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Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

If I was a grown-up is a song for Children and Baritone voices, composed by Isabelle Aboulker , with lyrics by Eva Janikovszky . It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children’s capacities, this song is very entertaining in term of lyrics and sonority. The lyrics focuses on what children are always asked to do which is not fun, such as washing hands before dinner, being always nice and quiet, staying seated among other things, while adults can do whatever they want to do. Children then sing what they would do if they were grown-ups. Quite energetic, this song is great for children and would be great for a concert. Isabelle Aboulker is a French composer specially known for her opera, her vocal works, and for her adaptations of stories and fables.

SEK 177.00
1

Aube

Aube

“At the invitation of the Trio Haydée, I teamed up with the contemporary author & illustrator Diglee to create a new work for 'De lumières et de cieux embrasés', a programme made up entirely of pieces by female composers on the themes of night and day, life and death, love.. For our Aube, we follow a woman for whom the dawn brings painful childhood memories. Lasting around 7 minutes, the piece is constructed closely with the text, both structurally and in terms of the treatment of the voice, which favours supple, expressive melodic lines to highlight the words.” (Josephine Stephenson)

SEK 410.00
1

Janet Vogt/Leon Bates: Le Voyage Magique - Niveau 1, Découvreur (with staves)

Janet Vogt/Leon Bates: Le Voyage Magique - Niveau 1, Découvreur (with staves)

Conceived for Piano beginners, Le Voyage Magique - Niveau 1, Découvreur , with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates . The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique , offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique “Alfred Cortot”.

SEK 296.00
1

Henriette Renié: Les Pins de Charlannes (Harp & Piano)

Henriette Renié: Les Pins de Charlannes (Harp & Piano)

Composed by the famous harpist Henriette Renié ,  Les Pins De Charlannes  is an easy small piece for lever Harp with Piano or Harp accompaniment. This piece for beginners is really nice to play and to start playing ensemble music. The principal Harp sections feature some really melodious sections and some sections with quavers going up. It alternates these sections with the accompaniment played by the Piano or a second Harp. Henriette Renié was a virtuoso French Harpist born in 1875. With professors such as Alphonse Hasselmans and Théodore Dubois, she received the First Prize for the Harp in 1887. She wrote numerous works for Harp including chamber music, and a concerto.

SEK 206.00
1

Kauko Kahila: Semester of Studies For Bass Trombone

Kauko Kahila: Semester of Studies For Bass Trombone

A valuable resource of much needed practice material for Bass Trombonists in the orchestral gamut. Careful practice of these studies will help Trombone players cope with the problems present in the orchestral parts. Kauko Kahila's studies improve technique and confidence and help make the step-up to more complex pieces, with special attention to the low registers and changing meters. This volume also includes an extract from Karl Pilss' 1974 Concerto for Bass Trombone and Piano.

SEK 335.00
1

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.2 (Percussion solo)

Emmanuel & Guy Boursault E.& Lefèvre G.: La Classe de Batterie dans les Conservatoires Vol.2 (Percussion solo)

Drum Lesson is a very progressive method in four books written by Emmanuel Boursault (born in 1949) and Guy Lefèvre (1931-2004), both Drum teachers and founders of the Emmanuel Boursault School of Drums. This second book for beginner and upper beginner level builds up on the basics learnt in the first book. It familiarises players with binary rhythm, Jazz, bossanova, shuffle and solos. With Drum Lesson - Vol. 2 , Drummers should develop enough knowledge and skills to get into intermediate classes.

SEK 400.00
1

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Number 80 of the collection "Classics for Flute" by Marcel Moyse, Minuet Of Mr. Duport is a piece initially composed by Mozart and arranged for Flute and Piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.

SEK 226.00
1

Yves Demarle: Souplesse (Trombone solo)

Yves Demarle: Souplesse (Trombone solo)

Born in Calais in 1946, Yves Demarle studied at the Paris Conservatoire where he won first prize for Trombone. He then went on to play with the Orchestre de Paris. His Flexibility for Tenor Trombone, therefore, is very well-informed. This volume is essential to trombonists who already have experience of the instrument. Flexibility for Tenor Trombone addresses use of the tongue in conjuction with the air column, and are to be practised alongside the student's usual technical studies. All exercises should be practised up to the seventh position and repeated until they can be played with perfect synchronisation between the lips, tongue and jaw. With detailed instruction in French, English, German and Spanish, Demarle 's Flexibility for Tenor Trombone is essential to the progression of technique of all aspiring trombonists.

SEK 325.00
1

Alfred Désenclos: Quatuor (Saxophones 4)

Alfred Désenclos: Quatuor (Saxophones 4)

Quartet for Saxophones is a piece for four Saxophones composed by Alfred Desenclos in 1964, which lasts around 15 minutes and 30 seconds. Initially written for the Marcel Mule Quartet, Quartet for Saxophones is a typical French quartet, quite smooth and suave. The beginning of the piece that sets up the Soprano Saxophone against the others is quite jazzy but then it continues on to a more lyrical part, quite slow, with a simple melody. The tension is gradually built up and the finale unison is introduced quite dramatically, with some bursts of energy. This Quartet for Saxophones would fit a Quartet of advanced to professional players. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as 'Messe de Requiem' and other pieces for Double Bass, Harp, Flute, Trumpet or French Horn.

SEK 509.00
1

Valérie Bime-Apparailly: Je Débute L'Alto Vol. 2 - Book & CD (Book Only)

Valérie Bime-Apparailly: Je Débute L'Alto Vol. 2 - Book & CD (Book Only)

An educationalist of renown, Viola player Valérie Bime-Apparailly (born in 1962 in Bordeaux) is the author of numerous beginner methods for string instruments that have met with unflagging success. The second volume of the series Je Débute L’Alto once again takes up the challenge of the first collection: to combine precision with the pleasure of playing. To do this, each chapter starts with a short sequence of exercises enabling pupils to approach the pieces with serenity and concentration. Reduced to their simplest expression, the theoretical explanations are accompanied by sketches that enhance their clarity. The album comes with a playback CD containing recordings of the different pieces. A relaxed eclecticism runs through the work: illustrious classics such as the Habanera from Carmen or the Variations sur “Ah ! Vous dirai-je Maman” (“Twinkle Twinkle Little Star”) by Mozart can be found alongside Un éléphant, ça trompe énormément and Rock’n’roll des Gallinacés. Education is an art form.

SEK 296.00
1

Marc Berthomieu: Four Mouvements (Flute, Cello And Piano)

Marc Berthomieu: Four Mouvements (Flute, Cello And Piano)

Quatre Mouvements  is a piece written by Marc Berthomieu for a Flute or a Cello, with Piano accompaniment. Written for intermediate players, this piece is divided into four distinct parts: 1. Larghetto – romantic 2. Scherzo – cheerful 3. Andante 4. Presto Quite romantic to start with, the piece becomes cheerful in the second part and ends up on a fast section. It includes a coda, some trills and will require some basics of breathing technique. Marc Berthomieu (1906-1991) was a French composer. He created one of the Conservatoire in Paris'' “15th arrondissement” and has composed many small operas.

SEK 276.00
1

Jean Emmanuel Aubain: 3 Etudes (Percussion(s) & Piano)

Jean Emmanuel Aubain: 3 Etudes (Percussion(s) & Piano)

Born in 1928, French composer and teacher, Jean Aubain studied with Olivier Messiaen at the Paris Conservatoire. In 1955, he won the Premier Prix de Rome and his since composed many other prolific works, including Three Studies for Percussion and Piano. Composed in 1968, Three Studies for Percussion and Piano is made up of three movements; 1) Variations, 2) Scherzo, and 3) Final. With a typical performance lasting around seven minutes, Aubain 's piece includes use of Timpani, Xylophone, Temple-Block, Tom-Toms, Vibraphone and Cymbals, as well as other Percussion instruments. For all advanced percussionists seeking solo performance repertoire, Aubain 's Three Studies For Percussion And Piano is essential.

SEK 315.00
1

Isabelle Aboulker, Christian Eymery: Sweet and Blue Beard, for Soloists, Children's Choir and Piano

Isabelle Aboulker, Christian Eymery: Sweet and Blue Beard, for Soloists, Children's Choir and Piano

Known for her Operas and Vocal works, contemporary composer, Isabelle Aboulker has won numerous prizes for her compositions. Her collaboration with Opera libretto writer, Christian Eymery led to the exciting Sweet and Blue Beard for soloists, children's choir and Piano. Aboulker has done a significant amount of work with children and as a result, she has specially composed pieces to which they can relate. This is true of Sweet and Blue Beard, which includes a children's choir. Made up of 14 movements, Sweet and Blue Beard is an Oratorio, depicting a fairytale-like story. As an exciting, alternative collection in the Vocal repertoire, Aboulker 's Sweet and Blue Beard is an exquisite addition to any children's choir repertoire.

SEK 350.00
1

Uebayashi Sonate Flt/Pf Bk

Uebayashi Sonate Flt/Pf Bk

Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi 's works as "gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow." Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument.

SEK 484.00
1

Pierre Max Dubois: Divertissement (Saxophone-Alto & Piano)

Pierre Max Dubois: Divertissement (Saxophone-Alto & Piano)

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire, particularly for Saxophone. Divertissement for Alto Saxophone was published in 1953 and remains popular in advanced saxophonists' repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. 'Divertissement' for Alto Saxophone and Piano reduction is made up of three movements; 1) Allegro vivo, 2) Lent et doux, and 3) Scherzando. Essential to the advanced saxophonists' repertoire, Dubois' 'Divertissement' makes for an exciting and enjoyable performance for players and audiences alike.

SEK 325.00
1

Alfred Désenclos: Incantation, Thrène et Danse (C trpt) (Trumpet & Piano)

Alfred Désenclos: Incantation, Thrène et Danse (C trpt) (Trumpet & Piano)

Incantation - Thrène Et Danse  is a piece written for the Paris Conservatoire contest by Alfred Desenclos . Dedicated to two professors, E. Foveau and R. Sabarich., this piece for Trumpet and Piano requires advanced skills, technique and endurance. Written in three parts, Incantation - Threne Et Danse , each part starts first with the Piano which is then joined by the Trumpet. In terms of difficulty, the keys are changing with up to 4 sharps and 6 flats, the rhythms and tempo are quite challenging. The difficulty level is set at 8°. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as 'Messe de Requiem' and other pieces, for Double Bass, Harp, Flute, Trumpet and French Horn.

SEK 325.00
1

Darius Milhaud: Concerto For Oboe

Darius Milhaud: Concerto For Oboe

French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Concerto For Oboe being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Concerto For Oboe, which includes a Piano reduction accompaniment. Composed in 1957, Concerto For Oboe is an alternative, exciting concerto made up of three movements; 1) Animated, 2) With Serenity, and 3) Animated. With a typical performance lasting around 18 and a half minutes, Milhaud makes use of variation in articulation, complex rhythms, chromaticism, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Concerto For Oboe is essential to all advanced oboists seeking modern and exciting repertoire.

SEK 633.00
1