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Pentel - Twist Erase Mechanical Pencils 0.7mm

Pentel - Twist Erase Mechanical Pencils 0.9mm

Pentel - Twist Erase Mechanical Pencils 0.5mm

Pentel - P203 0.3mm Mechanical Pencil

Sakura - Pigma Micron Assorted 05 Fineliner Set (9pc)

Jakar - Flat 12" Scale Rule 3712

Pentel - GraphGear 1000 0.3mm Mechanical Pencil

Pentel - GraphGear 1000 0.5mm Mechanical Pencil

Pentel - GraphGear 1000 0.7mm Mechanical Pencil

Pentel - GraphGear 1000 0.9mm Mechanical Pencil

Daler-Rowney - System3 Acrylics Mixing Set

Daler-Rowney - System3 Acrylics Mixing Set

Size: 59ml Colours: 6* Water-based, non-toxic acrylic paint Features all "Process" colours in the range Easy-to-use with excellent lightfastness & permanence Highly-pigmented with a smooth acrylic binder Versatile, apply to multiple surfaces, both indoors & outdoors Convenient transparent tube with air-tight flip top lid *see Contents Formerly known as the "Process Set", this Mixing Set features 6 colours that have been carefully selected & curated in order to highlight the Process colours available throughout the System3 range. Uniquely suited to mixing, there are a total of 4 Process colours available including 3 transparent colours (Cyan, Magenta, Yellow) & 1 semi-transparent colour (Black).  This set is rounded out with 2 additional colours (Yellow Ochre & Titanium White).  Designed to be as user-friendly as possible, the soft, transparent tubes make it easy to identify a colour from just a glance, whilst the airtight lid features a flip-top closure that opens & closes with a satisfying "click", so you can be sure they're sealed every time. System3 Acrylic Colours Aimed at making acrylic painting more accessible, affordable & straightforward than ever before, the System3 range from Daler-Rowney is a complete suite of high-quality, intermixable materials including paints, inks, mediums, brushes, surfaces & more! The staple of this range, recognised for their consistency, versatility & covering power are the iconic System3 Acrylic Colours.  These undeniably versatile paints are available in several variations including Soft, Medium & Heavy Body, along with the newer Fluid Acrylic Colours. Made using a combination of high-quality, incredibly concentrated pigments with a smooth acrylic binder, the 54 available colours feature a range of lightfastness & opacities.  Effortlessly mix colours, tones & shades directly from the tube, or use a medium to achieve some amazing effects! Suitable for a number of surfaces including canvas, paper, wood, glass, plastic & textiles & drying quickly to a water-resistant, semi-gloss (satin) finish, they're suitable for use both indoors & outdoors.

GBP 16.49
1

Search Press - Draw Manga: Complete Skills

Search Press - Draw Manga: Complete Skills

Author: Sonia Leong Dimensions: 228 x 195mm Format: Paperback Pages: 256 A combined book & video-guide Everything you need to start drawing manga Easy to follow step-by-step tutorials Covers traditional techniques & digital tools Includes 28 two-minute video demonstrations QR codes & URLs can be found throughout From accomplished graphic novelist Sonia Leong, this combined book & video-guide provides excellent, in-depth lessons on the fundamentals of Manga illustration in fun & engaging ways! Covering every aspect of Manga illustration, this book features 256 pages of beautiful illustrations & simple to follow step-by-step tutorials that range from traditional sketching & colouring techniques, all the way to more modern digital tools. Learn how to build up characters in gradual stages, from basic shapes & measurements, to anatomy, scale & poses. Enhance your drawings with crucial design elements, learning to render artwork in a variety of styles & mediums (including digital) & even start creating your very own comic sequences & pages. Throughout the book are QR codes & URLs linking to a total of 28 two-minute videos developed by & starring the author herself that provide even further visual instructions. About the Author Running Manga workshops since 2004, Sonia Leong is a well-respected professional Manga illustrator with over 80 publications across the globe including magazines, comics, graphic novels, art books & various film / TV projects. Winning the 1st Tokyopop Rising Stars of Manga competition in 2005, her best-selling debut graphic novel Manga Shakespeare: Romeo and Juliet has since made it onto recommended reading lists worldwide & been translated into various global editions. Working closely with the British Council, she's made appearances at the Guardian Hay Festival, the Victoria & Albert Museum & London County Hall. She is frequently invited to represent the UK as a special guest at events and conventions across Europe, America & Asia.

GBP 14.99
1

Uni - POSCA PC-5M Mono Tone Set (4pc)

Uni - POSCA PC-5M Mono Tone Set (4pc)

Nib: PC-5M Nib Size: 1.8 - 2.5mm Nib Shape: Medium Bullet Colours Included: 4 High-quality, water-based paint markers Lightfast, matt, opaque & water-resistant Stable pigments with strong UV resistance Permanent on porous surfaces (wood, textiles etc.) Erasable on non-porous surfaces (glass, plastic etc.) Also Available in 35 Individual Colours Enjoy true creative freedom with the PC-5M, the most versatile marker available in the POSCA range. With the widest range of colour options & a medium bullet tip creates bold, precise 1.8 - 2.5mm lines appreciated by both amateurs & professionals alike. Adopted by creatives in a range of fields including graphic artists, painters, decorators, architects & designers, the PC-5M is able to adapt to any number of creative projects including home decoration, upcycling, illustration, drawing, colouring, graphic art, fine art & even clothing customisation. Unlike traditional marker pens, the tip of the PC-5M can be removed & washed at any time, along with being reversible for a longer lasting marker. Unique amongst our available POSCA sets, this contains 4 markers in a variety of monochrome colours for general use & experimentation. Please check the "Contents" tab below for an itemised colour list. POSCA Range With a total of 66 colours, 8 line widths & 5 nib shapes, POSCA markers make it easier than ever to produce bold, beautiful work on almost any surface including fabric, glass, metal, paper, card, wood & stone! Acid-free & richly pigmented, their uniquely opaque water-based paint is fully intermixable (when wet) & dries quickly for a matt water-resistant finish that can be varnished, layered and more.  Each marker also features a small internal ball in their barrel that works to effectively mix the paint itself (similar to a spray paint can) & the hardwearing tips are made using wear-resistant acrylic or plastic. In fact, a number of these tips are also washable & replaceable (PC-1MC, PC-3M, PC-5M, PC-7M, PC-8K & PC-17K) or even reversible (PC-3M & PC-5M) for a longer lasting marker. How do I activate my new POSCA marker? What surfaces can I work on?

GBP 13.99
1

GOLDEN - Fluid Matte Medium (237ml)

GOLDEN - Fluid Matte Medium (237ml)

Acrylic painting medium Liquid and pourable Extends your colours Increases transparency and decreases gloss Made in the USA Video: Golden Artist Colours - Painting With Fluid Acrylic Mediums Golden Fluid Matte Medium is a liquid, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Fluid Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Fluid Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Fluid Matte Medium. Apply Fluid Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1