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Johann Sebastian Bach: Recorder Solo Parts from Bach's Concertos

Johann Sebastian Bach: Recorder Solo Parts from Bach's Concertos.

Johann Sebastian Bach: Recorder Obligato Solos from Bach's Cantatas

Johann Sebastian Bach: Recorder Obligato Solos from Bach's Cantatas

Aria From Suite D Bwv 1068 Alto Sax/Pno

J.S. Bach: Aria From Suite in D BWV 1068 (Alto Saxophone/Piano)

Joseph Canteloube: Baïlèro (From Chants d'Auvergne) Arranged By James Davy

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) James Canteloube's Baïlèro from Chants d'Auvergne arranged here for SATB and Piano accompaniment by James Davy Choirs will appreciate the artless harmonies as much as accompanists will appreciate the simplified piano part.

Jacques-Pierre Rode: Solo No.1 from Concerto No.6 (Violin & Piano)

Pierre Rode's Premiers Solo No. 1 From Concerto No. 6 for Violin and Piano.

Giovanni Battista Viotti: Solo No.1 from Concerto No.17 (Violin & Piano)

Giovanni Viotti's Giovanni Solo No.1 From Concerto No. 17 for Violin and Piano.

Giovanni Battista Viotti: Solo No.1 from Concerto No.20 (Violin & Piano)

Giovanni Viotti's Giovanni Solo No.1 From Concerto No. 20 for Violin and Piano.

Jacques Ibert: 4 Pieces From Histoires

The works of French composer Jacques Ibert were known for their characteristic rich colour, beauty and musical craftsmanship. His Histoires , or ‘Stories’, for Piano solo exemplify this facet and these four charming and impressionistic pieces, taken from the collection, demonstrate Ibert’s talent for creating image-fused melodies.

Rodolphe Kreutzer: Solo No.1 from Concerto No.9 in E minor (Violin & Piano)

Rodolphe Kreutzer's Solo No. 1 From Concerto No. 9 in E Minor for Violin and Piano.

Franz Strauss: Romance from 'Les Adieux' (Horn/Piano)

Franz Strauss' Romance , taken from his work Les Adieux , is a beautiful piece which is available here for Horn with Piano Accompaniment, edited by Harold Meek. The well-voiced piano accompaniment provides sonorous harmonies and rich textures against the lyrical melody line of the horn. The solo Horn in F part is also included on a separate insert.

Joseph Canteloube: Five Songs from Auvergne, transcribed for Soprano, Wind Quintet and Harp by Chris Allen

French composer, Joseph Canteloube (1879-1957) is best known for his Five Songs from Auvergne. Composed between 1923 and 1930 for Soprano and Orchestra, Chris Allen 's arrangement of the popular work for Soprano, Wind Quintet and Harp enforces the composition's favour. The Songs from Auvergne are a collection of five folksongs from the Auvergne region of France. Composed in the local language of Occitan, the best known of the five songs is the second, Baïlèro, which to this day, remains frequently performed and recorded. Famous Sopranos who have recorded Canteloube 's much loved work include, Madeleine Grey, Dawn Upshaw, Sarah Brightman and Barbara Streisand. For all Wind Quintets, Sopranos and Harpists seeking exciting ensemble repertoire, Canteloube 's Five Songs from Auvergne ensures a sublime performance for both performers and audiences alike.

Giovanni Battista Viotti: Solo No.1 from Concerto No.29 (Violin & Piano)

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine 's series, First Solos Extracted From The Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Theodore Dubois: Realisation of Figured Bass from the Treaty of Harmony

At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois' Realisation of Figured Bass is well-informed. This music theory study guide covers a considerable range of figured bass aspects, to a high standard. Taken from his Treaty of Harmony, Dubois explains the need for his treaty, stating that it fills the gaps in harmonic theory excerises which preceding guides had missed. With no harmonic elements left out with regard to figured bass, this Dubois theory guide is necessary to accompany all music studies.

Betsy Jolas: Pages From A Love Diary

“What’s important in music that’s based on a poem – on the emotion inspired by a poem – is the music and power of emotion it harbours within itself”. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas . She’d just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms, there was no need to worry – Betsy Jolas must have placed this conviction at the heart of her reflection on the relation between text and music. Nearly sixty years later, the musician decided to take several fragments of these beloved poems of Reverdy and place them, in the form of quotations, into new musical and theatrical perspectives. The exalted memory of the words led to D’Un Journal D’Amour , a mini-cantata for Voice and Alto offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit, who premiered it together in Montreuil in 2010.

Georges Catherine: First Solos extracted from the Classic Concertos (Vieuxtemp's Concert No. 5), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Vieuxtemp 's Concerto No. 5 is clearly printed with a helpful key of unusual techniques. Vieuxtemp (1820-1881) was an Belgian composer and violinist. He composed a significant amount of string music, particularly for the Violin, which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 5 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti's Concert No. 24), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti 's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 24 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot's Concert No. 9), for Violin and Piano

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot 's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The Violin solo line of Concerto No. 7 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 23), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist''s repertoire. The Violin solo line of Concerto No. 23 makes use of extended techniques including harmonics, bow techniques, aritculations and hand positions. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 22), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist''s repertoire. The Violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot''s Concert No. 9), for Violin and Piano

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot ''s Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist''s repertoire, as well as many study books for the instrument. The Violin solo line of Concerto No. 9 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Johann Sebastian Bach: Pièces célèbres Vol.2 (Saxophone-Alto & Piano)

Vivace from BWV1018; Sonata in C from BWV1033; Sonata in E from BWV1035; Badinerie from BWV1067; Bourrée from BWV1066; Aria from BWV1068; Gavotte et Musette from BWV811; Sicilienne from BWV1017

Johann Sebastian Bach: Pièces célèbres Vol.1 (Saxophone-Alto & Piano)

Adagio from BWV1016; Adagio from BWV564; Adagio et Andante from BWV1034; Allegro from BWV1030; Andante et Allegro from BWV1014; Fuguette from BWV793; Gavottes from BWV1068

Richard Wagner: Preludes from Lohengrin (PH47) from Acts 1 and 3 (Orchestra)

Rodolphe Kreutzer: Solo No.1 from Concerto No.1 in G major (Violin & Piano)

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Kreutzer 's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist, teacher, conductor and composer. He composed a significant forty operas and nineteen Violin concertos. The Violin solo line of Concerto No. 1 makes use of extended techniques, including harmonics, bow techniques, aritculations and double stops. Catherine 's series,  Premiers Solos Extraits De Concertos Classiques  provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

Nocturne Reverie From Petite Suite