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The Girl from Ipanema

How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary. How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary.

Allegretto from Symphony No. 7

Beethoven's Seventh Symphony, op. 92, created in 1812, was composed entirely without a slow movement. Instead, this famous Allegretto opens with a statement of an A minor chord followed by a rhythmic and hypnotic theme - a somewhat sombre and dream-like march. Beethoven's Seventh Symphony, op. 92, created in 1812, was composed entirely without a slow movement. Instead, this famous Allegretto opens with a statement of an A minor chord followed by a rhythmic and hypnotic theme - a somewhat sombre and dream-like march.

March to the Scaffold from Symphony Fantastique

The March to the Scaffold is the fourth movement of Hector Berlioz's "Symphonie Fantastique," a programmatic work consisting of five movements. This movement depicts the central artist character poisoning himself and dreaming that as a result of killed his beloved, he is being led to the scaffold and witnessing his own execution. The timpani parts (which are not optional), give a true sense of the march feeling. The two timpani parts are identical to the original orchestral version, however, a condensed part for one player is included.The March to the Scaffold is the fourth movement of Hector Berlioz's "Symphonie Fantastique," a programmatic work consisting of five movements. This movement depicts the central artist character poisoning himself and dreaming that as a result of killed his beloved, he is being led to the scaffold and witnessing his own execution. The timpani parts (which are not optional), give a true sense of the march feeling. The two timpani parts are identical to the original orchestral version, however, a condensed part for one player is included.

Fuga from Sonata No. 1, BWV 1001

Three Dances from Henry VIII for Flute Choir

Danse Nègre from African Suite for Flute Choir

Pas d'action from The Sleeping Beauty : for Clarinet Choir

Maria Virgo from 'Sacrae Symphoniae', Book 1 : for 10 Bassoons

Silva Fantasy

This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine. This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine.

The Swan and The Elephant : from The Carnival of the Animals

One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set. One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set.

The Swan and The Elephant : from The Carnival of the Animals

Camille Saint-Saëns (1835 - 1821) composed The Carnival of the Animals, one of his most popular works, in 1886. Though private performances were given during his lifetime, the first public performance took place only a few months following his death, in February 1922. The two movements arranged here, The Swan and The Elephant, lend themselves very well to the contra clarinets accompanied by piano, also providing a humorous contrast in both title and style. In the case of these two movements, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played witheither a contrabass or contralto clarinet. Camille Saint-Saëns (1835 - 1821) composed The Carnival of the Animals, one of his most popular works, in 1886. Though private performances were given during his lifetime, the first public performance took place only a few months following his death, in February 1922. The two movements arranged here, The Swan and The Elephant, lend themselves very well to the contra clarinets accompanied by piano, also providing a humorous contrast in both title and style. In the case of these two movements, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played witheither a contrabass or contralto clarinet.

Silva Fantasy

This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine! Scored here for two flutes and a string orchestra consisting of Violin 1, Violin 2, Viola, Cello and Double Bass This fantasy on themes from Hungarian composer Imre Kalman's operetta "Die Csardasfurstin" was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwining them, giving both flutes plenty of opportunities to shine! Scored here for two flutes and a string orchestra consisting of Violin 1, Violin 2, Viola, Cello and Double Bass

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

Biddy Biddy

From the composer: "Biddy Biddy" is the name of a Jamaican children’s folk song about a chicken. There are so many different melodies associated with Biddy Biddy that I simply made up a simple appealing tune and devoted the composition from there. This piece is dedicated to Mark Delpriora, my friend and amazing guitarist and guitar teacher at Juilliard and Manhattan School of Music. From the composer: "Biddy Biddy" is the name of a Jamaican children’s folk song about a chicken. There are so many different melodies associated with Biddy Biddy that I simply made up a simple appealing tune and devoted the composition from there. This piece is dedicated to Mark Delpriora, my friend and amazing guitarist and guitar teacher at Juilliard and Manhattan School of Music.

Sheep May Safely Groove

An innovative interpretation of the famous aria "Sheep May Safely Graze" from Johann Sebastian Bach's "Birthday Cantata", Sheep May Safely Groove by Greg Lutz is an energetic piece which allows flutists to let their hair down and rock on. An innovative interpretation of the famous aria "Sheep May Safely Graze" from Johann Sebastian Bach's "Birthday Cantata", Sheep May Safely Groove by Greg Lutz is an energetic piece which allows flutists to let their hair down and rock on.

Eos

Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.

Traverso Colore, Volume 3 : Baroque Quartets

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli). Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli).

Japanese Landscapes and Legends

David Loeb presents the collection Japanese Landscapes and Legends for piccolo alone, an aggregation of previously stand-alone works - the Four Japanese Legends (P-12), Scenes from the Japanese Countryside (P-14), and the Preludes Vol. III (P-31). These works are almost entirely direct suggestions of stories and geographic locations from across Japan, though they also reach into the deep past of Chinese origins and the dispersal of musical ideas and oral tradition through Japan and Korea. The opening Four Legends are stories narrated by piccolo, the Eight Views and stand-alone vignettes are tone paintings of landscapes and moment of time - snowfall, bird migration, rain falling onrivers, and others. David Loeb presents the collection Japanese Landscapes and Legends for piccolo alone, an aggregation of previously stand-alone works - the Four Japanese Legends (P-12), Scenes from the Japanese Countryside (P-14), and the Preludes Vol. III (P-31). These works are almost entirely direct suggestions of stories and geographic locations from across Japan, though they also reach into the deep past of Chinese origins and the dispersal of musical ideas and oral tradition through Japan and Korea. The opening Four Legends are stories narrated by piccolo, the Eight Views and stand-alone vignettes are tone paintings of landscapes and moment of time - snowfall, bird migration, rain falling onrivers, and others.

Le Papillon

Although French-Canadian composer Calixa Lavallee is most well-known for composing the music to the Canadian national anthem "O Canada," his compositional output ranges from solo repertoire works to multiple comic operettas. His most popular work for piano, the virtuosic concert etude titled Le Papillon, has been arranged here for flute choir by Nicholas Buonanni. Although French-Canadian composer Calixa Lavallee is most well-known for composing the music to the Canadian national anthem "O Canada," his compositional output ranges from solo repertoire works to multiple comic operettas. His most popular work for piano, the virtuosic concert etude titled Le Papillon, has been arranged here for flute choir by Nicholas Buonanni.

Lo, How a Rose E'er Blooming

The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol. The Eleven Chorale Preludes were the last works composed by Johannes Brahms. They were composed in the summer of 1896 after the death of his dear friend, Clara Schumann. The beauty of this particular chorale prelude, Lo How a Rose E'er Blooming, is not lost on audiences, as it is the best known of the eleven. From a compositional view the work has been described in program notes by Scott Foglesong as “richly chromatic, and improvisatory” and “while floridly elaborate never masked the dignified simplicity of the original melody.“ The flute choir adaptation of this work is expanded from the choral prelude format. The choral prelude as composed by Brahms is stated twice. Between thefirst and second stanzas of the chorale is the original setting of the carol.

Traverso Colore, Volume 1 : Baroque Quintets

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 1 includes: Arrival of the Queen of Sheba (George Frideric Handel), Banchetto Musicale: Suite No.1 (Johann Hermann Schein), Sinfonia 'Non sa che sia dolore' (Johann Sebastian Bach), and Court Music, from the Childhood of Louis XIII (Francois Danican Philidor). Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 1 includes: Arrival of the Queen of Sheba (George Frideric Handel), Banchetto Musicale: Suite No.1 (Johann Hermann Schein), Sinfonia 'Non sa che sia dolore' (Johann Sebastian Bach), and Court Music, from the Childhood of Louis XIII (Francois Danican Philidor).

Sleep, My Dearest, Enjoy Thy Rest

“Sleep, My Dearest, Enjoy Thy Rest” is an alto aria from the second section of the Christmas Oratorio of Johann Sebastian Bach. The cantata tells the story of the angel’s visitation to the shepherds. Written for the Christmas season of 1734, the original version of the Christmas Oratorio consists of six cantatas, each celebrating one of the festival days of the Christmas season. “Sleep, My Dearest, Enjoy Thy Rest” is an alto aria from the second section of the Christmas Oratorio of Johann Sebastian Bach. The cantata tells the story of the angel’s visitation to the shepherds. Written for the Christmas season of 1734, the original version of the Christmas Oratorio consists of six cantatas, each celebrating one of the festival days of the Christmas season.

Water Music

Water Music was composed by George Frederick Handel (1658-1759) and while no copies of this work in the composer's hand are extant, various catalogs and copies from that time show 9 to 20 movements in several suites. Previously available as two separate volumes, this new edition, re-engraved in 2019 combines the two movements together into a single book. Water Music was composed by George Frederick Handel (1658-1759) and while no copies of this work in the composer's hand are extant, various catalogs and copies from that time show 9 to 20 movements in several suites. Previously available as two separate volumes, this new edition, re-engraved in 2019 combines the two movements together into a single book.

Variations on 'La Ci Darem la Mano'

Ludwig van Beethoven's Variations on 'La ci darem la mano' from Wolfgang Amadeus Mozart's Don Giovanni was originally composed in 1795 for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Ludwig van Beethoven's Variations on 'La ci darem la mano' from Wolfgang Amadeus Mozart's Don Giovanni was originally composed in 1795 for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes.

Reflexiones Espanolas

Reflexiones Espanolas is a three movement suite of works from the Spanish Renaissance, arranged for solo flute, solo guitar, strings and percussion by P. Brent Register. The pieces included are: Pavane by Luys Milan (c. 1500-c.1561), O vos omnes by Tomas Luis de Victoria (c. 1548-1611), and Diferencias sobre "Guardame las Vacas" by Luys de Narvaez (c. 1500-1555). Reflexiones Espanolas is a three movement suite of works from the Spanish Renaissance, arranged for solo flute, solo guitar, strings and percussion by P. Brent Register. The pieces included are: Pavane by Luys Milan (c. 1500-c.1561), O vos omnes by Tomas Luis de Victoria (c. 1548-1611), and Diferencias sobre "Guardame las Vacas" by Luys de Narvaez (c. 1500-1555).