Digital synlighed. Målbart afkast.

Philip Venables: Beethoven Op.30/2, Bars 107-112 (2 Performance Scores)

Philip Venables ' Beethoven Op.30/2, Bars 107-112 (2014) for Piano with Violin accompaniment. 2 performance scores.

Peter Maxwell Davies: Seven Summer Songs Chime Bars Part

A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores, nature and ghosts and are arranged for unison voices, piano, recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item. Chime Bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Cereal Bars

Peter Maxwell Davies: A Selkie Tale Glockenspiel And Chime Bars Part

A Selkie Tale is a short music-theatre work (duration about 25 minutes) designed for performance by seven- to eleven-year-olds year olds. Four solo roles and several separate chorus groups give scope for the participation of a large number of children of all ability levels.The story is a humorous version of the Orkney folk-tale of an islander kidnapping a Selkie wife - a creature who is a seal in the sea and a woman on the land. Things go hilariously wrong, with the Selkie wife escaping to rejoin her companions in the sea, and Mansie, the islander, facing a most uncongenial alliance with his cousin and housekeeper, Miss Trowie-Tattibogle.Glockenspiel and chime bars part.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Guitar Gym

L?objectif de cet ouvrage est de vous fournir les principaux exercices permettant de parfaire votre technique main gauche et main droite à la guitare. Ces exercices devront trouver leur place au début de vos séances de jeu, car ils vous permettront d'échauffer vos doigts, de les délier et de prendre ainsi possession de votre guitare comme il se doit. Toute autre utilisation complémentaire ne pourra qu?être bénéfique... Vous y trouverez 4 séries d'exercices (indépendance des doigts, écarts à la main gauche, travail du démanché, synchronisation avec cordes à vide), elles-mêmes divisées en plusieurs catégories. Bref... les exercices essentiels que tout guitariste se doit de pratiquer, dans un format réduit (21 x 12 cm), idéal pour la housse de la guitare. A emmener partout avec vous...

Basse Gym

L?objectif de cet ouvrage est de vous fournir les principaux exercices permettant de parfaire votre technique main gauche et main droite à la basse. Ces exercices devront trouver leur place au début de vos séances de jeu, car ils vous permettront d'échauffer vos doigts, de les délier et de prendre ainsi possession de votre basse comme il se doit. Toute autre utilisation complémentaire ne pourra qu?être bénéfique... Vous y trouverez 4 séries d'exercices (indépendance des doigts, écarts à la main gauche, travail du démanché, synchronisation avec cordes à vide), elles-mêmes divisées en plusieurs catégories. Bref... les exercices essentiels que tout bassiste se doit de pratiquer, dans un format réduit (21 x 12 cm), idéal pour la housse de la basse. A emmener partout avec vous...

Suite Für Zwei Trompeten Und Zwei Posaunen

The titles of all three movements evoke the Baroque era. The first movement is a small ouverture falling into three parts (slow-fast-slow). The second one is a Gigue with alternating bars which is followed attacca by the final movement Air. Due to the presence of alternating bars this otherwise moderately difficult piece requires very careful ensemble playing.

Beanstalk's Basics for Piano

Technique Book Book 2. The Finger Gym workouts in these technique books correspond directly with material in the Beanstalk's lesson books. The exercises improve finger dexterity, independence, control, stamina, hand position, style and musicianship.

Beanstalk's Basics for Piano

Technique Book Book 1. The Finger Gym workouts in these technique books correspond directly with material in the Beanstalk's lesson books. The exercises improve finger dexterity, independence, control, stamina, hand position, style and musicianship.

Beanstalk's Basics for Piano

Technique Book Preparatory Book B. The Finger Gym workouts in these technique books correspond directly with material in the Beanstalk's lesson books. The exercises improve finger dexterity, independence, control, stamina, hand position, style and musicianship.

Jenkyns: First Nursery Suite for Clarinet Ensemble (Score)

Peter Jenkyns 's First Nursery Suite is a work designed for group music-making. The instrumentation for this piece consists of: Voices, Descant Recorder, Chime Bars or Glockenspiel, Xylophone, Drum, Triangle, Tambourine, Claves and Piano.

Sidewalk Cafe

Gillock is a master of ensemble playing, and this waltz is no exception. The duet is tuneful, with lots of opportunity for expressive playing, and the parallel 4ths in the Primo lend an especially interesting flavor to the harmony. Key: C Major.

Pure Spirit

Here is a strikingly different composition for jazz ensemble from the pen of acclaimed jazz pianist and writer Steve Allee. Featuring a floating texture of parallel harmonics and melodic lines, Pure Spirit is a fresh-sounding and rewarding piece for the entire ensemble.

Fingerpower Transposer: Level Two

This book contains 16 exercises that use expanded 5-finger positions. Key signatures of D major and B-flat major are added. Some patterns involve parallel motion and thumb crossover and more 8ths are used. Time signature of 6/8 and 9/8 are added.

A Hundred Bars for Tom Everett für Bassposaune : für Bassposaune und 3 Bongos

The inspiration for writing this piece came from the talented young trombonist. The wind part is highly demanding: sure intonation ability is a prerequisite for performing it. Characteristic of this movement is the maximum exploration of the capabilities of the instrument.

Fingerpower: Level 5

Strong fingers are an important requirement for all pianists, amateur and professional. Schaum Fingerpower exercises are designed to strengthen all five fingers of both hands. Equal hand development is assured through the performance of the same patterns in each hand, either in parallel motion or with alternating hands.

Fingerpower: Level Six

Strong fingers are an important requirement for all pianists, amateur and professional. Schaum Fingerpower exercises are designed to strengthen all five fingers of both hands. Equal hand development is assured through the performance of the same patterns in each hand, either in parallel motion or with alternating hands.

Judith Weir: Sundew

Judith Weir 's Sundew for Violin and Cello. Score. ’ The bog-based Sundew Plant isn’t as pleasant as the name suggests. It produces beads of fluid, resembling dew, but in fact a sticky deposit in which visiting insects become trapped. The plant closes in on the insect and digests it for the extra nutrition it needs in an acidic habitat. Each of the 36 bars can be understood as a time-lapse study of parts of this process. Often one instrument encloses and digests the music of the other. Occasionally one player tries to struggle free; at other times both exist motionless, stuck to each other. In the final bars, a lucky insect (the Violin) escapes from the goo and flies off into the ether. ’ Judith Weir

The Very Young Pianist Listens And Creates Book 1

This clever and playful series provides ear training and composing activities which parallel the learning material presented in 'The Very Young Pianist'.Introduces numbers (1-5), letters (A-G) and basic rhythms.Presents short, pre-staff notated pieces in the 5-finger positions of C and G.Introduces the block 1 chord for harmonisation of melodies.

Playing with rhythm : easy duets for recorder

The Playing with rhythmoffers you ten original and very easy pieces for two recorders. As the title suggests, playing with rhythm is the basic task of this workbook and in each song after a few bars the rhythm ischanging. The author of these interesting compositions is the Czech music composer and piano teacher Markéta Dvo áková (* 1977).

Mozart: Sonata In G K.283 (Piano)

This piece has too often been dismissed as placid, with the exception of the more fiery finale. But can it really be described as placid? In the first ten bars the piece arguably moves from tenderness to pure brilliance. If you've written off this piece in the past, this edition is sure to change your mind.

Balkanische Tänze für Blechbläser-Sextett

Here the composer has arranged Southern Slav, Albanian and Bulgarian music material. The triple time, asymmetric 5/8, 7/8, 9/8 (2+2+2+3) bars require thorough grounding in rhythm. The first movement is a rondo, the second a trio while the third one, displaying strong burlesque features, is again a rondo. Moderately difficult.

The Irish Pub Songbook

A fantastic collection of good Old Irish songs, ballads and tearjerkers that can be heard frequently in the bars lounges, watering holes, shebeens and snugs of Ireland. Thirty-six of the very best Irish Pubsongs including Rare 'Oul Times, Monto, Jug Of Punch, Spancil Hill and Galway Bay; all with complete lyrics, melody line and guitar chords.

Three Northumbrian Sea Songs Teacher?s Book/Score

William Llewellyn. Three lively and familiar Northumbrian sea songs have been given a fresh lease of life in these sparkling arrangements. ?The Keel Row?, ?My Bonny Lad? and ?Bobby Shaftoe? are here available in versions that can be used in many ways in classroom and performances. Parts for chime bars, melodic instruments and percussion provide a variety of instrumentation to adorn and expand the basic voices and piano arrangements.

Herbert Howells: Master Tallis's Testament For Organ

Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940, Master Tallis's Testament unfolds Quasi lento, teneramente in a gentle six-eight rhythm and in G minor. It consists of three variants of a theme which falls into three phrases (eight plus six plus four bars). The music rises gradually to a climax at the end of the third variant. A quiet echo of the last two bars supplies a coda and a peaceful ending in the major. The piece is one which its composer regards as most typical and with particular affection. Its title, which pays tribute to a father of English cathedral music, allies it to the twenty-four pieces contained in Howells' two sets of clavichord pieces, the twelve of Lambert's Clavichord (the Lambert not being the composer Constant, but the Bath photographer Herbert who, in the Twenties, published a set of portraits of British composers (including Howells) and the twelve of Howells' Clavichord (1951), the separate titles similarly evoke those of the Elizabethan Virginalists. © 1977 Felix Aprahamian