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Band Fever

Band Fever

Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. It was written on commission of the prestigious South Tyrolese concert band, Symphonic Winds. The piece features two soloists, one saxophone and one flugel. Rhythms like Hip Hop Style and Double Samba support a catchy melody, which is later taken up by the full band, forming the basis for the above-mentioned soloists’ improvisations. A unique work in the world of wind music, Band Fever allows both soloists and conductor to display individuality and creativity. It is especially suitable as an opener of the light part of a concert, or as afeature number for special soloists in the orchestra.

DKK 968.00
1

Band Fever

Band Fever

Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. The piece features two soloists, saxophone and flugel horn. Rhythms such as Hip Hop and Double Samba support acatchy melody played by the full band. This forms the basis for the soloists' improvisations. This unique concert band work allows both soloists and conductor to display individuality and creativity. It is especially suitable as alight opening piece or as a feature number to display the great skills of your saxophone and flugel (or trumpet) players.

DKK 968.00
1

Kenneth Downie: Handel in the Band (Brass Band Score & Parts)

Kenneth Downie: Handel in the Band (Brass Band Score & Parts)

Handel in the Band is a virtuoso set of symphonic variations on one of Handel’s best known keyboard dances, the Sarabande from his Suite in D minor, HWV 437, based on the Spanish traditional dance La Folia. Kenneth Downie’s work was commissioned by Brass Band Treize Etoiles, for performance at the 2013 Swiss National Brass Band Championships, where it was conducted by James Gourlay. The title is a reference to Percy Grainger’s popular Handel in the Strand, and is indicative of the witty and theatrical nature of the music, which is more playful than conventional competition pieces and as such offers different challenges to brass bands as well as being thoroughly entertaining for audiences. Kenneth Downie is one of the most respected and experienced brass band composers. His music has been widely performed and published throughout the brass band world since the 1960s.

DKK 1159.00
1

Suite Francaise : For Band

Suite Francaise : For Band

It is rare that a composition is conceived first for winds then later transcribed for orchestra, but such is the case with Suite Francaise. Premiered by the famed Goldman Band in 1945, this magnificent work in fivemovements is one of the enduring classics of the symphonic band repertoire, and continues to be a popular choice for contests and festivals. (17:00)This recording used with permission from the Klavier Music Productions CDK 11058. “Postcards” by the Cincinnati Wind Symphony – Eugene Migliaro Corporon, conductor

DKK 1461.00
1

Tribute to Dixie : for dixie ensemble and concert band

Tribute to Dixie : for dixie ensemble and concert band

This scintillating work was written as a tribute to the jazz musicians of the New Orleans, Dixieland and Chicago styles of the 20s and 30s. It consists of an opening swing section in true Dixieland style, followed by a sleazy blues section. Ideally the band should be divided so there is a separate Dixieland band consisting of trumpet, clarinet, alto or tenor saxophone, trombone, banjo (optional) and tuba or double bass. Although the Dixieland band are mostly accompanied by the remainder of the concert band the accompanying players also get the chance to shine as every now and again they take over the musical themes.

DKK 1167.00
1

Pulcinella : for Euphonium and Concert Band

Pulcinella : for Euphonium and Concert Band

Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.

DKK 1501.00
1