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Titanium White Rutile Fluid

Titanium White Rutile Fluid

Color: Titanium White RutilePermanence: AAOpacity: OpaquePigment: PW6Pigment description: Rutile Titanium DioxideASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: 77891Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 59.00
2

Teal Fluid

Teal Fluid

Color: TealPermanence: AAOpacity: OpaquePigment: PW6, PB15:3, PG7Pigment description: Rutile Titanium Dioxide, Copper Phthalocyanine ß, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Raw Sienna Fluid

Raw Sienna Fluid

Color: Raw SiennaPermanence: AAOpacity: Semi-transparentPigment: PBr7Pigment description: Natural Iron OxideASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Pyrrole Red Fluid

Pyrrole Red Fluid

Color: Pyrrole RedPermanence: AAOpacity: OpaquePigment: PR254Pigment description: PyrrolopyrrolASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 56110Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 142.00
1

Phthalo Blue Fluid

Phthalo Blue Fluid

Color: Phthalo BluePermanence: AAOpacity: Semi-transparentPigment: PB15:3Pigment description: Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74160 bViscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Phthalo Green Fluid

Phthalo Green Fluid

Color: Phthalo GreenPermanence: AAOpacity: OpaquePigment: PG7Pigment description: Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74260Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Pyrrole Orange Fluid

Pyrrole Orange Fluid

Color: Pyrrole OrangePermanence: AAOpacity: Semi-transparentPigment: PO73Pigment description: DipyrrolopyrrolASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 561170Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 142.00
1

Zinc White Fluid

Zinc White Fluid

Color: Zinc WhitePermanence: AAOpacity: TransparentPigment: PW4Pigment description: Zinc OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77947Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Ultramarine Blue Fluid

Ultramarine Blue Fluid

Color: Ultramarine BluePermanence: AAOpacity: Semi-transparentPigment: PB29Pigment description: Silicate of Sodium and Aluminum with SulfurASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77007Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Ivory Black Fluid

Ivory Black Fluid

Color: Ivory BlackPermanence: AAOpacity: OpaquePigment: PBk9Pigment description: Carbonized Material (Amorphous Carbon)ASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: 77267Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Burnt Sienna Fluid

Burnt Sienna Fluid

Color: Burnt SiennaPermanence: AAOpacity: OpaquePigment: PBr7, PY42, PR101Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Payne’s Grey Fluid

Payne’s Grey Fluid

Color: Payne’s GreyPermanence: AAOpacity: OpaquePigment: PB29, PY42, PBk11Pigment description: Silicate of Sodium and Aluminum with Sulfur, Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Hansa Yellow Fluid

Hansa Yellow Fluid

Color: Hansa YellowPermanence: AOpacity: Semi-transparentPigment: PY3Pigment description: Arylide YellowASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 11710Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Ultramarine Violet Fluid

Ultramarine Violet Fluid

Color: Ultramarine VioletPermanence: AAOpacity: Semi-transparentPigment: PV15Pigment description: Silicate of Sodium and AluminumASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77007Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Gold Green Fluid

Gold Green Fluid

Color: Gold GreenPermanence: AOpacity: Semi-transparentPigment: PY3, PY83Pigment description: Arylide Yellow, Diarylide YellowASTM Rating Ligthfastness: IIPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones

DKK 83.00
1

Permanent Green Fluid

Permanent Green Fluid

Color: Permanent GreenPermanence: AAOpacity: OpaquePigment: PY3, PG7Pigment description: Arylide, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Transparent Orange Fluid

Transparent Orange Fluid

Color: Transparent OrangePermanence: AOpacity: TransparentPigment: PY83Pigment description: Diarylide YellowASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 21108Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Transoxide Yellow Fluid

Transoxide Yellow Fluid

Color: Transoxide YellowPermanence: AAOpacity: TransparentPigment: PY42Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77492Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Transoxide Red Fluid

Transoxide Red Fluid

Color: Transoxide RedPermanence: AAOpacity: TransparentPigment: PR101Pigment description: Synthetic Red Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77491Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Mars Yellow Fluid

Mars Yellow Fluid

Color: Mars YellowPermanence: AAOpacity: OpaquePigment: PY42Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77492Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Anthraquinone Blue Fluid

Anthraquinone Blue Fluid

Color: Anthraquinone BluePermanence: AAOpacity: OpaquePigment: PB60Pigment description: IndanthroneASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 69800Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 142.00
1

Lamps Black Fluid

Lamps Black Fluid

Color: Lamps BlackPermanence: AAOpacity: OpaquePigment: PBk7Pigment description: Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 77266Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 65.00
1

Naphthol Crimson Fluid

Naphthol Crimson Fluid

Color: Naphthol CrimsonPermanence: BOpacity: Semi-transparentPigment: PR5Pigment description: Naphthol ITRASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 12490Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Cyan Blue Fluid

Cyan Blue Fluid

Color: Cyan BluePermanence: AAOpacity: OpaquePigment: PW6, PB15:3Pigment description: Rutile Titanium Dioxide, Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1