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American Sabor - Michelle Habell Pallan - Bog - University of Washington Press - Plusbog.dk

American Sabor - Michelle Habell Pallan - Bog - University of Washington Press - Plusbog.dk

Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente's mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States—including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa—but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities—including Chicanos, Tejanos, and Puerto Ricans—in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.

DKK 295.00
1

American Sabor - Michelle Habell Pallan - Bog - University of Washington Press - Plusbog.dk

American Sabor - Michelle Habell Pallan - Bog - University of Washington Press - Plusbog.dk

Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente's mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States—including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa—but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities—including Chicanos, Tejanos, and Puerto Ricans—in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.

DKK 970.00
1

Religious Revival in the Tibetan Borderlands - Koen Wellens - Bog - University of Washington Press - Plusbog.dk

Forbidden Games and Video Poems - Lo Ch'ing - Bog - University of Washington Press - Plusbog.dk

Forbidden Games and Video Poems - Lo Ch'ing - Bog - University of Washington Press - Plusbog.dk

Two contemporary poets from Taiwan, Yang Mu (pen name for Wang Ching-hsien, b. 1940) and Lo Ch’ing (pen name for Lo Ch’ing-che, b. 1948), are represented in this bilingual edition of Chinese poetry ranging from the romantic to the postmodern. Both poets were involved in the selection of poems for this volume, the first edition in any language of their selected work. Their backgrounds, literary styles, and professional lifes are profiled and compared by translator Joseph R. Allen in critical essays that show how Yang and Lo represent basic directions in modern Chinese poetics and how they have contributed to the definition of modernism and postmodernism in China.The book’s organization reflects each poet’s method of composition. Yang’s poems are chronologically arrangd, as his poetry tends to describe a narrative line that closely parallels his own biography. Lo’s poems, which explore a world of concept and metaphor, are grouped by theme. Although each poet has a range of poetic voices, Yang’s work can be considered the peak of high modernism in Chinese poetry, while Lo’s more problematic work suggests the direction of new explorations in the art. In this way the two poets are mutually illuminating.Each group of poems is prefaced by an “illustration” that draws from another side of the poet’s intellectual life. For Yang, who is a professor of comparative literature at the University of Washington, these are excerpts from his academic work (written under the name C.H. Wang) in English. The poems by Lo, a well-known painter living in Taiwan, are illustrated by five of his own ink paintings.

DKK 300.00
1

Roses from Kenya - Megan A. Styles - Bog - University of Washington Press - Plusbog.dk

Roses from Kenya - Megan A. Styles - Bog - University of Washington Press - Plusbog.dk

Honorable Mention for the Society for the Anthropology of Work (SAW) Book prizeThe potential of floriculture grows at Lake NaivashaKenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers. In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.

DKK 278.00
1

Roses from Kenya - Megan A. Styles - Bog - University of Washington Press - Plusbog.dk

Roses from Kenya - Megan A. Styles - Bog - University of Washington Press - Plusbog.dk

Honorable Mention for the Society for the Anthropology of Work (SAW) Book prizeThe potential of floriculture grows at Lake NaivashaKenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers. In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.

DKK 970.00
1

Communist Pigs - Thomas Fleischman - Bog - University of Washington Press - Plusbog.dk

Communist Pigs - Thomas Fleischman - Bog - University of Washington Press - Plusbog.dk

Wild by Design - Janet Catherine Berlo - Bog - University of Washington Press - Plusbog.dk

State Power in China, 900-1325 - - Bog - University of Washington Press - Plusbog.dk

Devorah Sperber - Sandy Harthorn - Bog - University of Washington Press - Plusbog.dk

Landscape Traveled by Coyote and Crane - Ernie Stensgar - Bog - University of Washington Press - Plusbog.dk

Parallel Destinies - Kenneth S. Coates - Bog - University of Washington Press - Plusbog.dk

Parallel Destinies - Kenneth S. Coates - Bog - University of Washington Press - Plusbog.dk

The Canadian West and the American Northwest offer a valuable setting for considering issues of borders and borderlands. The regions contain certain similarities, and during the first half of the nineteenth century they were even grouped together as a distinct political and economic unit, called the "Oregon Country" by Americans and the "Columbia Department" of the Hudson's Bay Company by the British. The essays in this volume -- which grew out of a conference commemorating the Oregon Treaty of 1846 -- view the boundary between Canada and the United States as a dividing line and also as a regional backbone, with people on each side of the border having key experiences and attitudes in common. In their eloquence and scope, they illustrate how historical study of Canadian-American relations in the West calls into question the parameters of the nation-state. The border has not had a single constant meaning; rather, its significance has changed over time and varied from group to group. The essays in Part One concern the movement of peoples and capital across a relatively permeable boundary during the nineteenth century. Many people in this era--especially Natives, miners, immigrants, and capitalists--did not regard the international boundary as particularly important. Part Two considers how the United States and Canada took pains to strengthen and enforce the international boundary during the twentieth century. In this era, the nation-state became more assertive about defining and defending the borderline. Part Three offers considerations of the distinctions, both real and imagined, that emerged during the nineteenth and twentieth centuries between Canada and the United States. Its essays examine different schools of history, divergent ideas toward wilderness, and the influence of anti-Americanism on Canadians' view of national development in North America.

DKK 1031.00
1

Beaten Down - David Peterson Del Mar - Bog - University of Washington Press - Plusbog.dk

Beaten Down - David Peterson Del Mar - Bog - University of Washington Press - Plusbog.dk

Selected by Choice as an Outstanding Academic Title for 2003The word “violence” conjures up images of terrorism, bombings, and lynchings. Beaten Down is concerned with more prosaic acts of physical force—a husband slapping his wife, a parent taking a birch branch to a child, a pair of drunken friends squaring off to establish who was the “better man.” David Peterson del Mar accounts for the social relations of power that lie behind this intimate form of violence, this “white noise” that has always been with us, humming quietly between more explosive acts of violence.Broad in its chronological and cultural sweep, Beaten Down examines interpersonal violence in Washington, Oregon, and British Columbia beginning with Native American cultures before colonization and continuing into the mid-twentieth century. It contrasts the disparate ways of practicing and punishing interpersonal violence on each side of the U.S.-Canadian border. Del Mar concludes that we cannot comprehend the causes and moral consequences of a violent act without considering larger social relations of power, whether between colonizers and original inhabitants, between spouses, between parents and children, or between and among different ethnic groups.The author has drawn on a vast array of vivid sources, including newspaper accounts, autobiographies, novels, oral histories, historical and ethnographic publications, and hundreds of detailed court cases to account for not only the relative frequency of different forms of violence, but also the shifting definitions and perceptions of what constitutes violence. This is a thoughtful and probing account of how and why people have hit each other and the manner in which opinion makers and ordinary citizens have censured, defended, or celebrated such acts. Del Mar’s conclusions have important implications for an understanding of violence and perceptions of violence in contemporary society.

DKK 265.00
1

Natural Magic - Lisa Volpe - Bog - University of Washington Press - Plusbog.dk

Natural Magic - Lisa Volpe - Bog - University of Washington Press - Plusbog.dk

The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate—in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities-the massing of light and the softening of detail—while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America—Canada, the United States and Mexico—faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making—defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847–1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.

DKK 345.00
1

Beaten Down - David Peterson Del Mar - Bog - University of Washington Press - Plusbog.dk

Beaten Down - David Peterson Del Mar - Bog - University of Washington Press - Plusbog.dk

Selected by Choice as an Outstanding Academic Title for 2003The word "violence" conjures up images of terrorism, bombings, and lynchings. Beaten Down is concerned with more prosaic acts of physical force—a husband slapping his wife, a parent taking a birch branch to a child, a pair of drunken friends squaring off to establish who was the "better man." David Peterson del Mar accounts for the social relations of power that lie behind this intimate form of violence, this "white noise" that has always been with us, humming quietly between more explosive acts of violence. Broad in its chronological and cultural sweep, Beaten Down examines interpersonal violence in Washington, Oregon, and British Columbia beginning with Native American cultures before colonization and continuing into the mid-twentieth century. It contrasts the disparate ways of practicing and punishing interpersonal violence on each side of the U.S.-Canadian border. Del Mar concludes that we cannot comprehend the causes and moral consequences of a violent act without considering larger social relations of power, whether between colonizers and original inhabitants, between spouses, between parents and children, or between and among different ethnic groups. The author has drawn on a vast array of vivid sources, including newspaper accounts, autobiographies, novels, oral histories, historical and ethnographic publications, and hundreds of detailed court cases to account for not only the relative frequency of different forms of violence, but also the shifting definitions and perceptions of what constitutes violence. This is a thoughtful and probing account of how and why people have hit each other and the manner in which opinion makers and ordinary citizens have censured, defended, or celebrated such acts. Del Mar's conclusions have important implications for an understanding of violence and perceptions of violence in contemporary society.

DKK 1031.00
1

War and Politics by Other Means - Shelby Scates - Bog - University of Washington Press - Plusbog.dk

War and Politics by Other Means - Shelby Scates - Bog - University of Washington Press - Plusbog.dk

Shelby Scates's thirty-five-year career as a prize-winning journalist and columnist for International News Service, United Press International, the Associated Press, and the Seattle Post-Intelligencer has taken him to centers of action across this country and to wars and conflicts in many of the world's danger zones. Born in the rural South in the 1930s, Scates rejected the racism he saw there and in his late teens set out across the United States — eventually to land in Seattle, attend the University of Washington, and launch himself into a world of work, travel, and adventure as a merchant seaman and soldier. He entered journalism as a wire-service reporter hired in Manhattan and assigned to the Dallas bureau. Reporting the political beat brought Scates to Baton Rouge and New Orleans to observe the remarkable performance and influence of Earl Long as governor of Louisiana; in 1957 to Little Rock, Arkansas, to witness a constitutional crisis, the early struggle to integrate the public schools; to Oklahoma City and Dallas; and to Washington, D.C., where he became familiar with both the corridors of Congress and Lyndon Johnson's Oval Office and Air Force One. He was in Israel during the 1967 Six-Day War and its aftermath; in Lebanon and Egypt to learn about the Palestine Liberation Organization; in the Suez to investigate the "War of Attrition"; and in Cambodia during guerrilla fighting against the Vietnamese Army. As a newsman he reported on those American climbers who triumphed, though not without suffering great personal losses, by reaching the top of K2 in 1978. Scates used his considerable journalistic experience and inventiveness to get the story of this epic climb quickly back to the United States. He also describes his own midlife climb of Mt. McKinley with two friends. In a straightforward portrayal of professional life that manifests elements of both The Front Page and All the President's Men, this memoir is about the particular combination of idealism, persistence, skepticism, and dedication to truthful reporting that marks the best of American journalism.

DKK 1031.00
1

War and Politics by Other Means - Shelby Scates - Bog - University of Washington Press - Plusbog.dk

War and Politics by Other Means - Shelby Scates - Bog - University of Washington Press - Plusbog.dk

Shelby Scates’s thirty-five-year career as a prize-winning journalist and columnist for International News Service, United Press International, the Associated Press, and the Seattle Post-Intelligencer has taken him to centers of action across this country and to wars and conflicts in many of the world’s danger zones. Born in the rural South in the 1930s, Scates rejected the racism he saw there and in his late teens set out across the United States — eventually to land in Seattle, attend the University of Washington, and launch himself into a world of work, travel, and adventure as a merchant seaman and soldier. He entered journalism as a wire-service reporter hired in Manhattan and assigned to the Dallas bureau. Reporting the political beat brought Scates to Baton Rouge and New Orleans to observe the remarkable performance and influence of Earl Long as governor of Louisiana; in 1957 to Little Rock, Arkansas, to witness a constitutional crisis, the early struggle to integrate the public schools; to Oklahoma City and Dallas; and to Washington, D.C., where he became familiar with both the corridors of Congress and Lyndon Johnson’s Oval Office and Air Force One. He was in Israel during the 1967 Six-Day War and its aftermath; in Lebanon and Egypt to learn about the Palestine Liberation Organization; in the Suez to investigate the “War of Attrition”; and in Cambodia during guerrilla fighting against the Vietnamese Army. As a newsman he reported on those American climbers who triumphed, though not without suffering great personal losses, by reaching the top of K2 in 1978. Scates used his considerable journalistic experience and inventiveness to get the story of this epic climb quickly back to the United States. He also describes his own midlife climb of Mt. McKinley with two friends. In a straightforward portrayal of professional life that manifests elements of both The Front Page and All the President’s Men, this memoir is about the particular combination of idealism, persistence, skepticism, and dedication to truthful reporting that marks the best of American journalism.

DKK 258.00
1

Tales and Stories by Hans Christian Andersen - Hans Christian Andersen - Bog - University of Washington Press - Plusbog.dk

Tales and Stories by Hans Christian Andersen - Hans Christian Andersen - Bog - University of Washington Press - Plusbog.dk

Stories that have delighted children and fascinated adults for over a century are the heritage of Hans Christian Andersen. This collection has been selected and translated with the growing audience of adults--both students and general readers--in mind, and displays the full range of Andersen’s authorship, from parable to science fiction.In this fresh, contemporary translation Rossel and Conroy have endeavored to “preserve for the English-speaking audience the engaging duplicity of Andersen’s style, the tension of play between his sympathetic conversational tone and his use of the studied effect.” This is a tension between the simplicity of stories intended to be read aloud to children ad the subtlety of the allegory skillfully woven into each for the adults who would be listening and “must have something to think about,” as Andersen said.The introductions provide an overview of Andersen’s life and struggle to become an author, as well as an analysis of his contributions as an artist and storyteller. Each story has also been provided with an endnote giving publication dates, information about the genesis of the tale, and relevant comments by Andersen and other.Readers who remember with nostalgia such tales as “The Ugly Duckling” and “The Little Match Girl” may be surprised to find the biting satire in many of the stories, such as “The Nightingale” and “The Gardener and the Lord and Lady,” the revealing self-portraits of the author in “The Sweethearts,” “The Butterfly,” and “The Shadow,” the mysticism of “The story of a Mother” and “The Bell” the prophetic quality of “In a Thousand Years Time,” and the complexity and charm of “the Snow Queen.”The book contains the drawings of Vilhelm Pedersen and Lorenz Frolich that originally appeared in the first illustrated Danish editions of Andersen’s tales and stories.

DKK 265.00
1

A Year in the Life of a Shinto Shrine - John K. Nelson - Bog - University of Washington Press - Plusbog.dk

A Year in the Life of a Shinto Shrine - John K. Nelson - Bog - University of Washington Press - Plusbog.dk

What we today call Shinto has been at the heart of Japanese culture for almost as long as there has been a political entity distinguishing itself as Japan. A Year in the Life of a Shinto Shrine describes the ritual cycle at Suwa Shrine, Nagasaki's major Shinto shrine. Conversations with priests, other shrine personnel, and people attending shrine functions supplement John K. Nelson's observations of over fifty shrine rituals and festivals. He elicits their views on the meaning and personal relevance of the religious events and the place of Shinto and Suwa Shrine in Japanese society, culture, and politics. Nelson focuses on the very human side of an ancient institution and provides a detailed look at beliefs and practices that, although grounded in natural cycles, are nonetheless meaningful in late-twentieth-century Japanese society. Nelson explains the history of Suwa Shrine, basic Shinto concepts, and the Shinto worldview, including a discussion of the Kami, supernatural forces that pervade the universe. He explores the meaning of ritual in Japanese culture and society and examines the symbols, gestures, dances, and meanings of a typical shrine ceremony. He then describes the cycle of activities at the shrine during a calendar year: the seasonal rituals and festivals and the petitionary, propitiary, and rite-of-passage ceremonies performed for individuals and specific groups. Among them are the Dolls' Day festival, in which young women participate in a procession and worship service wearing Heian period costumes; the autumn Okunchi festival, which attracts participants from all over Japan and even brings emigrants home for a visit; the ritual invoking the blessing of the Kami for young children; and the ritual sanctifying the earth before a building is constructed. The author also describes the many roles women play in Shinto and includes an interview with a female priest. Shinto has always been attentive to the protection of communities from unpredictable human and divine forces and has imbued its ritual practices with techniques and strategies to aid human life. By observing the Nagasaki shrine's traditions and rituals, the people who make it work, and their interactions with the community at large, the author shows that cosmologies from the past are still very much a part of the cultural codes utilized by the nation and its people to meet the challenges of today.

DKK 1031.00
1