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Scherzino

Scherzino

The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of a small flute choir (the contrabass/contralto flute part is optional). Additionally, this work is available in another volume for solo flute and strings. It is possible to play it in unison with a group of string players, such as a string quartet or orchestra. The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of a small flute choir (the contrabass/contralto flute part is optional). Additionally, this work is available in another volume for solo flute and strings. It is possible to play it in unison with a group of string players, such as a string quartet or orchestra.

SEK 248.00
1

Perpetual Motion

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

SEK 548.00
1

Silva Fantasy

Silva Fantasy

This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine! Scored here for two flutes and a string orchestra consisting of Violin 1, Violin 2, Viola, Cello and Double Bass This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine! Scored here for two flutes and a string orchestra consisting of Violin 1, Violin 2, Viola, Cello and Double Bass

SEK 548.00
1

The Girl from Ipanema

The Girl from Ipanema

How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary. How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary.

SEK 298.00
1

Scherzino

Scherzino

The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together. The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together.

SEK 398.00
1

The Swan and The Elephant : from The Carnival of the Animals

The Swan and The Elephant : from The Carnival of the Animals

One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set. One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set.

SEK 298.00
1

Variations on Theme by Pleyel

Variations on Theme by Pleyel

Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes.

SEK 278.00
1

Brandenburg Concerto No. 3

Brandenburg Concerto No. 3

Of the six Concertos, the Brandenburg Concerto No. 3, despite the fact it is composed for string orchestra, is the least like the traditional baroque concerto grosso, in that there is no solo or concertino group used in contrast to the full ensemble. Far predating Bartok's Concerto for Orchestra, is this concerto by Bach which challenges all the members of the ripieno to perform a concerto without designated soloists. Another distinctive feature of this concerto is that it consists of only two movements separated by a single measure of two chords.Of the six Concertos, the Brandenburg Concerto No. 3, despite the fact it is composed for string orchestra, is the least like the traditional baroque concerto grosso, in that there is no solo or concertino group used in contrast to the full ensemble. Far predating Bartok's Concerto for Orchestra, is this concerto by Bach which challenges all the members of the ripieno to perform a concerto without designated soloists. Another distinctive feature of this concerto is that it consists of only two movements separated by a single measure of two chords.

SEK 448.00
1