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Yellow Iron Oxide Studio 125ml

Yellow Iron Oxide Studio 125ml

Se det samlet farvekort over Vallejo Studio her Vallejo Acrylic Studio maling er blevet skabt med et omhyggeligt udvalg af permanente kunstnerpigmenter valgt for deres maksimale stabilitet og højeste grad af lysægthed. I produktionen af ​​Studio serie er pigmenter afledt af tungmetaller blevet undgået, og alle tilsætningsstoffer, der betragtes som fyldstoffer, er blevet elimineret, undtagen et matteringsmiddel, der er anvendt, så alle farver tørrer til en jævn, satinfinish. Farverne har en tyk og cremet konsistens og en viskositet på 15.000 til 20.000 cPs: de bevarer penselstrøg og volumener skabt med en spatel og tørrer til en film med fremragende vedhæftning, fleksibilitet og styrke; vandtæt, ikke-gulnende og modstandsdygtig over for ultraviolet lys. Sortimentet suppleres af et udvalg af specielle farver; metallisk, fluorescerende og glødende. Alle farver kan blandes og kombineres med vores akrylmedier og teksturer.

DKK 35.00
1

Orange Iron Oxide Studio 125ml

Orange Iron Oxide Studio 125ml

Se det samlet farvekort over Vallejo Studio her Vallejo Acrylic Studio maling er blevet skabt med et omhyggeligt udvalg af permanente kunstnerpigmenter valgt for deres maksimale stabilitet og højeste grad af lysægthed. I produktionen af ​​Studio serie er pigmenter afledt af tungmetaller blevet undgået, og alle tilsætningsstoffer, der betragtes som fyldstoffer, er blevet elimineret, undtagen et matteringsmiddel, der er anvendt, så alle farver tørrer til en jævn, satinfinish. Farverne har en tyk og cremet konsistens og en viskositet på 15.000 til 20.000 cPs: de bevarer penselstrøg og volumener skabt med en spatel og tørrer til en film med fremragende vedhæftning, fleksibilitet og styrke; vandtæt, ikke-gulnende og modstandsdygtig over for ultraviolet lys. Sortimentet suppleres af et udvalg af specielle farver; metallisk, fluorescerende og glødende. Alle farver kan blandes og kombineres med vores akrylmedier og teksturer.

DKK 35.00
1

Red Iron Oxide Studio 125ml

Red Iron Oxide Studio 125ml

Se det samlet farvekort over Vallejo Studio her Vallejo Acrylic Studio maling er blevet skabt med et omhyggeligt udvalg af permanente kunstnerpigmenter valgt for deres maksimale stabilitet og højeste grad af lysægthed. I produktionen af ​​Studio serie er pigmenter afledt af tungmetaller blevet undgået, og alle tilsætningsstoffer, der betragtes som fyldstoffer, er blevet elimineret, undtagen et matteringsmiddel, der er anvendt, så alle farver tørrer til en jævn, satinfinish. Farverne har en tyk og cremet konsistens og en viskositet på 15.000 til 20.000 cPs: de bevarer penselstrøg og volumener skabt med en spatel og tørrer til en film med fremragende vedhæftning, fleksibilitet og styrke; vandtæt, ikke-gulnende og modstandsdygtig over for ultraviolet lys. Sortimentet suppleres af et udvalg af specielle farver; metallisk, fluorescerende og glødende. Alle farver kan blandes og kombineres med vores akrylmedier og teksturer.

DKK 35.00
1

125ml

125ml

Color: Orange Iron Oxide Permanence: AAOpacity: OpaquePigment: PY42, PR101Pigment description: Hydrated Synthetic Iron Oxide, Synthetic Red Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 35.00
1

500ml

500ml

Color: Raw Umber Permanence: AAOpacity: OpaquePigment: PY42, PR101, PBk7Pigment description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: -Pigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 35.00
1

125ml

125ml

Color: Burnt Sienna Permanence: AAOpacity: OpaquePigment: PY42, PR101, PBk7Pigment description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 35.00
1

200ml

200ml

Colour: Burnt UmberPermanence: AAOpacity: OpaquePigment: PY42, PR101, PBk7Pigment description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 35.00
1

500ml

500ml

Color: Sap Green Permanence: AOpacity: OpaquePigment: PY83, MixturePigment description: Nitrous Iron Complex, Diarylide YellowASTM Rating Ligthfastness: -Pigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Color: Naples Yellow Permanence: AAOpacity: OpaquePigment: PY83, PW6, PY42Pigment description: Diarylide Yellow, Titanium Dioxide Rutile, Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1