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Divertimento

Divertimento is an original trio by Arthur Frackenpohl that was written at the request of a trio for a senior flute recital at the Crane School of Music. The first movement, Introduction, is in sonata form with two contrasting themes, closing section, short development and recapitulation. In the second movement, Passacaglia, the dorian theme is stated canonically, with variations on the eight bar theme and closing in quietly in the minor. The third movement is a lively Scherzo with a rhythmic first section employing some echo effects before moving into a more subdued and legato trio. The final movement is an energetic Fughetta, which uses the contrapuntal devices ofinversion, augmentation and stretto. Each movement can be played by itself, or in combination with the other movements. Divertimento is an original trio by Arthur Frackenpohl that was written at the request of a trio for a senior flute recital at the Crane School of Music. The first movement, Introduction, is in sonata form with two contrasting themes, closing section, short development and recapitulation. In the second movement, Passacaglia, the dorian theme is stated canonically, with variations on the eight bar theme and closing in quietly in the minor. The third movement is a lively Scherzo with a rhythmic first section employing some echo effects before moving into a more subdued and legato trio. The final movement is an energetic Fughetta, which uses the contrapuntal devices ofinversion, augmentation and stretto. Each movement can be played by itself, or in combination with the other movements.

Biddy Biddy

From the composer: "Biddy Biddy" is the name of a Jamaican children’s folk song about a chicken. There are so many different melodies associated with Biddy Biddy that I simply made up a simple appealing tune and devoted the composition from there. This piece is dedicated to Mark Delpriora, my friend and amazing guitarist and guitar teacher at Juilliard and Manhattan School of Music. From the composer: "Biddy Biddy" is the name of a Jamaican children’s folk song about a chicken. There are so many different melodies associated with Biddy Biddy that I simply made up a simple appealing tune and devoted the composition from there. This piece is dedicated to Mark Delpriora, my friend and amazing guitarist and guitar teacher at Juilliard and Manhattan School of Music.

Fantasia on a Newfoundland Folk Tune

Newfoundland, the last province to join Canada (in 1949) is a rugged and beautiful island shaped by the many inlets where tiny fishing villages are huddled. The Newfoundland ballads and shanties that were formed from Celtic traditions have developed a unique style in response to five hundred years of living in the Newfoundland outports. The beautiful tune and doleful text of She’s Like the Swallow have made this ballad a particular favourite amongst singers and arrangers/composers. Although similarities appear in the love songs of British folk music, the simile of the swallow is definitively Newfoundlander.Newfoundland, the last province to join Canada (in 1949) is a rugged and beautiful island shaped by the many inlets where tiny fishing villages are huddled. The Newfoundland ballads and shanties that were formed from Celtic traditions have developed a unique style in response to five hundred years of living in the Newfoundland outports. The beautiful tune and doleful text of She’s Like the Swallow have made this ballad a particular favourite amongst singers and arrangers/composers. Although similarities appear in the love songs of British folk music, the simile of the swallow is definitively Newfoundlander.

Eos

Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.

Fanfare 36

Fanfare 36 was composed especially for the 2008 National High School Flute Choir, with its premiere performance on during the 36th Annual Convention of the National Flute Association (NFA) in Kansas City, Missouri. If Fanfare 36 conjures up images of a marching flute choir forming patterns on the field complete with twirlers, color guard and drum line, then it has achieved its goal! Fanfare 36 was composed especially for the 2008 National High School Flute Choir, with its premiere performance on during the 36th Annual Convention of the National Flute Association (NFA) in Kansas City, Missouri. If Fanfare 36 conjures up images of a marching flute choir forming patterns on the field complete with twirlers, color guard and drum line, then it has achieved its goal!

Lo, How a Rose E'er Blooming

The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol. The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol.

A Bird's Tale on a Saturday for Flute Choir

A Parting Glass

Illuminations on a Christmas Plainsong

A Slow March and Reflections

Allegretto from Symphony No. 7

Beethoven's Seventh Symphony, op. 92, created in 1812, was composed entirely without a slow movement. Instead, this famous Allegretto opens with a statement of an A minor chord followed by a rhythmic and hypnotic theme - a somewhat sombre and dream-like march. Beethoven's Seventh Symphony, op. 92, created in 1812, was composed entirely without a slow movement. Instead, this famous Allegretto opens with a statement of an A minor chord followed by a rhythmic and hypnotic theme - a somewhat sombre and dream-like march.

Cavatina and Cabaletta

The Cavatina and Cabaletta format originated in the bel canto era as a showpiece for virtuosi. A short and lyrical arietta was followed by a quick section with fioratura, designed to show off the performer. The Cavatina and Cabaletta format originated in the bel canto era as a showpiece for virtuosi. A short and lyrical arietta was followed by a quick section with fioratura, designed to show off the performer.

The Christmas Flutist: 20 Songs and Carols

The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service. The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service.

Grow As A River for Flute Choir

A Journey With Love for Flute Choir

Homenaje a Takemitsu for Flute and Guitar

French Nativity Suite

Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan. Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan.

Eternal Springs

Lewis A. Kocher composed "Eternal Springs" in honor of the 30th anniversary of the Hot Springs Flute Ensemble and is dedicated to its founder, Dr. Jackie Flowers. With the waters as inspiration for the music, the piece starts out quietly with just a few flutes, then builds in intensity and participation. The trickle grows to a stream, in some parts noisy and exciting, in others vernal and lyrical. The duet of flute and piccolo in the latter section of the piece splashes and plays like a tiny rivulet dancing over pebbles. Lastly and once more following the imagery of a large stream, the ensemble takes a final plunge of excitement before the river settles into its smooth, dailycourse, the tiny trickle has realized its potential to become a great water of life. Lewis A. Kocher composed "Eternal Springs" in honor of the 30th anniversary of the Hot Springs Flute Ensemble and is dedicated to its founder, Dr. Jackie Flowers. With the waters as inspiration for the music, the piece starts out quietly with just a few flutes, then builds in intensity and participation. The trickle grows to a stream, in some parts noisy and exciting, in others vernal and lyrical. The duet of flute and piccolo in the latter section of the piece splashes and plays like a tiny rivulet dancing over pebbles. Lastly and once more following the imagery of a large stream, the ensemble takes a final plunge of excitement before the river settles into its smooth, dailycourse, the tiny trickle has realized its potential to become a great water of life.

Flautista, A Suite of Latin Dances for Flute Choir

Rhapsody on a Theme of Paganini for Flute Quintet

A Lantern Lit With Borrowed Light for Flute Choir

Cigany Konnyek (Gypsy Tears)

Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for flute and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time. Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for flute and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time.

Cigany Konnyek (Gypsy Tears)

Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for violin and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time. Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for violin and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in 5/8 time.

I'll Love My Love

I'll Love My Love is a Cornish folk song made familiar by Gustav Holst. This arrangement was inspired by the settings of the song used by Holst in his "Second Suite in F for Military Band", as well as a four part (SATB) vocal arrangement. It has a hauntingly beautiful melody that lends itself particularly well to the flute choir. I'll Love My Love is a Cornish folk song made familiar by Gustav Holst. This arrangement was inspired by the settings of the song used by Holst in his "Second Suite in F for Military Band", as well as a four part (SATB) vocal arrangement. It has a hauntingly beautiful melody that lends itself particularly well to the flute choir.

Landscapes

Landscapes is a contemplative work in three movements that recognizes both the beauty and the complexity of God in nature. The movements are titled: Birds on the Beach, Sunrise Over a Hill, and Fireflies in an Open Field. Landscapes is a contemplative work in three movements that recognizes both the beauty and the complexity of God in nature. The movements are titled: Birds on the Beach, Sunrise Over a Hill, and Fireflies in an Open Field.