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Planetary Gear Trains

Advances in Gear Design and Manufacture

Dudley's Handbook of Practical Gear Design and Manufacture

Dudley's Handbook of Practical Gear Design and Manufacture

The Fourth Edition of Dudley’s Handbook of Practical Gear Design and Manufacture is the definitive reference guide to gear design production and applications. Using a pragmatic approach the book provides gear manufacturing methods for high- medium- and low-volume production. Updated throughout to reflect cutting-edge research this edition includes new contributions from experts in the field. Providing a clear overview of the foundations of advanced gear systems the book contains new material on the potential of technologies such as high-performance plastic gears alongside issues that can be encountered. The book also includes innovative chapters discussing topics such as involute gear drives and gear strength calculation with new regulations such as ISO 6336 in mind. Using modern technologies such as powder metallurgy and additive manufacturing all the necessary information to reduce gear cost is provided. Additionally gear micro-geometry modifications and planetary gear designs are discussed. FEATURES Provides an up-to-date single-source reference for all aspects of the gear industry Presents an integrated approach to gear design and manufacture Includes new coverage of direct gear design and ready-to-use gear design Contains coverage of finite element analysis gear vibration load ratings and gear failures The book includes comprehensive tables and references making this the definitive guide for all those in the field of gear technology from industry professionals to undergraduate and postgraduate engineering students. | Dudley's Handbook of Practical Gear Design and Manufacture

GBP 170.00
1

New Pop-Up Paper Projects Step-by-step paper engineering for all ages

One-Track Mind Capitalism Technology and the Art of the Pop Song

One-Track Mind Capitalism Technology and the Art of the Pop Song

The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural aesthetic and technical—the song provides both performer and audience with a world marked off by a short discrete and temporally demarcated experience. One-Track Mind: Capitalism Technology and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five decades these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock Afro-pop Latin pop glam rock heavy metal punk postpunk adult contemporary rock techno hip-hop and electro-pop here. More than just deep histories of individual songs these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively they show the undiminished power of the individual pop song both as distillations of important flashpoints and in their afterlives as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good capital help us frame these stories a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists colorful protagonists and fitting denouements. | One-Track Mind Capitalism Technology and the Art of the Pop Song

GBP 130.00
1

Solid Gold Popular Record Industry

Kanban Y JUST-IN-TIME EN TOYOTA

The Treason of the Intellectuals

Music in a New Found Land Themes and Developments in the History of American Music

Rednecks Eggheads and Blackfellas A study of racial power and intimacy in Australia

Rednecks Eggheads and Blackfellas A study of racial power and intimacy in Australia

This lively book brings the reader close to the people from a remote cattle station in far north Australia where black and white peoples' lives have been intertwined over the span of 80 years. Tracing the humorous savage and ordinary ways in which race structured intimate and everyday relationships across a great divide Gillian Cowlishaw makes startling and original arguments about race relations. By investigating specific patterns of interaction on Australia's cultural frontier Rednecks Eggheads and Blackfellas illustrates how anthropologists pastoralists and government officials squabbled about Aborigines as they intruded into their country controlled aspects of their lives and dominated the way they were represented in the public realm. The ironic title hints that the difference between 'redneck' pastoralists and 'egghead' anthropologists is not so great as might be imagined. Aborigines were central to the projects of both kinds of whitefellas. Weaving the shifts in government policy and public opinion with accounts of their sometimes ludicrous impact on outback communities this book brings to life the complexities of living with racial categories. And it asks why increasingly enlightened anti-racist policies seldom seem to have worked as intended even in this era of self-determination. This thought provoking work will speak not only to anthropologists and those interested in Aboriginal Australia but to scholars of race more generally especially in the burgeoning field of whiteness studies. | Rednecks Eggheads and Blackfellas A study of racial power and intimacy in Australia

GBP 130.00
1

Early Celtic Art From Its Origins to Its Aftermath

Early Celtic Art From Its Origins to Its Aftermath

For many perhaps most the title Early Celtic Art summons up images of Early Christian stone crosses in Ireland Scotland Wales or Cornwall; of Glendalough lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes the consummate works of art produced under the aegis of the early churches in Britain or Ireland in regions Celtic by tradition or language have an ancestry behind them only partly Celtic. One strain in an eclectic style was borrowed from the ornament of the northern Germanic world the classical Mediterranean and even the Eastern churches. Early Celtic art originating in the fifth century b. c. in Central Europe was already seven or eight centuries old when it was last traced in the pagan prehistoric world and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples the first great contribution of the barbarians to European arts. It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance it has been said by N. K. Sandars in Prehistoric Art in Europe: is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement delicacy and equilibrium are not altogether what one would expect of men who though courageous and not without honor even in the records of their enemies were also savage cruel and often disgusting; for the archaeological refuse as well as the reports of Classical antiquity agree in this verdict. This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeology at the University of Edinburgh where he held the Abercromy Chair. He retired from the Chair in 1977 and in 1983 he received the gold medal of the Society of Antiquaries of London as well as the Grahame Clark medal of the British Academy in 1992. Through his knowledge of the subject he has made accessible an obscure but fascinating period of European culture. | Early Celtic Art From Its Origins to Its Aftermath

GBP 130.00
1

Interoperability in IoT for Smart Systems

Paul Weller and Popular Music Identity Idiolect and Image

Claes Oldenburg's Theater of Vision Poetry Sculpture Film and Performance Art

Female Masculinity and the Business of Emotions in Tokyo

Traditional Machining Technology

5S para todos 5 pilares de la fabrica visual

Pencils of Cubics and Algebraic Curves in the Real Projective Plane

Pencils of Cubics and Algebraic Curves in the Real Projective Plane

Pencils of Cubics and Algebraic Curves in the Real Projective Plane thoroughly examines the combinatorial configurations of n generic points in RP². Especially how it is the data describing the mutual position of each point with respect to lines and conics passing through others. The first section in this book answers questions such as can one count the combinatorial configurations up to the action of the symmetric group? How are they pairwise connected via almost generic configurations? These questions are addressed using rational cubics and pencils of cubics for n = 6 and 7. The book’s second section deals with configurations of eight points in the convex position. Both the combinatorial configurations and combinatorial pencils are classified up to the action of the dihedral group D8. Finally the third section contains plentiful applications and results around Hilbert’s sixteenth problem. The author meticulously wrote this book based upon years of research devoted to the topic. The book is particularly useful for researchers and graduate students interested in topology algebraic geometry and combinatorics. Features: Examines how the shape of pencils depends on the corresponding configurations of points Includes topology of real algebraic curves Contains numerous applications and results around Hilbert’s sixteenth problem About the Author: Séverine Fiedler-le Touzé has published several papers on this topic and has been invited to present at many conferences. She holds a Ph. D. from University Rennes1 and was a post-doc at the Mathematical Sciences Research Institute in Berkeley California.

GBP 115.00
1

Musical Psychedelia Research at the Intersection of Music and Psychedelic Experience

Musical Psychedelia Research at the Intersection of Music and Psychedelic Experience

Psychedelic music is a fascinating yet under-researched field of study. This thought-provoking collection offers a broad introduction to the field of psychedelic music studies bringing together scholarly work on psychedelic music in genres like rock folk electronic dance music and pop. Through an expanded purview on psychedelic music an emerging trend in research the collection affords students and academics alike an introduction to a rich multi-faceted field. The contributing authors explore a range of different facets of musical psychedelia: its transgressive and transcendent aspects its foregrounding of timbre and texture the way it changes our perception of time its influence on “non-psychedelic” music key composition and production techniques that composers and musicians use in its creation how it is mediated by different places and spaces and the interplay between psychedelic visual and sonic aesthetics. This interdisciplinary work reveals both commonalities in musical psychedelic experiences and the contestation inherent in a field of study that juxtaposes music of different genres and eras with a variety of theoretical approaches and methodologies. In broadening the scope of psychedelic music research the collection not only makes for varied and absorbing reading on the subject level but also stimulates reflexive thought about interdisciplinary research. | Musical Psychedelia Research at the Intersection of Music and Psychedelic Experience

GBP 130.00
1

Emergence of Korean English How Korea's Dynamic English is Born

Buildings for the Performing Arts

Buildings for the Performing Arts

This design and development guide is an essential book for those who are involved in the initiation planning design and building of facilities for the various performing arts from local to metropolitan locations. It includes the stages in the development decisions to be taken information requirements feasibility and advice necessary in the design and development of a new or adapted building. Part one of this guide provides the background information about the organization of the performing arts the prevailing issues the client and various building types. In the second part the author deals with the components of design and development identifying the roles of the client advisors and consultants the stages to be achieved including client‘s proposal feasibility the process of briefing design and building and eventually hand-over and opening night with a consideration of the building use. Studies include the assessment of demand site requirements initial brief building design and financial viability. Information requirements as design standards for the auditorium and platform/stage and the support facilities are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons. The content covers a wide range of performing arts (classical music pop/rock jazz musicals dance drama) and provides information on each as an art from and necessities to house performances. | Buildings for the Performing Arts

GBP 175.00
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