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GOLDEN - Fluid Acrylic Colour (30ml) Yellow Oxide (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Violet Oxide (S1)

GOLDEN - Airbrush Medium (237ml)

GOLDEN - Airbrush Medium (237ml)

Acrylic painting medium Prepares your acrylics for airbrushing Decreases clogging and tip build up Can be blended with other Golden mediums Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Airbrush Medium blends easily with other Golden acrylics to yield a paint mixture with the proper viscosity for airbrushing. Airbrush Medium also effectively decreases clogging and tip-buildup during spraying, eliminating the largest drawback to airbrushing with acrylics. Airbrush Medium is a 100% acrylic binder system designed for modifying acrylic products for airbrush/spray application. It reduces Heavy Body, Matte, High Load, Iridescent/Interference and Fluorescent Acrylics for spray applications. Golden Mediums and Gessoes can also be blended with Airbrush Medium for spraying. This product should not be used alone, and must be mixed with other Golden Acrylic paints, mediums or grounds in the recommended ratios to create a useable material. Very thick or highly textured materials thinned with Golden Airbrush Medium may still be difficult to reduce for conventional spraying and alternative methods of spraying may be required. Because it is inherently unhealthy to inhale spray mists of any kind, we recommend, at minimum, the use of disposable dust and mist respirator. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Sandable Hard Gesso (237ml)

GOLDEN - Sandable Hard Gesso (237ml)

Acrylic painting medium Produces surfaces that are smoother and more even For use on inflexible substrates Apply in multiple thin layers Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Sandable Hard Gesso is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. It contains high levels of titanium dioxide, calcium carbonate, and other inert solids to produce an easily sanded surface. Only use on inflexible substrates such as hardboard, wood or metal panels. Potential for cracking may occur if used on highly absorbent surfaces, like canvas, even when adhered to a rigid surface beforehand. Apply in multiple thin layers, gradually building up to the desired thickness. Single thick layers could crack upon drying. When sanding, follow these general guidelines: Allow Sandable Hard Gesso to dry completely before sanding. Cured acrylic films are easier to sand. Start with coarser grit sandpapers, followed by subsequently finer grits until desired smoothness is achieved. Both wet and dry sandpapers may be used. Wet sanding generates less airborne dust and tends to produce a smoother surface than dry sanding. Sanding to a glossy (polished) surface can reduce mechanical adhesion of paint films. As always, test for your application. Upon completion of sanding, use a damp, soft cloth to remove sanding dust particles from the surface. Failure to do so can cause poor adhesion. Brushing: This product may be diluted with up to 20% water for ease of brush application. Spraying: Dilute Sandable Hard Gesso with Golden Airbrush Medium. Begin at a 2:1 ratio (Gesso:Medium) and test spray quality, as various spray equipment may require additional thinning. Further reduce viscosity by adding up to 20% water. Acrylic Painting: To reduce yellowing caused by Support Induced Discoloration (S.I.D.) when painting on supports that contain water soluble impurities, such as canvas and wood panels, first apply two coats of Gloss Medium and allow to dry thoroughly. Then apply the desired number of coats of Sandable Hard Gesso. Oil Painting: Apply oil paints to 2 or more coats of Sandable Hard Gesso.To protect natural substrates from linseed oil acids, apply 2-3 coats of GAC 100 or Gloss directly on the raw canvas first. Allow the acrylic products sufficient time to cure before applying oil paints in order to maximise mechanical adhesion Please note: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Coarse Moulding Paste (237ml)

GOLDEN - Coarse Moulding Paste (237ml)

Acrylic painting medium Thick, warm and white-coloured Dries to a hard, stiff but flexible film Has a tooth like fine sandpaper Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Coarse Moulding Paste is a thick, warm white-coloured medium, translucent up to about 1/8 inch of thickness. It dries to a hard, stiff but flexible film with a tooth like fine sandpaper. This medium accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Crackle Paste (237ml)

GOLDEN - Crackle Paste (237ml)

Acrylic painting medium Designed to develop deep fissure-like cracks Water-based Cleans up with soap and water Made in the USA Video: Golden Artist Colours - Exploring Crackle Paste Golden Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying. This product utilises defects in the film formation process, and controlled failure is problematic. This results in the cracking performance being variable and to some extent unpredictable. Golden has provided the most current and comprehensive knowledge of what may be expected while using this product, but artist-conducted testing will ultimately assure more reproducible and sound applications. Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace traditional fillers. Its unique ratio of specific solids and binders allows for a "controlled failure" to occur and the result is its tendency to crack. It has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Moulding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with Golden Heavy Body, Matte, High Load and Fluid Acrylic Paints. It is imperative to test all aspects when working with Golden Crackle Paste. This is a highly variable product, and it should NOT be assumed that it will perform exactly the same each time the product is used. Review this information carefully and conduct testing before using this product on artwork or decorative finishes. Drying times greatly depend upon film thickness. Very thin films will dry to the touch in several hours but may not develop much cracking. Increasing film thickness will increase the tendency to crack and also the size of the cracks and platelets. Cracks can take several days to fully develop. Do not force dry Crackle Paste, nor try to slow the drying by adding Retarder or other additives, as both conditions may interfere with the products ability to crack. Product should be allowed to cure between 65oF and 75oF, and under 75% Relative Humidity. Crackle Paste cleans up with soap and water. Do not let products dry on tools. Keep tools wet while in use. Soak tools in soapy water to remove dried films. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Pastel Ground (237ml)

GOLDEN - Pastel Ground (237ml)

Acrylic painting medium Prepares surfaces for pastels and charcoals Very thick consistency Can be applied to any primed surface Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. To use, thin 20-40% with water to achieve your desired consistency. Apply with a brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day's work as the solids will settle rapidly and be extremely difficult to mix back into suspension. For best surface adhesion, apply Golden Pastel Ground over Golden Gesso. It may also be applied over other acrylic mediums, gels, and paints for multi-media work. When used in conjunction with oil-based media, prepare your support (canvas, linen, masonite, etc.) with GAC 100 to block the oil from penetrating into the support, which can weaken or rot natural fibres. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Fluid Acrylic Colour (30ml) Sap Green Hue (S4)

GOLDEN - Fluid Acrylic Colour (30ml) Payne's Grey (S2)

GOLDEN - Fluid Acrylic Colour (30ml) Titan Buff (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Iridescent Pearl Fine (S4)

GOLDEN - Fluid Acrylic Colour (118ml) Titanium White (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Green Gold (S7)

GOLDEN - Fluid Acrylic Colour (30ml) Interference Red Fine (S7)

GOLDEN - Fluid Acrylic Colour (30ml) Ultramarine Violet (S4)

GOLDEN - Fluid Acrylic Colour (30ml) Viridian Green Hue (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Cobalt Turquoise (S8)

GOLDEN - Fluid Acrylic Colour (237ml) Bone Black (S1)

GOLDEN - Fluid Acrylic Colour (118ml) Carbon Black (S1)

GOLDEN - Fluid Acrylic Colour (30ml) Permanent Violet Dark (S7)

GOLDEN - Fluid Acrylic Colour (30ml) Dairylide Yellow (S6)

GOLDEN - Fluid Acrylic Colour (30ml) Naphthol Red Light (S5)

GOLDEN - Fluid Acrylic Colour (30ml) Phthalo Turquoise (S4)

GOLDEN - Fluid Acrylic Colour (30ml) Cad Red Medium Hue (S4)