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Pop Music Production Manufactured Pop and BoyBands of the 1990s

Pop Music Production Manufactured Pop and BoyBands of the 1990s

Pop Music Production delves into academic depths around the culture the business the songwriting and most importantly the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources such as recording studio equipment lists producer business deal examples and a 12-step mixing technique where Harding expands upon previously released material to explain how ‘Stay Another Day’ by East 17 changed his approach to mixing forever. However it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production Audio Engineering Music Technology Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding’s first book PWL from the Factory Floor (2010 Cherry Red Books) a memoir of his time working with 1980s pop production and songwriting powerhouse Stock Aitken Waterman at PWL Studios. | Pop Music Production Manufactured Pop and BoyBands of the 1990s

GBP 38.99
1

The Savage in Literature Representations of 'primitive' society in English fiction 1858-1920

K-pop Dance Fandoming Yourself on Social Media

Planetary Gear Trains

Art Into Pop

Advances in Gear Design and Manufacture

Dudley's Handbook of Practical Gear Design and Manufacture

Dudley's Handbook of Practical Gear Design and Manufacture

The Fourth Edition of Dudley’s Handbook of Practical Gear Design and Manufacture is the definitive reference guide to gear design production and applications. Using a pragmatic approach the book provides gear manufacturing methods for high- medium- and low-volume production. Updated throughout to reflect cutting-edge research this edition includes new contributions from experts in the field. Providing a clear overview of the foundations of advanced gear systems the book contains new material on the potential of technologies such as high-performance plastic gears alongside issues that can be encountered. The book also includes innovative chapters discussing topics such as involute gear drives and gear strength calculation with new regulations such as ISO 6336 in mind. Using modern technologies such as powder metallurgy and additive manufacturing all the necessary information to reduce gear cost is provided. Additionally gear micro-geometry modifications and planetary gear designs are discussed. FEATURES Provides an up-to-date single-source reference for all aspects of the gear industry Presents an integrated approach to gear design and manufacture Includes new coverage of direct gear design and ready-to-use gear design Contains coverage of finite element analysis gear vibration load ratings and gear failures The book includes comprehensive tables and references making this the definitive guide for all those in the field of gear technology from industry professionals to undergraduate and postgraduate engineering students. | Dudley's Handbook of Practical Gear Design and Manufacture

GBP 170.00
1

Transnational Convergence of East Asian Pop Culture

American Pop Art in France Politics of the Transatlantic Image

Queerness in Pop Music Aesthetics Gender Norms and Temporality

Queerness in Pop Music Aesthetics Gender Norms and Temporality

This book investigates the phenomenon of queering in popular music and video interpreting the music of numerous pop artists styles and idioms. The focus falls on artists such as Lady Gaga Madonna Boy George Diana Ross Rufus Wainwright David Bowie Azealia Banks Zebra Katz Freddie Mercury the Pet Shop Boys George Michael and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this illuminating aspects of parody nostalgia camp naivety masquerade irony and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists songwriters producers directors choreographers and engineers all contribute to the final composite of the pop recording it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender ethnicity nationality class and sexuality. Ultimately Hawkins contends that queerness is a performative force that connotes futurity and utopian promise. | Queerness in Pop Music Aesthetics Gender Norms and Temporality

GBP 38.99
1

Boy Bands and the Performance of Pop Masculinity

New Pop-Up Paper Projects Step-by-step paper engineering for all ages

Pop Culture Freaks Identity Mass Media and Society

Gear Cutting Tools Science and Engineering Second Edition

One-Track Mind Capitalism Technology and the Art of the Pop Song

One-Track Mind Capitalism Technology and the Art of the Pop Song

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural aesthetic and technical—the song provides both performer and audience with a world marked off by a short discrete and temporally demarcated experience. One-Track Mind: Capitalism Technology and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five decades these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock Afro-pop Latin pop glam rock heavy metal punk postpunk adult contemporary rock techno hip-hop and electro-pop here. More than just deep histories of individual songs these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively they show the undiminished power of the individual pop song both as distillations of important flashpoints and in their afterlives as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good capital help us frame these stories a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists colorful protagonists and fitting denouements. | One-Track Mind Capitalism Technology and the Art of the Pop Song

GBP 130.00
1

Art and Merchandise in Keith Haring’s Pop Shop

Understanding the Korean Wave Transnational Korean Pop Culture and Digital Technologies

Understanding the Korean Wave Transnational Korean Pop Culture and Digital Technologies

A comprehensive and critical introduction to understanding the Korean Wave (Hallyu) as a transnational media phenomenon. This book provides an accessible introduction to the Korean Wave—the rapid growth of local cultural industries and the global popularity of Korean popular culture over the past 30 years—providing historical political economic and socio-cultural context to its initial rise and enduring popularity. Jin explores the transnational cultural flows of Hallyu across a variety of products and digital technologies—from television dramas film and K-pop to online games and webtoons—and explains the process of cross-media convergence and the socio-political contexts behind the Hallyu phenomenon. He also explores how overseas fans and audiences advance K-pop fandom as social agents in different geo-cultural contexts. The book concludes by discussing if Hallyu can become a sustainable global popular culture beyond a fan-based regional cultural phenomenon. Each chapter features detailed contemporary case studies and discussion questions to enhance student engagement. This is essential reading for students of Media and Communication Cultural Studies Korean Studies and Asian Studies particularly those taking classes on popular culture and media media and globalization Korean popular culture and East Asian culture. | Understanding the Korean Wave Transnational Korean Pop Culture and Digital Technologies

GBP 34.99
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Interactive Books Playful Media before Pop-Ups

Interactive Books Playful Media before Pop-Ups

Movable books are an innovative area of children’s publishing. Commonly equated with spectacular pop-ups movable books have a little-known history as interactive narrative media. Since they are hybrid artifacts consisting of words images and movable components they cross the borders between story toy and game. Interactive Books is a historical and comparative study of early movable books in relation to the children who engage with them. Jacqueline Reid-Walsh focuses on the period movable books became connected with children from the mid-17th to the early-19th centuries. In particular she examines turn-up books paper doll books and related hybrid experiments like toy theaters and paignion (or domestic play set) produced between 1650 and 1830. Despite being popular in their own time these artifacts are little known today. This study draws attention to a gap in our knowledge of children’s print culture by showing how these artifacts are important in their own right. Reid-Walsh combines archival research with children’s literature studies book history and juvenilia studies. By examining commercially produced and homemade examples she explores the interrelations among children interactive media and historical participatory culture. By drawing on both Enlightenment thinkers and contemporary digital media theorists Interactive Books enables us to think critically about children’s media texts paper and digital past and present. | Interactive Books Playful Media before Pop-Ups

GBP 39.99
1

K-pop – The International Rise of the Korean Music Industry

Making Math Stick Classroom strategies that support the long-term understanding of math concepts

Pop-Up Retail The Evolution Application and Future of Ephemeral Stores

Pop-Up Retail The Evolution Application and Future of Ephemeral Stores

Ephemeral stores also known as pop-up stores have existed since the beginning of trade between consumers. They appeared in city centres villages or other convenient places where they proposed an offering and then disappeared as soon as its offering was wearied. This is a very similar experience to the current phenomenon; ephemeral stores appear unannounced and disappear without notice or can morph into something else. Brands adopt these stores because of the array of benefits they present and their characterizing features. Consumers on the other hand are not only positively reactive to ephemeral stores they actively demand these novel engaging satisfying or beneficial stores more than ever as they provide them with constant change and surprise. Focusing on ephemeral retailing this book aims to provide a clear understanding of what it is how it developed and why it gained importance in today’s busy retail scene. As many brands are adopting ephemeral stores into their distribution channels or using them as unique touchpoints this book proposes a categorization of ephemeral retailing explaining different ephemeral store vocations based on different brand strategies and objectives. With many professional opinions about ephemeral stores and a body of academic research developing this book aims to combine all knowledge about the topic into one concise publication: it clarifies consolidates and creates a clear understanding about the topic of ephemeral retailing that will inform future research and activity. The book is written for academics students and retail professionals with an interest in relevant fields such as retail marketing and management brand management and distribution. | Pop-Up Retail The Evolution Application and Future of Ephemeral Stores

GBP 16.99
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A Bunny Called Noodle Targeting the n Sound

The Policy of the Ford Administration Toward Cuba Carrot and Stick