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GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Soft Semi-Gloss Gel (237ml)

GOLDEN - Soft Matte Gel (237ml)

GOLDEN - Soft Gloss Gel (237ml)

GOLDEN - Gloss Medium (237ml)

GOLDEN - Hard Moulding Paste (237ml)

GOLDEN - Hard Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to an extremely hard, opaque film Useful for creating tough, durable finishes Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Hard Moulding Paste dries to an extremely hard, opaque film. It is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. It blends easily with acrylic colours. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Fibre Paste (237ml)

GOLDEN - Extra Heavy Moulding Paste (237ml)

GOLDEN - Extra Heavy Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to a satin, semi-opaque finish Excellent for increasing viscosity and building surfaces Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Extra Heavy Moulding Paste is a blend of Extra Heavy Gel Gloss and Moulding Paste. It dries to a satin, semi-opaque finish. Excellent for increasing viscosity and building surfaces. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Silverpoint Drawing Ground (237ml)

GOLDEN - Silverpoint Drawing Ground (237ml)

Acrylic painting medium Achieve fine detailed lines on flexible ground Ideal for use with metal styli and other drawing tools Low viscosity Made in the USA Video: Golden Artist Colours - Silverpoint Drawing Ground Golden Silverpoint Drawing Ground is a liquid acrylic used for the preparation of supports for drawing media. The ground is designed for the achievement of fine detailed lines on a permanent, lightfast, flexible ground. Silverpoint Drawing Ground is ideal for use with metal styli or other drawing tools. It is formulated with 100% acrylic polymer emulsion, a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus. Silverpoint Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. It can be applied via brush or spray onto paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavyweight hot pressed watercolour paper. Please note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint Drawing Ground, some artists may find that taping the edges down helps to prevent extensive warping. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.45
1

GOLDEN - Airbrush Medium (237ml)

GOLDEN - Airbrush Medium (237ml)

Acrylic painting medium Prepares your acrylics for airbrushing Decreases clogging and tip build up Can be blended with other Golden mediums Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Airbrush Medium blends easily with other Golden acrylics to yield a paint mixture with the proper viscosity for airbrushing. Airbrush Medium also effectively decreases clogging and tip-buildup during spraying, eliminating the largest drawback to airbrushing with acrylics. Airbrush Medium is a 100% acrylic binder system designed for modifying acrylic products for airbrush/spray application. It reduces Heavy Body, Matte, High Load, Iridescent/Interference and Fluorescent Acrylics for spray applications. Golden Mediums and Gessoes can also be blended with Airbrush Medium for spraying. This product should not be used alone, and must be mixed with other Golden Acrylic paints, mediums or grounds in the recommended ratios to create a useable material. Very thick or highly textured materials thinned with Golden Airbrush Medium may still be difficult to reduce for conventional spraying and alternative methods of spraying may be required. Because it is inherently unhealthy to inhale spray mists of any kind, we recommend, at minimum, the use of disposable dust and mist respirator. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Pastel Ground (237ml)

GOLDEN - Pastel Ground (237ml)

Acrylic painting medium Prepares surfaces for pastels and charcoals Very thick consistency Can be applied to any primed surface Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. To use, thin 20-40% with water to achieve your desired consistency. Apply with a brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day's work as the solids will settle rapidly and be extremely difficult to mix back into suspension. For best surface adhesion, apply Golden Pastel Ground over Golden Gesso. It may also be applied over other acrylic mediums, gels, and paints for multi-media work. When used in conjunction with oil-based media, prepare your support (canvas, linen, masonite, etc.) with GAC 100 to block the oil from penetrating into the support, which can weaken or rot natural fibres. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.95
1

GOLDEN - Fluid Acrylic Colour (30ml) Yellow Oxide (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Nickel Azo Yellow (S6)

GOLDEN - Fluid Acrylic Colour (30ml) Quinacridone Magenta (S7)

GOLDEN - Fluid Acrylic Colour (30ml) Naples Yellow Hue (S2)

GOLDEN - Fluid Acrylic Colour (30ml) Benzimidazolone Yellow Light (S3)

GOLDEN - Fluid Acrylic Colour (30ml) Primary Magenta (S6)

GOLDEN - Fluid Acrylic Colour (30ml) Red Oxide (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Burnt Umber (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Jenkins Green (S7)

GOLDEN - Fluid Acrylic Colour (30ml) Phthalo Blue (green shade) (S4)

GOLDEN - Fluid Acrylic Colour (30ml) Ultramarine Blue (S2)

GOLDEN - Fluid Acrylic Colour (30ml) Phthalo Blue (red shade) (S4)

GOLDEN - Fluid Acrylic Colour (30ml) Hansa Yellow Opaque (S4)