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ABIG - Standard Ink Rollers 120mm

Cowling & Wilcox - White Foamboard 10mm Sheets 60 x 40"

Staedtler - Mars 502 Lead Pointer

Essdee - Fabric Lino Printing Kit

Essdee - Fabric Lino Printing Kit

Everything you need to start creating funky prints on fabrics & textiles! 1 x Fabric Block Printing Ink 3 x Pieces of MasterCut Lino Lino handle 2 x Cutters Fabric printing roller Ink tray Printing blanket Check the Contents tab for more details* With this full set of materials, you have all you need to begin mastering this craft (or perfecting your already formidable skills!). Essdee have a rich history of providing artists, crafts people & enthusiasts with materials to hone their creative talents & this time is no different. Known for their Lino ranges, they're branching out & developing new inks and sets for a range of different needs, keeping the same signature quality that has made them a well regarded name in the game. Essdee Fabric Printing Inks are specially formulated to make Lino printing onto fabric an enjoyable, accessible experience for artists of any ability. Similar to an acrylic, these water-based inks are thick & highly viscous, whilst able to be mixed with one another to create shades, tones or indeed, completely different colours.  They are also easily cleaned using soap & water (before setting). How to create your own unique, funky print: Carefully carve out your design onto a sheet of lino, using the necessary tools. Apply ink using a roller (we recommend the Essdee Fabric Roller) Place face down onto fabric & apply pressure Iron the reverse of the print (on a non-steam setting) for 4 minutes Printed fabrics are washable up to 40°c * For best results, 100% cotton fabric is recommended.

GBP 23.99
1

Essdee - Fabric Printing Ink Set (5 x 150ml)

ABIG - Lino Cutting A6 Set

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

Acrylic painting medium Modifies acrylics for painting on fabric Soft, pliable feel Excellent laundering stability Made in the USA GAC 900: Heat-Set Fabric Painting Medium is designed to be used as a modifier for acrylic paints for painting on clothing. It offers a soft, pliable feel and when properly heat-set, providing excellent laundering stability. Blend with Golden Heavy Body Acrylics for brush or screen applications.The heat-setting process will release low levels of formaldehyde; therefore it is recommended that adequate ventilation be provided when using this medium. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

Acrylic painting medium Dries to a very hard and stiff film Most useful for priming fabrics An alternative to rabbit skin glue Made in the USA GAC 400: Acrylic Polymer Fabric Stiffener dries to a very hard and stiff film. It is most useful for priming fabrics (cotton, linen, silk, etc.) when stiffness is desired. It can also be used as a rabbit skin glue alternative when applied directly to raw canvas or linen. GAC 400 also allows for the sculpting and shaping of draped fabrics. Optional heat setting will decrease water sensitivity but also releases low levels of formaldehyde; therefore if choosing to heat set GAC 400 it is recommended that adequate ventilation be provided. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - Black Gesso (237ml)

GOLDEN - Black Gesso (237ml)

Acrylic painting medium Seals, protects and gives tooth to substrates Promotes paint adhesion Can be used on a wide variety of surfaces Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Black Gesso is a flexible liquid ground that seals, protects, and gives "tooth" to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. It is flexible and can be applied in thin layers to conform to a variety of textured surfaces without cracking. For oil painting over acrylic gesso, it is recommended that at least three layers of gesso be applied. Golden Black Gesso can be mixed with Golden Acrylics to produce a range of coloured grounds. Modify Golden Black Gesso by mixing it with a variety of mediums. Spray it, or apply it with brush, roller, or trowel. At least three layers of gesso are needed for oil painting over acrylic gesso. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Pastel Ground (237ml)

GOLDEN - Pastel Ground (237ml)

Acrylic painting medium Prepares surfaces for pastels and charcoals Very thick consistency Can be applied to any primed surface Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. To use, thin 20-40% with water to achieve your desired consistency. Apply with a brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day's work as the solids will settle rapidly and be extremely difficult to mix back into suspension. For best surface adhesion, apply Golden Pastel Ground over Golden Gesso. It may also be applied over other acrylic mediums, gels, and paints for multi-media work. When used in conjunction with oil-based media, prepare your support (canvas, linen, masonite, etc.) with GAC 100 to block the oil from penetrating into the support, which can weaken or rot natural fibres. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Absorbent Ground (237ml)

GOLDEN - Absorbent Ground (237ml)

Acrylic painting medium Creates a porous, paper-like surface High level of absorbency when dry Creates wash and staining effects Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Absorbent Ground can be used to create a porous, paper-like surface on many different substrates. It is uniquely formulated for a high level of absorbency when dry. Applied over gessoed canvas, Absorbent Ground allows for wash and staining effects on a stable acrylic film as an alternative to staining raw canvas. Watercolours may also be used, although they will retain their water sensitivity. Absorbent Ground, designed for stain and watercolour-type applications, is light stable, permanent and flexible. While it has a gesso-like consistency, it is not intended as a gesso alternative. It must be applied over a porous and "toothy" surface, such as Golden Gesso, to ensure adequate adhesion due to the type and level of solids in the product. Once properly sealed, it is a permanent acrylic film that does not need to be kept under glass. However, the surface is quite delicate and additional protection is recommended. A properly applied isolation coat and Golden Varnishes (Polymer & MSA) will protect the artwork from environmental factors such as sunlight and dust. Painting in an impasto style over Golden Absorbent Ground is not recommended, unless the surface is properly sealed. Apply onto gessoed canvas, hardboard, wood or other surfaces. It can be applied with a brush, roller or squeegee. No thinning is necessary, although for increased levelling or ease of application, up to 25% water may be added. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

Essdee - Lino Cutting & Printing Kit

Essdee - Lino Cutting & Printing Kit

23-piece Lino printing kit Includes a wide selection of tools and materials The perfect introduction to lino cutting and printing Comes complete with instruction manual Fun and educational Video: Essdee Lino Cutting & Printing Kit This comprehensive 23-piece Lino printing kit includes a wide selection of tools and materials for Lino cutting and printing. You can experiment with artisan printing techniques and compare traditional lino with new soft cut materials, which add new possibilities for beginners and experienced users alike. Contents: This kit includes 6 Lino cutter styles, a Lino cutter handle, an aluminium ferrule, 2 Linoleum blocks, 2 softcut blocks, a practice piece, ink roller (brayer), ink tray, safety hand guard, Baren cap, Baren base, a tube of water-based block printing ink (100ml), 2 softcut printing stamps & an instruction manual. The 6 different Lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. The 3-in-1 Baren is a tool for transferring ink from your lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive soft cut discs.  The 3-in-1 Baren is a tool for transferring ink from your Lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive soft cut discs. You can make many prints with the water based ink whilst keeping your work space clean with the handy ink tray. This educational and fun kit is ideal for making unique greeting cards, gifts, posters or even great works of art. About Essdee Essdee has been making its famous British Scraperboard in the UK since 1942. Their range of Scraperboard, etching tools, block printing tools and materials are instantly recognisable around the world.  Their commitment to innovation and quality within traditional markets shows through in their extensive product range, and their innovative Linoleum printing tools make this traditional craft more accessible to a wider range of age groups and abilities, with easier to use materials, safety equipment and imaginative products. When it comes to keeping your hands safe, we recommend using the Essdee Lino Cutter & Safety Hand Guard Set.

GBP 24.25
1