment to several generations of readers. Johan de Meij himself took the inspiration for his first symphony for Concert Band, The Lord of the Rings, from this great series. This easy arrangement of two movements from the symphony, Hobbits Dance & Hymn, has been carefully carried out by Paul Lavender. An ideal work for all junior bands who wish to play the music of the Concert Band master, Johan de Meij.

SEK 286.00
1

Hobbits Dance & Hymn : from Symphony No. 1 The Lord of the Rings

Hobbits Dance & Hymn : from Symphony No. 1 The Lord of the Rings

The famous trilogy The Lord of the Rings by English writer J. R. R. Tolkien, published in 1955, has brought enjoyment to several generations of readers. Johan de Meij himself took the inspiration for his first symphony for Concert Band, The Lord of the Rings, from this great series. This easy arrangement of two movements from the symphony, Hobbits Dance & Hymn, has been carefully carried out by Paul Lavender. An ideal work for all junior bands who wish to play the music of the Concert Band master, Johan de Meij.

SEK 1207.00
1

Dutch Masters Suite

Dutch Masters Suite

For this exciting work Johan de Meij took his inspiration from Rembrandt’s The Night Watch, Vermeer’s Love Letter and Steen’s Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer’s Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This new work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009.

SEK 157.00
1

Downtown Divertimento : for wind orchestra

Downtown Divertimento : for wind orchestra

The inspiration for Downtown Divertimento comes from Johan de Meijs daily wanderings in Chelsea, in lower Manhattan. The day begins with a leisurely walk to Madison Square Park with his dog Alice. They visit the dog run where she meets up withother city canines. On the way back they have a moment of reflection looking at the nearby Flatiron Building, the striking triangular city landmark. Johan goes for a run later in the day. His jogging shoes naturally head for The Highline, anabandoned railway viaduct that was transformed into a lushly landscaped National Park. He absorbs the spectacular views of the Hudson River and the majestic New York skyline as if seeing them for the first time.The movements are:1) Dog Play (at Madison Square Park)2) Flatiron Reverie3) Hitting the Highline

SEK 1921.00
1

Klezmer Classics : for wind orchestra

Klezmer Classics : for wind orchestra

Klezmer is the traditional instrumental music for weddings and parties of the Yiddish speaking Jews of Eastern Europe. Its origin goes back to the sixteenth century. At this time Yiddish culture was at its peak in the countries where the Jews then lived: Poland, Ukraine, Byelorussia (White Russia), Latvia, Lithuania, Moldavia, Romania, Slovakia and Hungary. In recent years there has been a revival in popularity of this style of music and it is often played outside of its traditional context. Johan de Meij has arranged five classics from the Klezmer repertoire into a colourful selection for concert band.

SEK 1971.00
1

Klezmer Classics : for wind orchestra

Klezmer Classics : for wind orchestra

Klezmer is the traditional instrumental music for weddings and parties of the Yiddish speaking Jews of Eastern Europe. Its origin goes back to the sixteenth century. At this time Yiddish culture was at its peak in the countries where the Jews then lived: Poland, Ukraine, Byelorussia (White Russia), Latvia, Lithuania, Moldavia, Romania, Slovakia and Hungary. In recent years there has been a revival in popularity of this style of music and it is often played outside of its traditional context. Johan de Meij has arranged five classics from the Klezmer repertoire into a colourful selection for concert band.

SEK 434.00
1

Sinfonietta no. 1 : for wind orchestra

Sinfonietta no. 1 : for wind orchestra

Sinfonietta No. 1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra.Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with thesame fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.

SEK 3011.00
1

Sinfonietta no. 1 : for wind orchestra

Sinfonietta no. 1 : for wind orchestra

Sinfonietta No. 1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra.Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with thesame fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.

SEK 618.00
1