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Samuel Barber: Let Down The Bars, O Death

Samuel Barber's Let Down The Bars, O Death for Mixed Chorus A Cappella. Based on a poem by Emily Dickinson.

Philip Venables: Beethoven Op.30/2, Bars 107-112 (2 Performance Scores)

Philip Venables ' Beethoven Op.30/2, Bars 107-112 (2014) for Piano with Violin accompaniment. 2 performance scores.

Kevin Volans: 1000 Bars (Short Version)

For Violin, Cello and Piano Duet.In the past composers wrote 'pieces' of music. More important pieces were called'works'. Nowadays, however, most composers write minutes. Phone up any professional composer and ask how'r'ya doing? and nine out of ten will say something like: "Terrible/ awful ? I've only written 4 (or ?..) minutes and I have to write ? minutes!"We're all commissioned to write minutes - like so many feet of wallpaper. Imagine this:" We loved your Jupiter Symphony Mr. Mozart, but it's 3 minutes less than we commissioned."Fortunately most composers cheat a bit, and most commissioners don't sit with stopwatches in their hands.1000 bars is not 1000 bars long. I stopped when the piece was finished. However it did turn out to be exactly 4'33" in duration.What the piece itself is about has nothing to do with its title or length. - Kevin Volans

Kevin Volans: 1000 Bars (Long Version)

For Violin, Cello and Piano Duet.In the past composers wrote 'pieces' of music. More important pieces were called'works'. Nowadays, however, most composers write minutes. Phone up any professional composer and ask how'r'ya doing? and nine out of ten will say something like: "Terrible/ awful ? I've only written 4 (or ?..) minutes and I have to write ? minutes!"We're all commissioned to write minutes - like so many feet of wallpaper. Imagine this:" We loved your Jupiter Symphony Mr. Mozart, but it's 3 minutes less than we commissioned."Fortunately most composers cheat a bit, and most commissioners don't sit with stopwatches in their hands.1000 bars is not 1000 bars long. I stopped when the piece was finished. However it did turn out to be exactly 4'33" in duration.What the piece itself is about has nothing to do with its title or length. - Kevin Volans

Trapeze and Parallel Bars. : für Sopran und Tenor, gem. Chor und Orchester

Dick Porter/Kris Needs: Parallel Lives - Blondie (Updated Edition)

Parallel Lives is the definitive biography of Blondie , the iconic New York band led by singer Debbie Harry and guitarist Chris Stein. It is based on original and revealing interviews with Harry and Stein and the third founding member, drummer Clem Burke, and an ongoing friendship between co-author Kris Needs and the band which was established during their first UK tour in 1977. Blondie have influenced everyone from Madonna to Lady Gaga to a wave of female-led rock bands - but behind the scenes they were plagued by personal issues and financial problems. That they have survived into the 21st century is a testament to their extraordinary spirit. This is their story. This updated edition of Parallel Lives brings the Blondie story up to date with the release of their 2014 album, Blondie 4 (0) Ever, ongoing success as a touring act and reaction to the death of their great friend and supporter David Bowie.

Peter Maxwell Davies: Seven Summer Songs Chime Bars Part

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores, nature and ghosts and are arranged for unison voices, piano, recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Chime Bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Elaine Gould: Behind Bars - The Definitive Guide To Music Notation

Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis.

Cereal Bars

Peter Maxwell Davies: A Selkie Tale Glockenspiel And Chime Bars Part

A Selkie Tale is a short music-theatre work (duration about 25 minutes) designed for performance by seven- to eleven-year-olds year olds. Four solo roles and several separate chorus groups give scope for the participation of a large number of children of all ability levels.The story is a humorous version of the Orkney folk-tale of an islander kidnapping a Selkie wife - a creature who is a seal in the sea and a woman on the land. Things go hilariously wrong, with the Selkie wife escaping to rejoin her companions in the sea, and Mansie, the islander, facing a most uncongenial alliance with his cousin and housekeeper, Miss Trowie-Tattibogle.Glockenspiel and chime bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Parallel Universes

Sevriens: Breath And Bars

Behind Bars: General Conventions

Quintetto d'ottoni

In this work parallel chords, i.e. one of the most significant technical ordering devices of the composer come into full display. The part of the 2nd trumpet starts, for example, with consecutive fourths and a similar arrangements can be encountered in the ensemble of the three other instruments as well. Later on thirds step into the role of fourths. Following the homophonic motion there is a music texture with solo accompaniment. The novelty coming in with the final movement is the effect produced by alternating bars.

Poul Ruders: Variations For Violin Solo

Ruders writes: This short piece 'Variations' for violin solo is composed of 57 bars, which you could call the theme. Each of the bars or musical units are then repeated, but in a reshuffled order, so to speak, and each of the original bars appears, not only in a different context, but in a slightly altered rhythmic guise.

Folk Songs of the World

1. Emerald Isle, in this part, the musical spotlight focuses in on the green island of Ireland and its great wealth of traditional folk music. The piece opens with the air ‘My Lodging Is on the Cold Ground’, also known under the title ‘Believe Me, If All Those Endearing Young Charms’ (bars 5-24). Next, we hear another well-known air ‘The Minstrel Boy’ (bars 29-44). Finally, the air ‘The Groves of Blarney’, possibly better known as ‘The Last Rose of Summer’ (bars 53-68) is heard. Each air is heralded by a short introduction and brought to an end by a short conclusion. 2. Old Kentucky Memories, following an introduction of 14 bars all attention is claimed by the song ‘My Old Kentucky Home’. As the piece goes on, snippets of memories emerge, fleetingly, surfacing fast, but quickly disappearing again: this is musically featured by way of small motifs and themes from other songs. These can be heard briefly, and then they disappear, musing on Old Kentucky until the introduction returns to end the piece. 3. Uppland, is a province in Sweden that had a rich folk music culture, like the whole of Sweden, that boasts many songs and dances. A notable amount of these songs and dances have been composed in minor keys, three of which feature in this part. First, we hear ‘Svensk folkvisa’(bars 1-38), followed by the famous ‘Värmlandsvisan’ (bars 39-67) and then brought to an end by ‘Vexelsang’ (bars 68-end). 4. Ratatouille, in this part, no folk songs of just one country or one province are featured. This piece is a mishmash (or ratatouille), a hotchpotch of three folk songs with no significant relation at all. In succession, we hear a song from Russia (bars 1-30), one from Japan (bars 31-58) and one from Australia (bars 59-end). The composer of the Russian song titled ‘The Nightingale’ is Alexander Alyabyev (1787 1851), but the composers of the Japanese song titled ‘Sakura’ and the Australian ‘Waltzing Matilda’ are unknown.

Suite Für Zwei Trompeten Und Zwei Posaunen

The titles of all three movements evoke the Baroque era. The first movement is a small ouverture falling into three parts (slow-fast-slow). The second one is a Gigue with alternating bars which is followed attacca by the final movement Air. Due to the presence of alternating bars this otherwise moderately difficult piece requires very careful ensemble playing.

W.A. Mozart: Sinfonia Concertante in A (Wilby)

Reconstructed by Philip Wilby from sketches, consisting of 51 fully orchestrated bars and a partial sketch of a further 83.

Blues Solos For Acoustic Guitar

Play blues style guitar with this superb book/CD pack. Specially composed solos include 'Overdrivin'', 'Soho Blues' and 'Eight Bars On The Highway'.

Red Hot Chili Peppers: Californication (Transcribed Scores)

All fifteen songs from the album fully transcribed for bands. Includes Scar Tissue, I Like Dirt, Californication, Around The World and Parallel Universe.

Diane Hidy: Dance on a Moonbeam

Use this solid performance piece to explore key relationships. Outer sections in A major contrast with the B section, written in the parallel minor.

Nancy Faber: Willow Tree Waltz

This composition provides the opportunity to teach phrasing technique. Built on a pianistic opening gesture, this piece reinforces the concept of parallel major and minor.

Nancy Faber: Willow Tree Waltz

This composition provides the opportunity to teach phrasing technique. Built on a pianistic opening gesture, this piece reinforces the concept of parallel major and minor.

Melody Bober: Merry Mariachi, The

This piece offers the opportunity to play parallel thirds on the right hand and simple, yet rhythmic single notes on the left hand. Perfect for recitals, festivals, and competitions.

Dr.John Teaches New Orleans Piano Book 2

Dr. John explores the use of tenths, parallel 5ths, chord patterns, right-hand fills, major-to-minor changes, the traditional 'butterfly' stride, and styles of Lloyd Glenn and Charles Brown.