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El Grito (Low Voice)

Versions for low voice setting the text of Federico García Lorca. Commissioned especially for the 10th Concours International de Chant-Piano Nadia et Lili Boulanger. Versions for low voice setting the text of Federico García Lorca. Commissioned especially for the 10th Concours International de Chant-Piano Nadia et Lili Boulanger.

Deux Mélodies pour voix basse

Two songs -selected for the Lili and Nadia Boulanger Voice-Piano Competition 2019 - by the French composer, music critic and theatre director Louis Beydts. Version for low voice.

E. Berthelot: Vocalise (low) (Voice solo)

Mihalovici Marcel Contrerimes Low Voice & Piano Book

Isabelle Aboulker: Je t'aime (low) (Voice & Piano)

Vocalise amoureuse

Aboulker Lettre D'amour Low Voice & Piano Book

Henri Tomasi: Invocation à la Lune (low) (Voice & Piano)

Féerie laotienne 'Lune d'Asie au front pur des Nuits calmes'

Darius Milhaud: Chants de Misère Op.265 (low) (Voice & Piano)

4 Chansons

René Berthelot: Variations brèves sur un Chant scout (Horn & Piano)

Cellist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His  Variations Brèves  for Horn and Piano contribute to a significant catalogue of compositions by the composer. Published in 1973, a typical performance of Pastoral And Rustic Dance lasts around four minutes. Characteristics include, complex rhythms, variation in time signatures and much contrast between the variations. Suitable to advanced Horn players, Berthelot 's  Variations Brèves  is suitable to advanced Horn players, providing an exciting, alternative performance work.

Maurice Ravel: Vocalise-Etude en Forme de Habañera (low) (Voice & Piano)

René Berthelot: Pastorale et Danse rustique (Flute & Piano)

Cellist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His Pastorale Et Danse Rustique  for Flute and Piano contributes to a significant catalogue of compositions by the composer. Published in 1976, a typical performance of  Pastorale Et Danse Rustique  lasts around 5 minutes and 45 seconds. Characteristics include, complex rhythms, variation in time signatures and much contrast between the two movements. suitable for advanced flautists, Berthelot 's  Pastorale Et Danse Rustique  also provides alternative scorings for more difficult passages. For all advanced flautists, this Berthelot provides an exciting, alternative performance work.

Anonym Bloch De Pieces Du Xviiie Viola Da Gamba Or Low Voice Book

Anonym Bloch De Pieces Du Xviiie 2 High Voices Or High & Low Vce Book

Theodore Kerkezos: Études Pour Les Notes Aiguës Et Graves Au Saxophone

Considered by Gramophone magazine as “one of the most astounding players of the day”, saxophonist Theodore Kerkezos divides his time between a brilliant soloist career and educational activities that include teaching at the Athens Conservatoire and providing master classes around the globe. Drawing on his long experience, the Greek musician is publishing his Études for high and low notes on the Saxophone to help students overcome one of the major learning difficulties: mastering the upper registers.  Organised according to a step-by-step plan, the Études provide a variety of learning options in terms of melodics, rhythm and dynamics, some of which offer a valuable bonus: the choice between several fingerings. The problem of different attacks, often related to repertoire type, is given particular attention. Recommended by masters like Jean-Marie Londeix and Christian Lauba, this “extraordinary” collection will delight saxophonists who dream of achieving precise intonation and roundness of tone in both the high and low ranges.

Kauko Kahila: Semester of Studies For Bass Trombone

A valuable resource of much needed practice material for Bass Trombonists in the orchestral gamut. Careful practice of these studies will help Trombone players cope with the problems present in the orchestral parts. Kauko Kahila's studies improve technique and confidence and help make the step-up to more complex pieces, with special attention to the low registers and changing meters. This volume also includes an extract from Karl Pilss' 1974 Concerto for Bass Trombone and Piano.

Boris Grigoriev: 78 Studies (Trombone-Bass solo)

78 Studies for Tuba were composed by Boris Grigoriev (1906-1978), a Russian Trombonist who trained many professional Tuba players. Requiring some mature technical knowledge, these etudes would benefit to advanced students to professional players. Quite lyrical and with a strong Russian influence, these studies have a low register work and cover all keys, moving progressively to sharps and flats. Really enjoyed by Tubists, these are a must-have for serious Tuba players who want to improve the quality of their sonority and their technique.

Henri Tomasi: 3 Pastorales (Flutes 3)

French composer and conductor, Henri Tomasi (1901-1971) published  Trois Pastorales  for Flute Trio in 1964. As with his other wind compositions,  Trois Pastorales  was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The  Trois Pastorales  are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire.

Henri Tomasi: Concerto (Bassoon & Piano)

French composer and conductor, Henri Tomasi (1901-1971) published Concerto for Bassoon in 1957. As with his other wind compositions, Concerto for Bassoon was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating into his compositions themes of the songs he had learnt during the summers with his Grandmother. The Concerto for Bassoon is in three movements; 1) Andante and Allegro, 2) Serenade Nocturne, and 3) Final-Saltarelle. This Tomasi piece is suitable to advanced bassoonists, providing an exciting, alternative addition to the instrument's repertoire.

Henri Tomasi: Chant Corse (Alto Sax & Piano)

French composer and conductor, Henri Tomasi (1901-1971) published his Corsican Song for Alto Saxophone and Piano in 1932. As with his other wind compositions,  Chant Corse  was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions, as is the case with  Chant Corse. This Tomasi work is unusual in composition through its exploitation of tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced saxophonists, provides an exciting, alternative addition to the repertoire.

Daniel Bourgue: Method for the French Horn - Vol.4 (Horn)

Method for the French Horn - Vol.4 is the fourth volume out of seven of a method for French Horn by Daniel Bourgue . Following the knowledge and technique acquired in the first three volumes, this book will help the players to progress further, with the help of comments to ensure they maintain their good techniques. This fourth volume focuses on scales and articulations, bars on 3/8, 6/8 and their rests/rhythms, low notes, transpositions in G and in A and on waltzes and marches among other aspects. Some revisions are also part of this book. Daniel Bourgue is a French musician who plays the Cello and the Horn and who studied harmonies and chamber music. He played around the world as a soloist, and worked as a great pedagogue too.

Marcel Moyse: De La Sonorite - Art Et Technique

Published in 1934 and written by the French flautist and composer Marcel Moyse (1889-1984), De la Sonorité proposes a method to acquire a beautiful sonority on the Flute. Created for the use of advanced flautists, the exercises should give a means to the players to transform their sounds and obtain a different and better tone. De la Sonorité is divided into five parts: 1. Timbre and homogeneity of tone in the 3 registers 2. Suppleness of tone (especially in the low register) 3. Attacking and slurring notes 4. Fullness of tone 5. Management of tone in interpretation Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books such also published by Alphonse Leduc, such as Gammes et Arpèges (1933), Exercices Journaliers (1922) and Mécanisme-Chromatisme (1927). His methods are widely used and recognised worldwide.

Marcel Moyse: Exercices Journaliers Pour La Flute

Published in 1922 and written by the French flautist and composer Marcel Moyse (1889-1984), Daily Exercises proposes a series of 25 exercises for Flute. Created for the use of intermediate/advanced flautists and with a given timetable organised over a one-month period, Daily Exercises should help the players to feel more comfortable when using the low and high registers. It involves exercices on: - Chromatic exercises - Whole-tone scales - Augmented-fifth arpeggios - Diminished-seventh arpeggios - Major scales / Minor scales - Triads / Chords of the seventh - Thirds / Fourths / Sixths / Sevenths / Octaves / Broken Chords Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books also published by Alphonse Leduc, such as Gammes et Arpèges (1933), De la Sonorité (1934) and Mécanisme-Chromatisme (1927). His methods are widely used and recognised worldwide.

Eugène Bozza: Sonatine (Clarinets 4)

Sonatina by Eugène Bozza is a piece for four unequal Clarinets (an E flat Clarinet, two B flat and a Bb Bass Clarinet). Strongly lyrical, this piece, which lasts approximatively 7'50 minutes, is very interesting and quite challenging to play. It explores the full high and low of the instruments, and requires some good ability of breathing and strong agility. It is divided into three main parts, which are: I. Allegro vivo, II. Calme (Quiet) and III. Allegro Vivo. While the first and third sections are very cheerful and energetic, the second part is slower and more reflective. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

Christian Lauba: "XYL" Balafon 2, 12th Study for Alto Saxophone

Born in Tunisia in 1952, Christian Lauba has been a prominent contemporary composer, winning many prizes since his graduation from the Conservatory of Bordeaux during the mid-1980s. Lauba is particularly noted for his compositions for the Saxophone, such as Study No. 12 for Alto Saxophone. Published in 2007, Study No. 12, "XYL" Balafon 2 is highly virtuosic and modern, including multiphonic Saxophone sounds and other advanced technical features. The score of Study No. 12 also comes accompanied with a CD of a prerecorded accompanying part. With a typical performance lasting around six minutes, this Lauba study, nicknamed, "XYL" Balafon 2 is described as a 'a study for the mastering of circular breathing, the low and high registers, dynamic, rhythmic and melodic crescendos and decrescendos, rational and irrational note-values, chromaticism and digital virtuosity'. For all advanced Alto saxophonists, Study No. 12 provides an alternative, modern work, essential to a varied repertoire.

Pierre Max Dubois: Quatuor (Clarinets 4)

Composed by Pierre-Max Dubois ,  Quartuor  is a really energetic and melodious piece for four Bb Clarinets. Lasting approximately 10 minutes, it is divided into four distinct parts: 1. Allegretto, 2. Allegro, 3. Pastorale and 4. Musette. During the whole piece, the Clarinets complete each other’s part on this fast work. The first part has a repetitive theme with some variations while the second one seems to be playing more on the aspects of the low and high ranges. The “Pastorale” section is slower and slightly less cheerful. The piece ends on the “Musette” which brings back some energy before the end. This piece would be perfect to play during a concert or a recital. Pierre Max Dubois (1930-1995) was a French composer who was awarded the Prix de Rome in 1955. Mainly composing classical music, his works are mainly for woodwinds. He is one of the founder of the Les Six and which included his professor, Darius Milhaud.