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The complete monty python's flying circus all the words (volume 2) | AA. VV. usato Spettacolo Altri spettacoli

Just kids | Patti Smith usato Storia Biografie Diari e Memorie

Japanese Nō Masks - With 300 Illustrations of Authentic Historical Examples | Friedrich Perzyński usato Spettacolo Teatro

Prisoner's dilemma | William Poundstone usato Storia Biografie Diari e Memorie

The Voice of Pistoletto | Michelangleo Pistoletto, Alain Elkann usato Arte Storia e critica d'arte

Keys to Interpreting Media Messages, Art Silverblatt , usato, Scienze umane, Sociologia, dimanoinmano.it

My Bibi Always Remembers | Toni Buzzeo usato Libri per ragazzi Illustrati

Planet of the Apes - The evolution of the legend | Jeff Bond, Joe Fordham usato Spettacolo Cinema

Planet of the Apes - The evolution of the legend | Jeff Bond, Joe Fordham usato Spettacolo Cinema

In 1968 audiences around the world were transported to a world eerily similar to their own, but where apes ruled and mankind was subjugated. A terrifying, thrilling film, featuring one of the most famous twist endings in film history, Planet of the Apes is a science fiction masterpiece. The film birthed one of the longest running and most successful film franchises in cinema history, spawning seven further films, two television series, comics, novels and much more. Over 40 years later moviegoers around the world are still enthralled by this iconic, award-winning series. Planet of the Apes: The Evolution of the Legend is the definitive guide to every aspect of this cultural phenomenon. From the groundbreaking original to 2014's blockbuster Dawn of the Planet of the Apes, this book tells the whole story, accompanied by brand new interviews with key creatives and die-hard fans. The book is illustrated throughout by gorgeous behind the scenes photography, makeup tests, candid stills, and beautiful film frames. Highly rare conceptual artwork has been unearthed and promises fans an exclusive glimpse into the creation of this beloved series. Detailing the writing and production process of all the films, the impact and influence, the makeup, the music, and much more. Planet of the Apes: The Evolution of the Legend is a landmark book and must-have for fans everywhere.TM & © 2014 Twentieth Century Fox Film Corporation.  All Rights Reserved.

EUR 20.00
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The Oxford Dictionary of Opera | John Warrack, Ewan West usato Musica Musica

The Oxford Dictionary of Opera | John Warrack, Ewan West usato Musica Musica

La Scala, Luciano Pavarotti, Sweeney Todd, Maria Callas, Le Nozze di Figaro. These are just a few of the more than 1000 profiles on musical figures, 700 entries on famous works, and 200 important locales found in The Oxford Dictionary of Opera. Covering everything from composers, individual operas, well-known arias, and principle characters, to technical terms, librettists, and opera-houses, this is the most comprehensive one-volume reference work on all aspects of opera. Here opera buffs will have at their fingertips opera synopses and first performance details, bibliographies of works about opera, entries on singers (including their debuts and career highlights, with notes on voice type, style, and reputation), definitions and discussions of technical terms and operatic styles, and surveys of the history of opera worldwide. The editors include not only the basic information one would expect to find in an authoritative reference, but also many colorful asides that make browsing a pleasure. For example, we learn that Tristan und Isolde (Munich, 1865) was an outcome of Wagner's reading of Schopenhauer, how Verdi referred to the years between 1844 and 1859 (during which he was commissioned to write nineteen operas) as his "anni di galera" (his prison years), and how Toscanini resigned his directorship at La Scala over political tensions with the Fascists (he had previously refused to conduct the Fascist anthem at performances). In an entry on China, we learn that, unlike European opera, Chinese opera incorporates acrobatics (and often mime), and that before the Cultural Revolution (1966-76), there were over 300 regional styles of opera throughout the land. We even find an entry that lists the multitude of operas (over 300) that have been written based on Shakespeare's works. Other entries provide information on the different subdivisions of voice (from the soprano dramatique to the bariton-Martin), Russian Opera in Uzbekistan, and the definition of "Kravattentenor" (a tenor whose tone suggests he is being strangled by his neckwear). The Oxford Dictionary of Opera comes at a time when opera has reached unprecedented levels of popularity, enjoying well-filled opera houses, public television broadcasts, and huge record sales. Fully cross-referenced and packed with information, this tremendous reference is a must for all opera lovers.

EUR 11.00
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After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today. Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist's philosophy), Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative. Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible.

EUR 13.00
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Torch - North Africa and the Allied Path to Victory | Vincent P. O'Hara usato Storia Guerre mondiali

Torch - North Africa and the Allied Path to Victory | Vincent P. O'Hara usato Storia Guerre mondiali

World War II had many superlatives, but none like Operation Torch--a series of simultaneous amphibious landings, audacious commando and paratroop assaults, and the Atlantic's biggest naval battle, fought across a two thousand mile span of coastline in French North Africa. The risk was enormous, the scale breathtaking, the preparations rushed, the training inadequate, and the ramifications profound. Torch was the first combined Allied offensive and key to how the Second World War unfolded politically and militarily. Nonetheless, historians have treated the subject lightly, perhaps because of its many ambiguities. As a surprise invasion of a neutral nation, it recalled German attacks against countries like Belgium, Norway, and Yugoslavia. The operation's rationale was to aid Russia but did not do this. It was supposed to get Americans troops into the fight against Germany but did so only because it failed to achieve its short-term military goals. There is still debate whether Torch advanced the fight against the Axis, or was a wasteful dispersion of Allied strength and actually prolonged the war. Torch: North Africa and the Allied Path to Victory is a fresh look at this complex and controversial operation. The book covers the fierce Anglo-American dispute about the operation and charts how it fits into the evolution of amphibious warfare. It recounts the story of the fighting, focusing on the five landings--Port Lyautey, Fédala, and Safi in Morocco, and Oran and Algiers in Algeria--and includes air and ground actions from the initial assault to the repulse of Allied forces on the outskirts of Tunis. Torch also considers the operation's context within the larger war and it incorporates the French perspective better than any English-language work on the subject. It shows how Torch brought France, as a power, back into the Allied camp; how it forced the English and the Americans to work together as true coalitions partners and forge a coherent amphibious doctrine. These skills were then applied to subsequent operations in the Mediterranean, in the English Channel, and in the Pacific. The story of how this was accomplished is the story of how the Allies brought their power to bear on the enemy's continental base and won World War II.

EUR 20.00
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Caravaggio, Andrew Graham-Dixon , usato, A life sacred and profane, Storia, Biografie Diari e Memorie, dimanoinmano.it

Caravaggio, Andrew Graham-Dixon , usato, A life sacred and profane, Storia, Biografie Diari e Memorie, dimanoinmano.it

Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. The patrons of the church competed to have the leading artists of the day in their households, and the artists jostled for their favour. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In one such fight Caravaggio, a particularly violent man, killed Ranuccio Tomassoni, a pimp, and fled afterwards to Naples and then Malta, home to the Knights of St John, where he escaped from prison following his conviction for another vicious assault. Fleeing once more he fell victim himself to a crippling vendetta attack. Shortly afterwards, he died while returning to Rome to seek a papal pardon for his crimes. He was thirty-eight years old. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio'spictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time. A note from the Editor- This is one of the most compelling biographies of any kind I have ever been involved with. The writing grabs you by the throat - as the endorsement by double Man Booker prize-winner Peter Carey, which we print on the back of the book, attests. But more than that, Andrew Graham-Dixon is able to link Caravaggio's life and work more convincingly, I think, than any previous writer. You see how the pictures came out of his extraordinary, dark and dangerous life, and out of Italy at the height of the Counter-Reformation. And, amazingly, exactly four hundred years after Caravaggio's death, he has some important discoveries to report, which I believe finally solve two of the greatest mysteries hitherto about Caravaggio. Andrew has been working on the book for ten years but it has certainly been worth waiting for.

EUR 15.00
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