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Trusting Recovery and Desistance The Social Components Model of Recovery from Addiction and Desistance from Crime

Trusting Recovery and Desistance The Social Components Model of Recovery from Addiction and Desistance from Crime

The social processes which underpin and shape our lives have the power to significantly transform the trajectories of people experiencing recovery from addiction and desistance from crime. Recovery from addiction and desistance from crime are processes which are often experienced and supported in the same physical spaces and are also frequently experienced by the same people. This book therefore synthesises and presents research on the social influences of recovery and desistance. This book presents the social component model of recovery from addiction and desistance from crime: a strength-based approach presenting case studies to better understand the social factors of both recovery from addiction and desistance from crime and therefore a step towards enhancing evidence-based policy and practice. The social components that have emerged and will be discussed within this book include relationships and social bonds; social identity group membership and social networks; and social capital. Compiled based on observations interviews and social identity mapping methods this work combines and presents theory and research to enhance and strengthen the evidence available for people who are already teaching about supporting and experiencing both desistance from crime and recovery from addiction in practice. | Trusting Recovery and Desistance The Social Components Model of Recovery from Addiction and Desistance from Crime

GBP 130.00
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Multilingualism from Manuscript to 3D Intersections of Modalities from Medieval to Modern Times

Multilingualism from Manuscript to 3D Intersections of Modalities from Medieval to Modern Times

This collection explores the links between multimodality and multilingualism charting the interplay between languages channels and forms of communication in multilingual written texts from historical manuscripts through to the new media of today and the non-verbal associations they evoke. The volume argues that features of written texts such as graphics layout boundary marking and typography are inseparable from verbal content. Taken together the chapters adopt a systematic historical perspective to investigate this interplay over time and highlight the ways in which the two disciplines might further inform one another in the future as new technologies emerge. The first half of the volume considers texts where semiotic resources are the sites of modes where multiple linguistic codes interact on the page and generate extralinguistic associations through visual features and spatial organizaisation. The second half of the book looks at texts where this interface occurs not in the text but rather in the cultural practices involved in social materiality and text transmission. Enhancing our understandings of multimodal resources in both historical and contemporary communication this book will be of interest to scholars in multimodality multilingualism historical communication discourse analysis and cultural studies. Chapters 1 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www. routledge. com. Chapters 1 & 4 have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license with Chapter 5 being made available under a Creative Commons Attribution 4. 0 license. | Multilingualism from Manuscript to 3D Intersections of Modalities from Medieval to Modern Times

GBP 120.00
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From Generation to Generation

Extraordinary Performance from Ordinary People

Energy from Waste Production and Storage

Religious Thinking from Childhood to Adolescence

Philosophic Classics: From Plato to Derrida

Environmental Exposure From Chemicals Volume II

From Revolution to Revolution England 1688–1776

Illuminating Errors New Essays on Knowledge from Non-Knowledge

Islamic Philosophy of Religion Essays from Analytic Perspectives

Regional and Ethnic Conflicts Perspectives from the Front Lines

Transcriptomics from Aquatic Organisms to Humans

What Business Really Wants from IT

Student Migration from Eastern to Western Europe

Migration from Central Asia Stories and Identity Formation

Metal-Organic Framework Nanocomposites From Design to Application

Handbook of Learning from Multiple Representations and Perspectives

American Artists On Art From 1940 To 1980

American Artists On Art From 1940 To 1980

From the Preface:The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in but does not explain the increasing amount of writing and talking on the part of contemporary artists. Rather the whole history of the changing role of art and artists in a democratic industrial and technological society stands behind the spate of artists' words and the public's hunger for them?even some of the general public out there beyond art's little circle. Statements by artists appeal somewhat the way drawings do: they bring us or at least they hold the promise of bringing us closer to the artist's thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d'�e of this book. Its other motivation is educational and stems from the frustrating lack in teaching contemporary art of any single compilation of statements by American artists from 1940 to the present. ? This anthology differs in several respects from those others that do include documents of American art since 1940. ? The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and whenever possible it cities the first or among the very earliest documents signalizing a shift in the definition intent or direction of art. ? | American Artists On Art From 1940 To 1980

GBP 130.00
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Literatures from Northeast India Beyond the Centre–Periphery Debate