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Lyra - DAS White Modelling Clay 1 kg

Lyra - DAS Stone Modelling Clay 1 kg

Lyra - DAS Terracotta Modelling Clay 1 kg

Barrettine - Genuine Turpentine 2 Litres

Tombow - ABT Dual Brush Pens Warm Grey 2 N79

Frisk - Graph Paper Roll A1 (2 sheets)

Daylight Company - Artist Studio Lamp 2

Barrettine - Low Odour White Spirit 2 Litres

Copic - Ciao Marker Portrait Colours 2 (5+1)

Copic - Ciao Marker Portrait Colours 2 (5+1)

Nib 1: Super Brush Nib 2: Super Broad (chisel) Contents: 5 x Markers + 1 x Multiliner *please refer to Contents tab below 5 x dual-tipped illustration markers Includes 0.3mm disposable black Multiliner Quick-drying, non-toxic, alcohol-based ink Colours can be layered & are fully intermixable Also available individually, click here to view the range now! From Copic, the Ciao Markers are an ideal, cost-effective graphics marker range, with over 50+ individual colours, along with a variety of themed sets, specially compiled to provide for the artists' needs.  This set includes a number of deep, rich tones for portraiture or sketching work with 5 versatile shades included, paired with a disposable Copic Multiliner. Each marker is dual-tipped, with a Super Broad tip for largescale applications such as colouring & shading, along with a flexible Super Brush tip for bold, fluid & lively strokes.  Their quick-drying alcohol-based ink can be blended or layered easily for seamless shading & gradient effects, whilst the dye-based colours ensure outstanding vibrancy, consistency & tonal variation. The disposable Copic Multiliner features a calibrated 0.3mm tip for additional fine details, cross-hatching or shading.  The pigment-based black ink is water & Copic proof, preventing any potential bleeding or smearing in your work. We recommend using a dedicated marker pad with this range, such as our very own YUPO pads. Available in 2 sizes, these gummed pads include a specially developed, hardwearing synthetic paper ideal for dealing with even the most robust applications including alcohol, pigment & water-based inks!

GBP 27.99
1

Bob Ross - 2-in-1 Metal Studio Easel

Humbrol - Enamel Paint (14ml) Emerald Green 2 (gloss)

Humbrol - Enamel Paint (14ml) Emerald Green 2 (gloss)

Size: 14ml Colours: 42* Solvent-based enamel paint Ideal for plastic model kits Use indoors & outdoors Touch dry between 20-40 minutes A variety of non-toxic colours & finishes *all colours sold individually Synonymous with quality, the iconic enamel paint tin from Humbrol is recognisable the world over.  Around for almost 100 years, originally developed in a range of 12 colours for refreshing paint coats on cycles, it has since gone on to be an industry standard for hobbyist & professional model makers alike. These individual 14ml tins of versatile, solvent-based, fast-drying paints were developed in the 1950s & have since become a staple in any modelling environment.  Although known primarily for use on plastic model kits, they're suitable for a wide range of surfaces including other plastic, wood, glass, ceramics, metal & more. Available in a broad variety of colours & finishes including metallic, gloss & matte with each 14ml tin covering approximately 0.3m² (dependent on thickness of application). Application Best applied in thin coats, enamel paints can be applied directly from the tin, or diluted with a suitable medium such as Humbrol Enamel Thinners. If using the thinner, it's important to note that the ratio is 2:1 paint to thinner. Drying time Gloss: 1-2hrs Matte & Satin: 20-40mins (touch dry)  /  Up to 24hrs (hard dry) Metallic: 10 days (hard dry) Ambient temperature & humidity can affect drying times. Recoat: 6hrs minimum (preferably overnight). Best Cleaning Practices When cleaning brushes or tools, it's best to use Humbrol Enamel Thinners. Please be aware that the product is permanent once dry.

GBP 3.25
1

Foam Brushes 2 inch

Foam Brushes 2 inch

Perfect for applying paints and finishes over large surfaces Great for painting and varnishing Don't leave brush strokes Easy to use and clean Suitable for oil and water-based products Available in a range of sizes Foam brushes are perfect for applying paints and finishes over large surfaces as an alternative to standard bristle brushes. They are ideal for painting and varnishing, and are quick and easy to both use and clean. Foam paint brushes don't leave any brush marks either and are suitable for both oil and water-based products (except shellac or lacquer), including paint, stains and varnishes for your work. The sponge paint brushes also have a long and sturdy wooden handle to provide ideal support while you work on your canvas, paper pad, pottery or even ceramic work. Unlike bristle brushes, foam brushes don't leave brush strokes on your artwork, but are rather likened to a sponge paint brush - this makes them ideal for applying paints and finishes over large surfaces in even layers. They are also great for projects that require a lot of subtle layering, as the foam will hold less paint than a bristle brush, resulting in a softer finish and meaning your paint or varnish will go further. Foam brushes are quick and easy to use and clean, meaning you can use each foam brush multiple times before needing to invest in new ones. Our foam brushes offer a range of sizes and a strong wooden handle for ease of use. Cowling & Wilcox's great value foam brushes are the ideal choice for artists of all levels, from beginner to professional artists. The flexibility of foam paint brushes mean they are an artist essential and should be a staple of every artist's array of brushes.

GBP 2.65
1

Pantone - Mugs Warm Grey 2

Barrettine - White Spirit 2 Litres

Essdee - Standard Ink Roller 2 inch

Staedtler - Triplus 334 Fineliner Red (2)

Pro Arte - Series C Hog Round Brush Size 2

Pro Arte - Series C Hog Round Brush Size 2

Bristles: Hog Sizes: 7 Sold Individually Series C Studio Round Hog Brushes with precision rounded ends Long, hog bristles Seamless nickel ferrules Medium size blue, lacquered handles Modestly priced The right choice of paintbrush is essential for artists wanting to create the finest results in their artwork. An artist's paintbrush is comprised of four parts: bristles, ferrule, crimp and handle. The bristles are the hair on the brush, and may be natural, synthetic or a combination of the two. The ferrule is the metal joining the bristles to the handle, and the crimp is the part of the ferrule where it is secured to the handle. The handle is the area of the paintbrush the artist holds, and is usually made of wood or acrylic. The size and shape of the bristles determine the effect and style each type of paintbrush can achieve. A wide, flat brush is designed for painting large areas, whereas a small, tapered brush is ideal for fine, detailed work. What is a round brush? A round brush has a circular ferrule, the shape of which may be viewed by looking straight down the brush. A round brush usually has long bristles, which come to a pointed tip. When should a round brush be used? A round brush is ideal for filling in small areas, controlled washes and detailed work. Using a round brush, the artist is able to create lines of varying thicknesses, depending on the amount of pressure exerted.  This is due to the brush's thin tip becoming wider the more the brush is pressed down. Which are best, hog or synthetic brushes? Hog and synthetic brushes have different qualities which should be taken into account, alongside the desired effect the artist wishes to create. Hog bristles have long been used in the manufacture of paintbrushes, as they are extremely resilient and flexible. Each individual bristle has a broad, sturdy base and a tapered tip, which splits into several fine filaments, giving an excellent capacity for holding paint. The stiffness of hog bristles provides good flow and texture, ease of blending, and ensures even application. Synthetic brushes are particularly suitable for paint that has been diluted, with either water or solvent, as the hairs remain strong and durable. Synthetic hairs give a much softer, less textured effect, enabling the artist to create fine detail if required. Why use a Pro Arte Series C Studio Hog brush? A modestly priced range, Pro Arte Series C Studio Hog brushes are particularly suitable for student painters. Available in three distinct shapes: Round, Flat and Filbert, and in sizes: 0-2-4-6-8-10-12. Pro Arte Series C also features a Hog Fan brush, available in sizes Small, Medium and Large. What do the size numbers mean? The size of a brush is indicated by a number printed on the handle, and refers to the width of the ferrule. A higher number means a wider brush. It should be noted that consistency between brush manufacturers, when calculating brush size, can vary. Therefore, a size 10 brush in one brand may not be the same as a size 10 in another brand. In some instances, there may also be size variations between a manufacturer's different ranges. How should I care for my Pro Arte Series C Studio Hog brush? It is important to clean brushes thoroughly to prevent bristles losing their interlocking quality, and standing apart. Particular attention should be paid to the edge of the ferrule, where dried paint can become embedded, and result in bristle breakage. The methods for cleaning brushes differ, depending on the type of paint used. The following videos show how to clean brushes according to the paint used: Cleaning Acrylic Paint Brushes Cleaning Oil Paint Brushes* *Pro Arte advise using white spirit or turpentine to clean oil paint brushes not thinners, as used in this video. To help preserve the condition of the bristles, a specialist brush cleaner may also be used. When storing hog brushes for any length of time, care should be taken to ensure they are clean and absolutely dry, to prevent mildew developing. Keeping hog brushes in a box, with a tight-fitting lid, guards against both mildew and moth damage. What are the best paints to use with a Pro Arte Series C Studio Hog Round Brush? Round hog brushes are mostly used with oil and acrylic paints. They may also be used with thick glues, when crafting. Hog bristles do not absorb water, making them unsuitable for use with water colour paint or ink. What strokes are produced with round brushes? Click here to see how round brush strokes compare with other brush types. Who are Pro Arte? Pro Arte was founded in 1973 by Ron Thompson, an artist with aspirations to make and sell the best brushes in the world. During the mid-Eighties, the company investigated the possibility of a synthetic alternative to sable hair. This developed into the implementation of polyester filaments, and the eventual production of their groundbreaking Prolene range of brushes. Further developments led to the creation of Pro Arte'

GBP 1.56
1

Pro Arte - Series C Hog Filbert Brush Size 2

Pro Arte - Series C Hog Filbert Brush Size 2

Bristles: Hog Sizes: 7 Sold Individually Flat, rounded ends Long, hog bristles Seamless nickel ferrules Medium size blue, lacquered handles Modestly priced The right choice of paintbrush is essential for artists wanting to create the finest results in their artwork. An artist's paintbrush is comprised of four parts: bristles, ferrule, crimp and handle. The bristles are the hair on the brush, and may be natural, synthetic or a combination of the two.  The ferrule is the metal joining the bristles to the handle, and the crimp is the part of the ferrule where it is secured to the handle. The handle is the area of the paintbrush the artist holds, and is usually made of wood or acrylic. The size and shape of the bristles determine the effect and style each type of paintbrush can achieve. A wide, flat brush is designed for painting large areas, whereas a small, tapered brush is ideal for fine, detailed work. What is a filbert brush? A filbert brush is easily recognisable by its flattened ferrule and bristles, which are trimmed to form a rounded head. When should a filbert brush be used? A filbert brush combines the merits of both round and flat brushes. The flat, rounded end makes a similar stroke as a flat brush, but leaves a much smoother edge. With the ability to produce the same detailed work as a round brush, a filbert brush is also ideal for blending. Which are best, hog or synthetic brushes? Hog and synthetic brushes have different qualities which should be taken into account, alongside the desired effect the artist wishes to create. Hog bristles have long been used in the manufacture of paintbrushes, as they are extremely resilient and flexible. Each individual bristle has a broad, sturdy base and a tapered tip, which splits into several fine filaments, giving an excellent capacity for holding paint. The stiffness of hog bristles provides good flow and texture, ease of blending, and ensures even application. Synthetic brushes are particularly suitable for paint that has been diluted, with either water or solvent, as the hairs remain strong and durable. Synthetic hairs give a much softer, less textured effect, enabling the artist to create fine detail if required. Why use a Pro Arte Series C Studio Hog brush? A modestly priced range, Pro Arte Series C Studio Hog brushes are particularly suitable for student painters. Available in three distinct shapes: Filbert, Round, and Flat, and in sizes: 0-2-4-6-8-10-12. Pro Arte Series C also features a Hog Fan brush, available in sizes Small, Medium and Large. What do the size numbers mean? The size of a brush is indicated by a number printed on the handle, and refers to the width of the ferrule. A higher number means a wider brush. It should be noted that consistency between brush manufacturers, when calculating brush size, can vary. Therefore, a size 10 brush in one brand may not be the same as a size 10 in another brand. In some instances, there may also be size variations between a manufacturer's different ranges. How should I care for my Pro Arte Series C Studio Hog brush? It is important to clean brushes thoroughly to prevent bristles losing their interlocking quality, and standing apart. Particular attention should be paid to the edge of the ferrule, where dried paint can become embedded, and result in bristle breakage. The methods for cleaning brushes differ, depending on the type of paint used. The following videos show how to clean brushes according to the paint used: Cleaning Acrylic Paint Brushes Cleaning Oil Paint Brushes* *Pro Arte advise using white spirit or turpentine to clean oil paint brushes not thinners, as used in this video. To help preserve the condition of the bristles, a specialist brush cleaner may also be used. When storing hog brushes for any length of time, care should be taken to ensure they are clean and absolutely dry, to prevent mildew developing. Keeping hog brushes in a box, with a tight-fitting lid, guards against both mildew and moth damage. What are the best paints to use with a Pro Arte Series C Studio Hog Filbert Brush? Filbert hog brushes are mostly used with oil and acrylic paints. They may also be used with thick glues, when crafting. Hog bristles do not absorb water, making them unsuitable for use with water colour paint or ink. What strokes are produced with filbert brushes? Click here to see how filbert brush strokes compare with other brush types. Who are Pro Arte? Pro Arte was founded in 1973 by Ron Thompson, an artist with aspirations to make and sell the best brushes in the world. During the mid-Eighties, the company investigated the possibility of a synthetic alternative to sable hair. This developed into the implementation of polyester filaments, and the eventual production of their groundbreaking Prolene range of brushes. Further developments led to the creation of Pro Arte's Connoisseur collection, brushes with a mix of synthetic and sable hair, and their Acrylix range. Originally d

GBP 1.56
1

MT - Washi Masking Tape - Stripe Black 2

Royal & Langnickel - RL Palette Knife LK-2

MT - Washi Masking Tape - Stripe Lilac 2

Royal & Langnickel - RL Palette Knife LJT-2

Liquitex - Freestyle Traditional Flat Brush Size 2

MT - Washi Masking Tape - Stripe Gold 2

Royal & Langnickel - RL Palette Knife LG-2