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The Concept of Property in Kant Fichte and Hegel Freedom Right and Recognition

The Concept of Property in Kant Fichte and Hegel Freedom Right and Recognition

This book provides a detailed account of the role of property in German Idealism. It puts the concept of property in the center of the philosophical systems of Kant Fichte and Hegel and shows how property remains tied to their conceptions of freedom right and recognition. The book begins with a critical genealogy of the concept of property in modern legal philosophy followed by a reconstruction of the theory of property in Kant’s Doctrine of Right Fichte’s Foundations of Natural Right and Hegel’s Jena Realphilosophie. By turning to the tradition of German Rechtsphilosophie as opposed to the more standard libertarian and utilitarian frameworks of property it explores the metaphysical normative political and material questions that make property intelligible as a social relation. The book formulates a normative theory of property rooted in practical reason mutual recognition and social freedom. This relational theory of property inspired by German Idealism brings a fresh angle to contemporary property theory. Additionally it provides crucial philosophical background to 19th-century debates on private property inequality labor socialism capitalism and the state. The Concept of Property in Kant Fichte and Hegel will appeal to scholars and advanced students interested in 19th-century German philosophy social and political philosophy philosophy of law political theory and political economy. | The Concept of Property in Kant Fichte and Hegel Freedom Right and Recognition

GBP 130.00
1

STEN STEN, light nougat - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST6H720 -- PAPPELINA: Swedish carpets and cushions, high in quality a...

STEN STEN, light nougat - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST6H720 -- PAPPELINA: Swedish carpets and cushions, high in quality a...

PAPPELINA: Swedish carpets and cushions, high in quality and softness : Every Pappelina rug is created to meet the highest standards of function and design together with outstanding quality. Everything we do, we do with passion and dedication. We truly believe that these values go hand in hand. Our rugs are designed to be loved and used for many years to come, a timeless accessory to homes and spaces worldwide. A product that can endure wear and tear for a long time and therefore benefits the environment. For that reason we never compromise in our choices of materials, design or country of origin. For us, that is what sustainable design is all about and that is what we do best. PAPPELINA, 100% designed and manufactured in Sweden. Super functional The use of a Pappelina rug has no limits! It's decorative, non-slip, soft, reversible, indoor and outdoor compliant giving excellent grip on hard surfaces as well as being perfect on heated floors. With the wide range to choose from

GBP 148.60
1

STEN STEN, army - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST1G720 -- PAPPELINA: Swedish carpets and cushions, high in quality and softn...

STEN STEN, army - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST1G720 -- PAPPELINA: Swedish carpets and cushions, high in quality and softn...

PAPPELINA: Swedish carpets and cushions, high in quality and softness : Every Pappelina rug is created to meet the highest standards of function and design together with outstanding quality. Everything we do, we do with passion and dedication. We truly believe that these values go hand in hand. Our rugs are designed to be loved and used for many years to come, a timeless accessory to homes and spaces worldwide. A product that can endure wear and tear for a long time and therefore benefits the environment. For that reason we never compromise in our choices of materials, design or country of origin. For us, that is what sustainable design is all about and that is what we do best. PAPPELINA, 100% designed and manufactured in Sweden. Super functional The use of a Pappelina rug has no limits! It's decorative, non-slip, soft, reversible, indoor and outdoor compliant giving excellent grip on hard surfaces as well as being perfect on heated floors. With the wide range to choose from

GBP 148.60
1

STEN STEN, ochre - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST5B720 -- PAPPELINA: Swedish carpets and cushions, high in quality and soft...

STEN STEN, ochre - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST5B720 -- PAPPELINA: Swedish carpets and cushions, high in quality and soft...

PAPPELINA: Swedish carpets and cushions, high in quality and softness : Every Pappelina rug is created to meet the highest standards of function and design together with outstanding quality. Everything we do, we do with passion and dedication. We truly believe that these values go hand in hand. Our rugs are designed to be loved and used for many years to come, a timeless accessory to homes and spaces worldwide. A product that can endure wear and tear for a long time and therefore benefits the environment. For that reason we never compromise in our choices of materials, design or country of origin. For us, that is what sustainable design is all about and that is what we do best. PAPPELINA, 100% designed and manufactured in Sweden. Super functional The use of a Pappelina rug has no limits! It's decorative, non-slip, soft, reversible, indoor and outdoor compliant giving excellent grip on hard surfaces as well as being perfect on heated floors. With the wide range to choose from

GBP 148.60
1

STEN STEN, warm grey - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST9D720 -- PAPPELINA: Swedish carpets and cushions, high in quality and ...

STEN STEN, warm grey - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF ST9D720 -- PAPPELINA: Swedish carpets and cushions, high in quality and ...

PAPPELINA: Swedish carpets and cushions, high in quality and softness : Every Pappelina rug is created to meet the highest standards of function and design together with outstanding quality. Everything we do, we do with passion and dedication. We truly believe that these values go hand in hand. Our rugs are designed to be loved and used for many years to come, a timeless accessory to homes and spaces worldwide. A product that can endure wear and tear for a long time and therefore benefits the environment. For that reason we never compromise in our choices of materials, design or country of origin. For us, that is what sustainable design is all about and that is what we do best. PAPPELINA, 100% designed and manufactured in Sweden. Super functional The use of a Pappelina rug has no limits! It's decorative, non-slip, soft, reversible, indoor and outdoor compliant giving excellent grip on hard surfaces as well as being perfect on heated floors. With the wide range to choose from

GBP 148.60
1

STEN STEN, black - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF STX720 -- PAPPELINA: Swedish carpets and cushions, high in quality and softn...

STEN STEN, black - 70 x 200 cm - 27.56′′ x 78.74′′ -- REF STX720 -- PAPPELINA: Swedish carpets and cushions, high in quality and softn...

PAPPELINA: Swedish carpets and cushions, high in quality and softness : Every Pappelina rug is created to meet the highest standards of function and design together with outstanding quality. Everything we do, we do with passion and dedication. We truly believe that these values go hand in hand. Our rugs are designed to be loved and used for many years to come, a timeless accessory to homes and spaces worldwide. A product that can endure wear and tear for a long time and therefore benefits the environment. For that reason we never compromise in our choices of materials, design or country of origin. For us, that is what sustainable design is all about and that is what we do best. PAPPELINA, 100% designed and manufactured in Sweden. Super functional The use of a Pappelina rug has no limits! It's decorative, non-slip, soft, reversible, indoor and outdoor compliant giving excellent grip on hard surfaces as well as being perfect on heated floors. With the wide range to choose from

GBP 148.60
1

A Companion to Kant's Critique of Pure Reason

A Companion to Kant's Critique of Pure Reason

Immanuel Kant's groundbreaking Critique of Pure Reason inaugurated a new way of understanding the world that continues to impact philosophy to the present day. With clear explanations and numerous examples A Companion to Kant's Critique of Pure Reason takes students step by step through the book in a way that captures their interest without sacrificing depth or intellectual rigor. Although it is informed by recent Anglo-American scholarship the Companion focuses on Kant's own arguments rather than secondary texts and scholarly debates that may otherwise distract from what Kant himself is attempting. The Companion first places the Critique in its historical and philosophical context before addressing the three main parts of the book in order: the Transcendental Aesthetic the Transcendental Analytic and the Transcendental Dialectic. The Companion also briefly explains how Kant continues his investigation into God freedom and immortality in the Critique of Practical Reason and it concludes with an assessment of Kant's importance in the history of modern philosophy. Key features include a glossary of technical terms with succinct definitions and cross-references as well as an annotated bibliography of the most important English-language secondary sources on Kant's theoretical philosophy.

GBP 130.00
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Derrida and Deconstruction

Derrida and Deconstruction

The effects of Derrida's writings have been widespread in literary circles where they have transformed current work in literary theory. By contrast Derrida's philosophical writings-which deal with the whole range of western thought from Plato to Foucault-have not received adequate attention by philosophers. Organized around Derrida's readings of major figures in the history of philosophy Derrida and Deconstruction focuses on and assesses his specifically philosophical contribution. Contemporary continental philosophers assess Derrida's account of philosophical tradition with each contributor providing a critical study of Derrida's position on a philosopher she or he has already studied in depth These figures include Plato Meister Eckhart Descartes Kant Hegel Nietzsche Freud Husserl Heidegger Sartre and Foucault.

GBP 175.00
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The Kantian Subject New Interpretative Essays

The Kantian Subject New Interpretative Essays

This book presents a critical reconsideration of the Kantian cognitive and practical subject. Special attention is devoted to highlighting the complex relation between subjectivity as it is presented in the three critiques and the way in which it is construed in other writings in particular the Anthropology. While for Kant our cognitive apparatus and the structure of our will are common to all humans the anthropological subject reveals degrees of variation depending on a myriad of external circumstances that pose a challenge to the unity of Kant’s account and await theoretical solutions. The chapters collected in the volume delve into how the different shapes of human nature are not unrelated. They explore how and why different ‘Kantian subjects’ are closely connected at their core if not entirely unified. The notions of personality humanity and citizenship will serve as leading threads for the reconstruction of this possible underlying unity. An engaging read that promises to deepen our understanding of human nature the volume will be of great interest to scholars and researchers of philosophy politics psychology social anthropology ethics and epistemology. | The Kantian Subject New Interpretative Essays

GBP 130.00
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The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights divine presence political grandeur extreme violence and extraordinary artifacts the authors demonstrate how viewers were confronted with the sublime which evoked in them a combination of contrasting feelings of awe and fear attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness neatness and order. The book will be of interest to scholars working in art history visual culture architectural history and cultural history. The Open Access version of this book available at www. taylorfrancis. com has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND 4. 0) 4. 0 International license. Funded by Ghent University. | The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

GBP 130.00
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McDowell and the Hermeneutic Tradition

McDowell and the Hermeneutic Tradition

This volume explores the connections between John McDowell’s philosophy and the hermeneutic tradition. The contributions not only explore the hermeneutical aspects of McDowell’s thought but also ask how this reading of McDowell can inform the hermeneutical tradition itself. John McDowell has made important contributions to debates in epistemology metaethics and philosophy of language and his readings of Aristotle Kant Hegel and Wittgenstein have proved widely influential. While there are instances in which McDowell draws upon the work of hermeneutic thinkers the hermeneutic strand of McDowell’s philosophy has not yet been systematically explored in depth. The chapters in this volume open up a space in which to read McDowell himself as a hermeneutic thinker. They address several research questions: How can McDowell’s recourse to the hermeneutical tradition be understood in detail? Besides Gadamer does McDowell’s work implicitly convey and advance motives from other seminal figures of this tradition such as Heidegger and Dilthey? Are there aspects of McDowell’s position that can be enhanced through a juxtaposition with central hermeneutic concepts like World Tradition and Understanding? Are there further perhaps yet unexplored aspects of McDowell’s infl uences that ought to be interpreted as expressing hermeneutic ideas? McDowell and the Hermeneutic Tradition will appeal to researchers and advanced students working in American philosophy Continental philosophy hermeneutics history of philosophy philosophy of language and epistemology.

GBP 130.00
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Critical Views of Logic

Critical Views of Logic

This book examines positions that challenge the Fregean logic-first view. It raises critical questions about logic by examining various ways in which logic may be entangled with mathematics and metaphysics. Is logic topic-neutral and general? Can we take the application of logic for granted? This book suggests that we should not be dogmatic about logic but ask similar critical questions about logic as those Kant raised about metaphysics and mathematics. It challenges the Fregean logic-first view according to which logic is fundamental and hence independent of any extra-logical considerations. Whereas Quine assimilated logic and mathematics to the theoretical parts of empirical science the present volume explores views that stop short of his thoroughgoing holism but instead take logic to be answerable to or entangled with some particular disciplines. The contributions provide views that assign primacy to mathematical reasons Kantian metaphysical grounds Husserlian transcendental phenomenological reflection or normative considerations about how terms ought to be defined in various fields of empirical science or mathematics. Space is thereby carved out between a Fregean position on the one hand and Quinean holism on the other. Critical Views of Logic will be a key resource for academics researchers and advanced students of philosophy linguistics mathematics and computer science as well as those engaged in various fields of empirical science. The chapters in this book except for chapter 4 were originally published in the journal Inquiry.

GBP 130.00
1

The Modern Guise of the Good

The Modern Guise of the Good

This book is the first-ever collection dedicated to the guise of the good in early modern and later Western philosophy. It spans three centuries from Thomas Hobbes to Henry Sidgwick and features original contributions by some of the finest scholars. One of the staple items of Western philosophy is the idea that we can only desire or pursue something under the guise of the good: if we see nothing good about it we cannot want it. After enjoying its heydays in ancient and medieval philosophy this idea nowadays labelled “the guise of the good” might seem at first glance to recede into relative obscurity in the early modern and later periods. The contributions to this volume prove that this is not so. Each of the eight chapters shows how the guise of the good was understood revised sometimes defended sometimes attacked by philosophers such as Hobbes Spinoza Locke Leibniz Hume Kant J. S. Mill and Sidgwick. In some cases the volume features the first-ever dedicated treatment of an author’s take on the guise of the good. In other cases it offers exciting new perspectives on ongoing scholarly debates. Given the recent resurgence of interest in the guise of the good as a topic of contemporary discussion The Modern Guise of the Good will appeal not only to historians of philosophy but also to philosophers working at the intersection of ethics and philosophy of mind and action. This book was originally published as a special issue of Philosophical Explorations.

GBP 130.00
1

The Guise of the Good A Philosophical History

The Guise of the Good A Philosophical History

This is the first book to trace the doctrine of the guise of the good throughout the history of Western philosophy. It offers a chronological narrative exploring how the doctrine was formulated the arguments for and against it and the broader role it played in the thought of different philosophers. In recent years there has been a rich debate about whether value judgment or value perception must form an essential part of mental states such as emotions and desires and whether intentional actions must always be done for reasons that seem good to the agent. This has sparked new theoretical interest in the classical doctrine of the guise of the good: whenever we desire (to do) something we see it under the guise of the good; that is we conceive of what we desire as good desirable or justified by reasons in some way or another. This book offers a systematic historical treatment of the guise of the good. The chapters span from Ancient and Medieval philosophy (Socrates Plato Aristotle Augustine and Aquinas) through the early modern period (Hobbes Spinoza Locke Hume and Kant) and up to Elizabeth Anscombe's rediscovery in the 20th century after a period of relative neglect. Together they demonstrate how history can offer potential new models of the guise of the good—or new arguments against it—as well as to give a sense of how the guise of the good can bear on other philosophical issues. The Guise of the Good: A Philosophical History is an excellent resource for scholars and students working on the history of ethics philosophy of action and practical reason. | The Guise of the Good A Philosophical History

GBP 120.00
1

Aesthetics A Reader in Philosophy of the Arts

Aesthetics A Reader in Philosophy of the Arts

Aesthetics: A Reader in Philosophy of the Arts fourth edition contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting photography and movies architecture music literature and performance as well as contemporary subjects such as mass art popular arts the aesthetics of the everyday and the natural environment. Essays are drawn from both the analytic and continental traditions and multiple others that bridge this divide between these traditions. Throughout readings are brief accessible for undergraduates and conceptually focused allowing instructors many different syllabi possibilities using only this single volume. Key Additions to the Fourth Edition The fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume) updated organization into new sections revised introductions to each section an increased emphasis on contemporary topics such as stand-up comedy the architecture of museums interactivity and video games the ethics of sexiness trans/gendered beauty the aesthetics of junkyards and street art pornography and the inclusion of more diverse philosophical voices. Nevertheless this edition does not neglect classic writers in the traditional aesthetics: Plato Aristotle Hume Kant Hegel Heidegger Collingwood Bell and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are: • Sondra Bacharach on street art • Aili Bresnahan on appreciating dance • Hina Jamelle on digital architecture • Jason Leddington on magic • Sheila Lintott on stand-up comedy • Yuriko Saito on everyday aesthetics • Larry Shiner on art spectacle museums in the twenty-first century • Peg Brand Weiser on how beauty matters • Edward Winters on the feeling of being at home in vernacular architecture as in such urban places as bars. | Aesthetics A Reader in Philosophy of the Arts

GBP 105.00
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