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The Intelligence of Matter

The Intelligence of Matter

Prof. Dr. Dumitru Constantin Dulcan, MD, came to the attention of the general public especially after the publication, in 1981, of the first edition of this book, The Intelligence of Matter, which immediately became a bestseller. In 1992, the book was awarded the "Vasile Conta" Prize for Philosophy of the Romanian Academy. An impressive volume of information, extracted from the foremost areas of knowledge, is admirably synthesized in a unified, easily accessible work, written in a clear and attractive style. The path of matter from the first wave of light to the moment when, through the human brain, it can become self-aware - this is the content of the book The Intelligence of Matter. - Scoala Ardeleana Publishing House Like humans, books also have their destiny, with a possible success upon appearance, a longevity according to the interest aroused, and a forgetfulness somewhere in the dust of a nook. My book’s constant persistence in the public consciousness was a surprise to me. Since its release, it has had a wide audience. The great accomplishment seemed to be the reception of the book by both fierce materialists and leading theologians. And that’s because, naturally, I did not intend to pass judgement, to answer all the questions to which I did not yet have an answer, but to call into question the relationship between science and religion in the modern world. We are here, in this corner of the Universe, the ultimate expression of evolution. The hand of an intelligent and unseen architect took us out of the clay and built us according to a plan from which the uniqueness of the source, step by step, is transfigured to the level of the brain capable of thinking about itself. Everything that happened has happened for us. We are the result of all the happy and sad events that preceded us and the cause of those that will follow us. We are the ones who leave behind the splendors of the spirit and the ruins of nothingness, because man is the only being on Earth to whom it was given to be involved in nature’s endeavor through the extension of his intelligence. This is his responsibility of being. Man cannot just live, he cannot just have a passive existence. With or without his will, he engages in the physics of the Universe. Through thoughts, through action, through his good deeds, through his evil deeds. When this truth transfixes us, it is only then, in the astral moment of our becoming, that the light of intelligence that has found itself after a long wandering on the paths of the Universe will light up in ourselves. - Dumitru Constantin-Dulca

RON 97.00
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Jon Fosse and the new theatre

Jon Fosse and the new theatre

The author's original, interdisciplinary perspective on Jon Fosse's drama is often audacious, but her research is conducted with skill and scientific circumspection. She draws certain metaphorical and intuitive connections between quantum physics and Jon Fosse's drama that later serve as investigative tools for the applied analysis of the selected plays by means of concepts such as entanglement, spacetime and so on. Right from the introduction and the first chapters, the working hypotheses are coherently and boldly correlated with the process of close reading as a chosen method of analysis. (Sanda Tomescu Baciu) This book looks at Fosse’s plays as books to read, and the analysis will, in spite of the fact one identifies old themes like love, death, communication, relationships, betrayal, regret, suffering, remembering or childhood in Fosse’s plays, focus on the way one experiences each of these, as the Fosse’an perspective shines a new light on them. It is this sensibility and privilege that the reader is offered and that becomes even more personal as reading progresses. Moreover, when reading, one is connected to one’s past, so a return to the self (past self) happens, which can be an emotional experience. This is the case with any good literature, however, this is even more the case with Jon Fosse, since his literature urges the reader to intervene, to contribute with his/her own rhythm, breath and time in the pauses that are also a reflection on the information acquired and the experience just undergone. (Anamaria Babiaș-Ciobanu

RON 48.50
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