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Building Antebellum New Orleans - Tara Dudley - Bog - University of Texas Press - Plusbog.dk

Building Antebellum New Orleans - Tara Dudley - Bog - University of Texas Press - Plusbog.dk

2024 Spiro Kostof Book Award, Society of Architectural Historians 2022 PROSE Award in Architecture and Urban Planning 2022 Summerlee Book Prize in Nonfiction, Center for History and Culture of Southeast Texas and the Upper Gulf Coast 2022 Best Book Prize, Southeast Chapter of the Society of Architectural Historians 2022 On the Brinck Book Award, University of New Mexico School of Architecture + PlanningA significant and deeply researched examination of the free nineteenth-century Black developers who transformed the cultural and architectural legacy of New Orleans. The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have focused on architectural typology. In Building Antebellum New Orleans, Tara A. Dudley examines the architectural activities and influence of gens de couleur libres —free people of color—in a city where the mixed-race descendants of whites and other free Blacks could own property. Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley re-creates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.

DKK 290.00
1

The New Latin American Cinema - Zuzana M. Pick - Bog - University of Texas Press - Plusbog.dk

The New Latin American Cinema - Zuzana M. Pick - Bog - University of Texas Press - Plusbog.dk

During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry—history, authorship, gender, popular cinema, ethnicity, and exile—and explores them through detailed discussions of nearly twenty films and their makers, including Camila (María Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.

DKK 214.00
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Latin America's New Historical Novel - Seymour Menton - Bog - University of Texas Press - Plusbog.dk

Latin America's New Historical Novel - Seymour Menton - Bog - University of Texas Press - Plusbog.dk

Beginning with the 1979 publication of Alejo Carpentier''s El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa''s La guerra del fin del mundo, Abel Posse''s Los perros del paraíso, Gabriel García Márquez''s El general en su laberinto , and Carlos Fuentes'' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide''s Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar''s A estranha nação de Rafael Mendes, and Angelina Muñiz''s Tierra adentro.

DKK 214.00
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New Directions in Israeli Media - - Bog - University of Texas Press - Plusbog.dk

New Directions in Israeli Media - - Bog - University of Texas Press - Plusbog.dk

A comprehensive analysis of the major trends and developments in contemporary Israeli media. In the twenty-first century, Israeli filmmaking has transformed from a localized industry into a globally recognized and diverse national cinema, its filmmakers gaining prominence internationally and introducing new themes, aesthetics, and voices to the scene. At the same time, Israeli television shows have emerged as a dominant force, propelled by the spread of streaming. Through the rise of online content creation and consumption, especially in the 2010s, new voices have revolutionized the creative landscape. With Israel’s position at the cutting edge of technology and virtual platforms, Israeli media has seen a boom, winning prizes at international film festivals and adapting shows like Euphoria, Homeland, and Fauda for wider audiences. In New Directions in Israeli Media, thirteen contributors detail the shifting dynamics of Israeli cinema, television, and online content in the digital age, exploring how globalization, technological advances, and changing audience preferences are reshaping creative industries. Editors Yaron Peleg, Eran Kaplan, and Ido Rosen have assembled a volume that prompts critical reflection on the intersection of art, technology, and culture in a rapidly changing media landscape.

DKK 477.00
1

All New, All Different? - Allan W. Austin - Bog - University of Texas Press - Plusbog.dk

All New, All Different? - Allan W. Austin - Bog - University of Texas Press - Plusbog.dk

Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television.Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

DKK 278.00
1

All New, All Different? - Allan W. Austin - Bog - University of Texas Press - Plusbog.dk

All New, All Different? - Allan W. Austin - Bog - University of Texas Press - Plusbog.dk

Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television.Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

DKK 831.00
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New Maricon Cinema - Vinodh Venkatesh - Bog - University of Texas Press - Plusbog.dk

New Maricon Cinema - Vinodh Venkatesh - Bog - University of Texas Press - Plusbog.dk

Recent critically and commercially acclaimed Latin American films such as XXY , Contracorriente , and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate , No se lo digas a nadie , and El lugar sin límites . Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of “gay friendly” commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America.

DKK 671.00
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Dancing the New World - Paul A. Scolieri - Bog - University of Texas Press - Plusbog.dk

Dancing the New World - Paul A. Scolieri - Bog - University of Texas Press - Plusbog.dk

Winner, Oscar G. Brockett Book Prize in Dance Research, 2014 Honorable Mention, Sally Banes Publication Prize, American Society for Theatre Research, 2014 de la Torre Bueno® Special Citation, Society of Dance History Scholars, 2013 From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.

DKK 432.00
1

News from the New American Diaspora - Jay Neugeboren - Bog - University of Texas Press - Plusbog.dk

News from the New American Diaspora - Jay Neugeboren - Bog - University of Texas Press - Plusbog.dk

Prize-winning novelist Jay Neugeboren''s third collection of short stories focuses on Jews in various states of exile and expatriation—strangers in strange lands, far from home. These dozen tales, by an author whose stories have been selected for more than fifty anthologies, including Best American Short Stories and O. Henry Prize Stories , span the twentieth century and vividly capture brief moments in the lives of their characters: a rabbi in a small town in New England struggling to tend to his congregation and himself, retirees who live in Florida but dream of Brooklyn, a boy at a summer camp in upstate New York learning about the Holocaust for the first time, Russians living in Massachusetts with the family who helped them immigrate. In "The Other End of the World," an American soldier who has survived life in a Japanese prisoner of war camp grieves for members of his family murdered in a Nazi death camp, and in "Poppa''s Books" a young boy learns to share his father''s passion for the rare books that represent the Old World. "This Third Life" tells of a divorced woman who travels across Germany searching for new meaning in her life after her children leave home, while both "His Violin" and "The Golden Years" explore the plight of elderly Jews, displaced from New York City to retirement communities in Florida, who struggle with memory, madness, and mortality. Set in various times and places, these poignant stories are all tales of personal exile that also illuminate that greater diaspora—geographical, emotional, or spiritual—in which many of us, whether Jews or non-Jews, live.

DKK 177.00
1

Gardens of New Spain - William W. Dunmire - Bog - University of Texas Press - Plusbog.dk

Gardens of New Spain - William W. Dunmire - Bog - University of Texas Press - Plusbog.dk

When the Spanish began colonizing the Americas in the late fifteenth and sixteenth centuries, they brought with them the plants and foods of their homeland—wheat, melons, grapes, vegetables, and every kind of Mediterranean fruit. Missionaries and colonists introduced these plants to the native peoples of Mexico and the American Southwest, where they became staple crops alongside the corn, beans, and squash that had traditionally sustained the original Americans. This intermingling of Old and New World plants and foods was one of the most significant fusions in the history of international cuisine and gave rise to many of the foods that we so enjoy today. Gardens of New Spain tells the fascinating story of the diffusion of plants, gardens, agriculture, and cuisine from late medieval Spain to the colonial frontier of Hispanic America. Beginning in the Old World, William Dunmire describes how Spain came to adopt plants and their foods from the Fertile Crescent, Asia, and Africa. Crossing the Atlantic, he first examines the agricultural scene of Pre-Columbian Mexico and the Southwest. Then he traces the spread of plants and foods introduced from the Mediterranean to Spain’s settlements in Mexico, New Mexico, Arizona, Texas, and California. In lively prose, Dunmire tells stories of the settlers, missionaries, and natives who blended their growing and eating practices into regional plantways and cuisines that live on today in every corner of America.

DKK 310.00
1

Ballads of the Lords of New Spain - John Bierhorst - Bog - University of Texas Press - Plusbog.dk

Ballads of the Lords of New Spain - John Bierhorst - Bog - University of Texas Press - Plusbog.dk

Compiled in 1582, Ballads of the Lords of New Spain is one of the two principal sources of Nahuatl song, as well as a poetical window into the mindset of the Aztec people some sixty years after the conquest of Mexico. Presented as a cancionero , or anthology, in the mode of New Spain, the ballads show a reordering—but not an abandonment—of classic Aztec values. In the careful reading of John Bierhorst, the ballads reveal in no uncertain terms the pre-conquest Aztec belief in the warrior''s paradise and in the virtue of sacrifice. This volume contains an exact transcription of the thirty-six Nahuatl song texts, accompanied by authoritative English translations. Bierhorst includes all the numerals (which give interpretive clues) in the Nahuatl texts and also differentiates the text from scribal glosses. His translations are thoroughly annotated to help readers understand the imagery and allusions in the texts. The volume also includes a helpful introduction and a larger essay, "On the Translation of Aztec Poetry," that discusses many relevant historical and literary issues. In Bierhorst''s expert translation and interpretation, Ballads of the Lords of New Spain emerges as a song of resistance by a conquered people and the recollection of a glorious past.

DKK 230.00
1

The Artist in New York - Jose Clemente Orozco - Bog - University of Texas Press - Plusbog.dk

The Artist in New York - Jose Clemente Orozco - Bog - University of Texas Press - Plusbog.dk

In his Foreword to this edition, Jean Charlot says: "An unusual feature of Orozco''s letters is the great deal that he has to say about art. That one artist writing to another would emphasize art as his subject seems normal enough to the American reader. Yet, within the context of the Mexico of those days, the fact remains exceptional. The patria Orozco was leaving behind had, even from the point of view of its artists, many cares more pressing than art." The letters and unpublished writings of Orozco from this period (1925-1929) describe an important period of transition in the artist''s life, from his departure from Mexico, almost as a defeated man, to the period just before he received the great mural commissions—Pomona, The New School for Social Research in New York, Dartmouth—that were to bring him lasting international fame.

DKK 181.00
1

Child Martyrs and Militant Evangelization in New Spain - Stephanie Schmidt - Bog - University of Texas Press - Plusbog.dk

Child Martyrs and Militant Evangelization in New Spain - Stephanie Schmidt - Bog - University of Texas Press - Plusbog.dk

Examines the many iterations of a story of child martyrdom in colonial Mexico. A cornerstone of the evangelization of early New Spain was the conversion of Nahua boys, especially the children of elites. They were to be emissaries between Nahua society and foreign missionaries, hastening the transmission of the gospel. Under the tutelage of Franciscan friars, the boys also learned to act with militant zeal. They sermonized and smashed sacred objects. Some went so far as to kill a Nahua religious leader. For three boys from Tlaxcala, the reprisals were just as deadly. In Child Martyrs and Militant Evangelization in New Spain , Stephanie Schmidt sheds light on a rare manuscript about Nahua child converts who were killed for acts of zealotry during the late 1520s. This is the Nahuatl version of an account by an early missionary-friar, Toribio de Benavente Motolinía. To this day, Catholics venerate the slain boys as Christian martyrs who suffered for their piety. Yet Franciscan accounts of the boys’ sacrifice were influenced by ulterior motives, as the friars sought to deflect attention from their missteps in New Spain. Illuminating Nahua perspectives on this story and period, Schmidt leaves no doubt as to who drove this violence as she dramatically expands the knowledgebase available to students of colonial Latin America.

DKK 390.00
1

Conquest of the New Word - Johnny Payne - Bog - University of Texas Press - Plusbog.dk

Conquest of the New Word - Johnny Payne - Bog - University of Texas Press - Plusbog.dk

Latin American fiction won great acclaim in the United States during the 1960s, when many North American writers and critics felt that our national writing had reached a low ebb. In this study of experimental fiction from both Americas, Johnny Payne argues that the North American reception of the "boom" in Latin American fiction distorted the historical grounding of this writing, erroneously presenting it as mainly an exotic "magical realism." He offers new readings that detail the specific, historical relation between experimental fiction and various authors'' careful, deliberate deformations and reformations of the political rhetoric of the modern state. Payne juxtaposes writers from Argentina and Uruguay with North American authors, setting up suggestive parallels between the diverse but convergent practices of writers on both continents. He considers Nelson Marra in conjunction with Donald Barthelme and Gordon Lish; Teresa Porzecanski with Harry Mathews; Ricardo Piglia with John Barth; Silvia Schmid and Manuel Puig with Fanny Howe and Lydia Davis; and Jorge Luis Borges and Luisa Valenzuela with William Burroughs and Kathy Acker. With this innovative, dual-continent approach, Conquest of the New Word will be of great interest to everyone working in Latin American literature, women''s studies, translation studies, creative writing, and cultural theory.

DKK 247.00
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Texas Earthquakes - Cliff Frohlich - Bog - University of Texas Press - Plusbog.dk

Texas Earthquakes - Cliff Frohlich - Bog - University of Texas Press - Plusbog.dk

When nature goes haywire in Texas, it isn''t usually an earthshaking event. Though droughts, floods, tornadoes, and hail all keep Texans talking about the unpredictable weather, when it comes to earthquakes, most of us think we''re on terra firma in this state. But we''re wrong! Nearly every year, earthquakes large enough to be felt by the public occur somewhere in Texas. This entertaining, yet authoritative book covers "all you really need to know" about earthquakes in general and in Texas specifically. The authors explain how earthquakes are caused by natural forces or human activities, how they''re measured, how they can be predicted, and how citizens and governments should prepare for them. They also thoroughly discuss earthquakes in Texas, looking at the occurrences and assessing the risks region by region and comparing the amount of seismic activity in Texas to other parts of the country and the world. The book concludes with a compendium of over one hundred recorded earthquakes in Texas from 1811 to 2000 that briefly describes the location, timing, and effects of each event.

DKK 295.00
1